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Czechs and the others before and after revolution 1848-1849
Nedvěd, Tomáš ; Vaněk, Václav (advisor) ; Hošna, Jiří (referee)
The study focuses on the manners of representations of Czechs and other nations/ethnicities in the journalist work of Karel Havlíček Borovský before and after the 1848-9 revolution. Its methodology is based on concepts and approaches elaborated in the area of literary imagology. The theoretical part of the study deals with the issue of emergence of images, their stereotypical components and the mutual relations between self-image and hetero-image. It also describes the features, functions and the process of formation of national stereotypes. The following chapter describes the development of national-political tendencies emerging in the Czechs lands and corresponding to five different concepts of a nation (Austrianness, Germanness, Slavness, Bohemism and Czechness). The following chapter depicts the course of the revolution, where tensions between the individual national-political tendencies were increasing, and Havlíček's work before and during the revolution. The next chapter analyses the individual stereotypical character features of Czechs and other nations in Havlíček's journalist work in 1846-50. This imagological analysis shows that when constructing the Czech character, Havlíček uses older stereotypical qualities of Slavs (justice, peacefulness, their fundamental democratic nature,...
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Emil František Burian. Self-presentation, representation and memory
STŘELBOVÁ, Tereza
This diploma thesis reveals the processes of shaping the image of Emil František Burian, the theater director, composer, journalist and playwright in three key headings. The first heading explains the principles of self-presentation and choice of characteristic means to build its external image in the changing personal attitudes and social development in the 30th - 50 years of 20th century. The second heading shows the coordinates of cultural policy communist regime and monitors the construction of public image representative of official socialist culture. Both headings are mainly based on a detailed analysis of Burian's theater activity, broadcasting activities and articles in professional and social printing. The third heading of qualification work pays attention to creating individual memory of a systematic effort to build a "cult of personality" of E. F. Burian. Interpretation biography and memories of actors, directors, journalists and politicians attempts to profile the professional and private life of this artist.
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