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Ani tady, ani tam
Hannon, Margaret ; PŠENIČKA, Martin (advisor) ; RAISOVÁ, Michaela (referee)
Ve své diplomové práci se snažím si objasnit, čemu se věnuji a proč. Měla jsem ohromné štěstí, že jsem mohla v životě začít znova. V jedné básni se podařilo zachytit, co jsem v této fázi cítila. Věděla jsem, že chci plně a do hloubky zkoumat to, co jsem studovala na DAMU. Potřebovala jsem se naučit, jak být v klidu a čekat. Uvědomila jsem si, že dech je zcela zásadně spjat s myslí a tělem a přišla jsem na to, jaké trápení může působit ego. Nemyslím tím ego v psychoanalytickém pojetí. Mám na mysli, jak je důležité se oprostit od kritiky, ať už pozitivní nebo negativní, druhých či mé vlastní. Bez tohoto kroku nelze kultivovat vlastní projev. Při psaní jsem vycházela ze sebe a skrze proces psaní jsem byla otevřenější vůči všemu, co jsem se učila na seminářích každý den.
Tajemství tkví v tom, nestarat se o to, jestli jsem dobrá nebo ne. Není důležité být dobrá. Ale být sama sebou. Jak řekl jeden pedagog, „Je to těžké a velmi jednoduché.“ Nakonec jsem dospěla do bodu, kdy jsem o sobě napsala dost. Nyní je čas přemístit ohnisko pozornosti směrem do světa, k divákům.
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External and internal means of acting characterization
Trnková, Kamila ; PAVELKA, Tomáš (advisor) ; HLAVICA, Lukáš (referee)
External and internal means of acting characterization
The diploma thesis deals with the differences between the external and internal means used by the actor in creating the role and the suitability of their use. The author first defines the basics terms with which she works in the course of her work and their mutual relationships. Than she deals with self-stylization as a factor that influences actor in real life and consequentlly also during his profession. At the hearth of the work is the author´s reflection on her own acting dewelopment in the context of the initial rejection of external actors, and their subsequent admission. The lessons learned by the author to analyze the possible advantages and disadvantages of the chosen medium have gained from the experience gained during the DAMU studies, the first experience in film acting and the professional theater scene.
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SELF-CONFIDENCE AND FREEDOM IN ACTING
Kaňoková, Beáta ; SALZMANNOVÁ, Eva (advisor) ; PAVELKA, Tomáš (referee)
My thesis deals with lack of self-confidence and lack of freedom in acting that comes with it. It tries to search and denominate single aspects which can lead to stated issue or eventually to its intensifying. Furthermore it’s a subjective reflection of my entire studies at Theatre Faculty since my first year until graduation productions at Disk theatre
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Searching for personal theme while creating a role
Ernest, Adam ; NĚMEC, Marek (advisor) ; DEÁK, Juraj (referee)
The diploma thesis deals with the searching of personal themes in the actor´s creation and their transfer to the spectator through an acting character, when the „personal theme“ in the form of „opinion content“ is, according to the author, one of the basic assumptions of artistic, personal and career development. The author first defines the basic terms related to personality and their interrelationships and then analyzes the basic assumptions, which the actor has to control in order to fulfill his profession. At the core of the work in the reflection on artist´s individuality and thenthe study of the relationship between the personal themes of the creator and the characters he creates. The author uses the knowledge gained from his previous experiences gained during his studies at DAMU, first contact with the professional stage and his views in general.The author also analyzes personal topics related specifically to his person as possible obstacles in performing the acting profession.
