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Czech Film Taste in Sociological Perspective
Smoljaková, Natálie ; Holeček, Tomáš (advisor) ; Balon, Jan (referee)
The aim of this work is to find specific preferences of Czech film consumers. By these specific preferences it is meant the type of stories, heroes or genres which does Czech film audience prefer. The analysis is made on the most popular films (i.e. with the biggest attendance) in last twenty years using the theory of Erving Goffman, especially his concept of frame analysis. By using the terms of frame analysis the content of the selected films is compared with the same amount of the most popular films in USA. This comparison is then used to find the differences or similarities among these two different areas, but in particular it is done to underline the specifics of Czech film audience. Powered by TCPDF (www.tcpdf.org)
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Czech Film Taste in Sociological Perspective
Smoljaková, Natálie ; Holeček, Tomáš (advisor) ; Balon, Jan (referee)
The aim of this work is to find specific preferences of Czech film consumers. By these specific preferences it is meant the type of stories, heroes or genres which does Czech film audience prefer. The analysis is made on the most popular films (i.e. with the biggest attendance) in last twenty years using the theory of Erving Goffman, especially his concept of frame analysis. By using the terms of frame analysis the content of the selected films is compared with the same amount of the most popular films in USA. This comparison is then used to find the differences or similarities among these two different areas, but in particular it is done to underline the specifics of Czech film audience. Powered by TCPDF (www.tcpdf.org)
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Imaginary in film: viewer's perception of the film
Remešová, Iveta ; Řehořová, Irena (advisor) ; Borecký, Felix (referee)
This thesis deals with the film in the psycho-semiotics' meaning. We focus on the viewer's perception of the film and we emphasize the concept of imaginary that is to be explained as mere image (imago) in comparison with the reality of actual gestures and movements and such image is not usually realized by the viewer. The aim of the thesis is to analyze the film from the perspective of the viewer's perception of the film and to apply acquired knowledge to the reception of Kill Bill Vol. 1 and 2 film. We want to find out whether and under what conditions the viewer becomes aware of the imaginary that is ubiquitous in the film. We're looking for viewer's semiotic and cognitive attitudes to the film art. We also try to describe the influence of elements, which have some effects on the viewer during watching a movie, such as emotions, movement, connotative meanings in the film or positive and negative characters etc.
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Animated feature-length movies and their position in Czech cinemas
Králová, Pavla ; Hanzlík, Jan (advisor) ; Blažková, Eva (referee)
This thesis discusses the animated movies, which are distributed to cinemas, and Czech moviegoers. It presents the historical progress in feature-length animated movies followed by their distribution to Czech cinemas. It focuses on film marketing and then characterizes Czech moviegoer. The practical part of thesis analyses the change of the position of feature-length animated movies in Czech cinemas during certain period of time. The analysis is followed by questionnaire aiming to discover why people go to the cinemas to watch animated movies. The conclusion contains the comparison of the results of questionnaire with the hypothesis and the position of feature-length animated movies in Czech cinemas.
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