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Air conditioning in the theater
Lenhart, Marek ; Vlček, Petr (referee) ; Blasinski, Petr (advisor)
The Bachelor’s dissertation is divided into three parts: theoretical, computational and design. The theoretical part is focused on heat recovery systems in air condition. The computational and project part deal with the design of air ventilation, heating and air conditioning theater.
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Marketing Strategy of Community Centre Rubín in Brno
Varmužová, Romana ; Urbánek,, Jiří (referee) ; Chlebovský, Vít (advisor)
The main objective of this thesis is the description and complex evaluation of the functioning of the Cultural House Rubin in Brno Žabovřesky in the context of the neighborhood and the city, and create a strategy for its further development. Thesis deals with marketing of culture and describes the functioning of the House of Culture, its program and service offerings, visitors and defines its position within the city. It also contains characteristics of major competitors in the cultural context and sets hypotheses for the practical examination.Research part consists of quantitative research - in the form of a survey among the target audience. The conclusion contains a summary of findings from the theoretical part and practical research and their incorporation into the overall marketing strategy of Community Centre Rubín in Brno.
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Expérience Grand-Guignol: a project description from the viewpoint of the dramaturg
Kebrtová, Helena ; HANČIL, Jan (advisor) ; SCHEJBAL, Milan (referee)
This Master Thesis describes the Expérience Grand-Guignol project, consisting on the one hand of research of the texts preserved in the Parisian Theatre Grand-Guignol (1897 – 1963) and on the other hand of a graduation performance in Theatre DISK which staged four plays from the repertory of this famous theatre of horrors. The Expérience Grand-Guignol project explored in practice various approaches to the historical material of Grand-Guignol placed in a contemporary context. It examined limits of the genre and methods of staging favorable to the Grand-Guignol experience today. The thesis is structured in three parts. The first part presents the Grand-Guignol theatre phenomenon, its history and theory compiled from accessible literature. The second part is dedicated to a detailed preparation and realization of the project. It presents four performed shows, including the overall set design and storyline, which provides the frame for the cycle. The last part presents a short reflection on fear as an effect of a theatre performance, a summary of observations from the practical examination, and an evaluation of project.
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Symbol and physical theatre
Votočková, Kateřina ; SOPROVÁ, Jana (advisor) ; BENČIK, Juraj (referee)
The aim of the thesis is to survey the connections among basic concepts like symbol, archetype, story in connection with their use in physical theatre. The symbol itself is more visual than verbal and therefore it works as one of the basic elements of the physical theater production. By defining common definitions seen in the wider context associated with the concepts of physical theater – whether it's mimésis, sign, symbol or archetype – the thesis aims towards the essence of the nonverbal dramatic works, namely the plot and the story. I link overall conclusions of researched terms and practical production concept on example of project Uroboros by Barbora Debnárová.
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Encounter of two worlds
Křížková, Karolína ; SOPROVÁ, Jana (advisor) ; CAPKO, Štefan (referee)
The aim of this bachelor thesis is to introduce the production of Forman brothers Forman and transformation of their work from atypical spaces to the official scenes. The functioning of this transformation is described in projects: La Belle et la Bete/Beauty and the beast, A walk worthwile, Čarokraj and Hansel and Gretel.
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Brothers Fratellini
Vanacká, Anna ; CAPKO, Štefan (advisor) ; SOPROVÁ, Jana (referee)
The purpose of this bachelor thesis is to introduce the life and the work of a popular Clown Trio known as the Brothers Fratellini. Their work is viewed in the context of general need the in society for the persona of a clown and also through the Trio's significant effect it has had on the future generations of artists, like Voskovec and Werich.
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Light design in nonverbal theatre
Stará, Eva ; CAPKO, Štefan (advisor) ; SOPROVÁ, Jana (referee)
This thesis concentrates on the subject of light design and its application in nonverbal theatre. This thesis introduces the different technical and esthetic possibilities and techniques when working with light in such a way so that one can precieve its versatility and use it in ones own production. Its aim is to simplify communication and work with the light designer.
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Hip hop as a dance style and its application in a stage choreography
Machovičová, Simona ; ELIÁŠOVÁ, Bohumíra (advisor) ; JANEČEK, Václav (referee)
My Diploma Thesis deals with a hip hop as a dance style called also hip hop dance. First, I briefly described hip hop as a culture in general and then paid closer attention to the one of the most important section the dance itself. I described formation and gradual advancement of the hip hop dance, I characterized the way of movements in this style and I dealt with its classification and categorization. I tried to find a way which hip hop dance has undergone from the street, where it was created, into the dance schools and studios and finally into the theatre stages. I was searching for the theatre hip-hop dance performances, which have been fortunate to be spread all over Europe and I have picked one of them for the detail analysis. Last but not least, the part of my Diploma Thesis is a survey in a form of questionnaire trying to find out opinion of the current dance community in a question of hip-hop dance style and its application in a stage choreography and all in all in a theatre environment.
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Costume as a scenic element
Částková, Monika ; NĚMEČKOVÁ, Elvíra (advisor) ; WIESNER, Daniel (referee)
In my thesis titled "Costume as a scenic element" I wanted mostly focus on the possibilities of using the costume in stage design. My goal was to answer the question whether it is possible to exploit the costume as the only stage design element, based my on my own choreographic experience and studying work of selected renowed choreographers who, I believe, have created this way.
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