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Comedy by Václav Kliment Klicpera
Šotek, Milan ; VOSTRÝ, Jaroslav (advisor) ; JUST, Vladimír (referee)
The resource of this work is the play The Miller’s Monkey, which was compiled by the author of this work for the Prague Estates Theater. The play is based on all completed comedies of Václav Kliment Klicpera written in Czech. Klicpera’s comedy work consequently appeared to be an ideal material to which the generally defined topic of the author’s doctoral study can be taken in: “Between `grand drama’ theatres and small `cabaret’ stages”, thus basically as well as between drama and mime, between theater and cabaret. There is, in crystalline form, the insight of dramaturgic thinking to the author’s approach, which is the essence of such “research by creation” and which we could call “from the scene to the drama”. 16 chapters were created, based on the particular scenes of The Miller’s Monkey, marked in summary “Klicpera’s reservoir of situations, characters and motives”, dealing with specific questions of Klicpera’s comedy world – such as language, acting, the way of managing the plot and many more –, but also comedies by themselves. The resulting play is not only an annex of this dissertation work, but an integral part of it. How its subtitle sounds: playful dissertation
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Sound as Self Expression of Actor
Švédová, Michaela ; SMOLÍK, Robert (advisor) ; JIŘIČKA, Lukáš (referee)
In the first part of my graduate thesis I reflect my artistic journey. From
beginnings of acting, through student theater group work, up to a gradual
transition to my individual creative activity where I am more performing artist
and musician.
In the second chapter I deal with my previous musical and performing
experience, that was preparing me for independent creative work.
The third and most comprehensive section is devoted to
my graduation project called Stroj vedoucí. It is about the technology that I
use in the project, historical development and context, I´m also asking there
questions, which came to me during the whole process.
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Time Lapse of the Jump
Tůma, Daniel ; MAZÚCH, Branislav (advisor) ; TEJNOROVÁ, Petra (referee)
Time lapse of the jump
I try to specify the starting point for my author's work through my experience from the Department of Alternative and Puppet Theater in my diploma thesis, which led me to interest in the creative work as which I try to formulate on the example of our performance EVEN PEOPLE HAVE SOUL.
The whole thesis begins with the chapter called Background, which mentions the benefits of block teaching and its contribution to my further creation. This chapter is subdivided into two subchapters. The first is a reflection on the function and ability of contemporary theater at the time of the digital-technological prosperity, and the second is about the use of these multimedia as a tool whose task is to expand our platform and space for the creation itself as opposed to when the theater tries to come out of the dead end using empty illusion. Continue with an chapter called the Simple Space chapter and its supporting force, paraphrasing Jerzy Grotowski and his interpretation of Poor and Rich Theater and specifying the starting points for the theater space and consequently the creation as such. In the next chapter I am devoted to the anthropological approach serves which me as a mentor and helper on the way to authenticity on the stage. With the other chapters I try to describe what a living process of rehearsing which is complex and linked as one organism means to me and what are the associated contexts in the way of specifying my authorial approach. Then I get to the chapter about the performance EVEN PEOPLE HAVE SOUL itself, where I try to formulate our own way of creating and how we think about it. On a particular scene, I approach the synthesizing approach to theater and other key fragments of form that interests me. I follow with the chapter named Sarajevo, which is the title of one of our clausure works, where I describe the theater, which is able to maintain its authenticity, despite the fact that it deals with a topic like war and events with it that are not easily translatable in to a theater that generalizes is to me and put back these into the context of my views of the theater.
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Acting in Alternative Theatre
Dvořáková, Kateřina ; ADÁMEK, Jiří (advisor) ; HAVELKA, Jiří (referee)
This thesis describes the specific aspects of actors’ work in the productions
directed by Klára Hutečková. The actor shows how the collaboration developer
during the years of study at DAMU, noting that from the very beginning it
exceeded traditional concepts of acting as the creation of a character. The
collaboration culminated in 2015 with the graduation production To the
Lighthouse, up to the Page 73, which made use of experience gained in previous
works. They key part of the thesis id, therefore, analysis of this production,
focusing on the acting and defining three types of means of actors’ expression:
the character, between the character and the intermediary, the intermediary. In
the conclusion, those three types are applied to concrete examples from the
production.
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ACTOR AS A CREATOR OF SOUND COMPONENT IN A AUTHOR`S PROJECT
Kolman, Petr ; ČTVRTNÍK, Jan (advisor) ; ŠRÁMEK, Vratislav (referee)
The bachelor thesis contains a brief insight into the theory of music and sound on
the stage. Describes differences in the use of sound between specific types of
theater. It continues with the personal reflection of the author of the work and
describes his most crucial moments during his studies, when he met with the music
as an actor on stage, how he worked and how he benefited from it.
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