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bude upřesněno
Jakubčíková, Iveta ; Kalfiřtová, Eva (advisor) ; Müllerová, Eva (referee)
This bachelor thesis regards the subject of Comédie-Française, the world's oldest national theatre. Comédie-Française is the only French national theatre with its own troupe of actors and a repertoire of over 3000 theatre plays. The aim of this thesis was to create a modern, compact, Czech-written description of the theatre's history, the differences between its 3 stages and its largely rigid hierarchy structure. The thesis furthermore questioned and tried to answer the competitive ability of a theatre house with a tradition as old as nearly 350 years and a very elaborate system of rules in an era of new media. The history of the theatre begins in 1680, when Comédie-Française was found by a royal decree of Louis XIV. Comédie-Française played an influential role in the arising new art movements, the revolutions and political changes in French society in the course of three centuries. Even though the most recent audience-studies in Comédie-Française were reported in the last century and therefore it is difficult to define today's typical spectator, the theatre did not experience any decline in visitors on average in the last 20 years, which is among other caused by the pro-active approach to reaching younger audiences. 40% of audience members exclusively visits Comédie-Française. One million euros...
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Financing of Czech culture
Beránková, Barbora ; Pokorný, Jan (advisor) ; Hraba, Zdeněk (referee)
Throughout Czech history theatre played a pivotal role in the formation of Czech language and culture. Theatre embodies much of what makes Czech culture unique in Europe, but also ties Czech Republic together with its neighbours who share a similar cultural heritage. This thesis first analyses the development of the institutional and legislative framework of theatre and its financing. In following chapters this thesis offers an overview of the different legal forms of theatres, both profit and non-profit. Specific situation of the theatres still owned by state is examined in detail, explaining and illustrating many of the difficulties and obstacles caused by this form of legal existence. The process of transformation of allowance organizations is then described and evaluated using examples of selected transformed theatres. As a connected issue, the perceived difference between profit oriented and non-profit theatres is examined, which leads to exploration of the relationship between the cultural economic policies and the social importance of culture. In this context, the system of financing of theatres is then explained, detailing both tax legislature and the funding of theatre from public sources. In the closing segment, some ideas for improving the current system of funding are offered for...
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The Tax Assignation and Theater
Gerneš, David ; POKORNÝ, Jiří (advisor) ; VÁVROVÁ, Hana (referee)
Bachelor thesis aims based on an analysis support system theaters in the Czech Republic, the analysis of the tax system in the Czech Republic and analysis of tax assignations in the Slovak Republic, to investigate whether for the Czech theater network, this measure was beneficial and whether it would be worth it to deal with its introduction into practice. The thesis also examines the impact of the introduction of the assignation of income tax on Czech public budgets and polls. Within the survey sent to 120 respondents who were asked about their relationship to culture and whether they would be introducing a possibility for assignations and what area non-profit sector would contribute. On the basis of these steps is then designed a system of assignations suitable for Czech Republic.
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Management and stagione funding on example of the Municipal Theatre Jablonec nad Nisou
Koublová, Simona ; Riedlbauch, Václav (advisor) ; Homindová Römerová, Eva (referee)
The subject of this thesis is to present the characteristics of stagione type of theatre as part of a comprehensive typology of theatres in the Czech Republic presented on example of the Municipal Theatre Jablonec nad Nisou. The theoretical part of the work that is created based on the evaluation of secondary data, describes the legal base of theatres, their funding opportunities, both from public and private sources, further managerial style and the specifics of cultural marketing. The theoretical part is followed by the practical part, which deals primarily with the analysis of the Municipal Theatre Jablonec nad Nisou, along with a glimpse at the activities of the F. X. Šalda Theatre in Liberec and comparison of both theaters. The analytical part is based on in-depth interviews and questioning of the author, and is complemented by research on the perception of the theatre by its visitors. The aim is to determine whether the stagione type of theatre is a perspective for the Czech theatre culture in the future, whether it plays supporting role or merely is only a transitional form.
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