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Education of audience in Czech theaters nowadays ( Educational drama from the other side)
Frančíková, Barbora ; Valenta, Josef (advisor) ; Kasíková, Hana (referee)
Bachelor thesis describes the impact of theater lectors in specific czech theaters and educational methods of their work with a child spectator. In theoretical part of this thesis is defined general problematic of education of the spectator, approach of the theatrical art to the child spectator in particular. Further is presented a goal and content of a work of theater lector and definition of his relation with school environment. Practical part shows two models of impact of theater lectors in czech theatres with focus on educational methods used when working with child spectator. Key words: Education of child spectator, theater lector, educational methods of theater lector, reception and reflection of theatrical art, school environment, development of personality
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ACCOMPANYING PROGRAMMES IN THEATRES
Černá, Tereza ; KAŠPAR, David (advisor) ; SVOBODOVÁ, Doubravka (referee)
The present diploma thesis discusses the use of accompanying programmess as a resource for building audiences for theatres as well for some other types of culture institutions. Its aim is to present an overview of the current situation for developing this kind of activities in the Czech context, both from the perspective of the institutions involved, and from the perspective of culture politics.
The introductory section of the present work defines the key notions of the issue of accompanying programmess, above all defining the accompanying programme itself and its relation to the main programme.
The thesis extensively discusses strategic documents and cultural policies relevant both in terms of the European Union and the Czech Republic. This section forms the main part of the thesis, outlining as it does both political and legislative premises which can play a crucial role for the future orientation of cultural institutions in this area.
Further on, I discuss the introduction of accompanying programmess into theatre practice in the form of the activity of theatre coach, and define target groups and forms of programming. Last but not least I also look at research studies that have been conducted in the field, regarding the conditions for audience development in Czech cultural institutions.
The conclusion of my thesis presents a case study of the accompanying programmess at the National Theatre, Prague. This section focuses mainly on the activities of the Drama and Ballet ensembles, their different approaches to this issue, as well as their collaboration in the form of a joint platform ND+, which is intended in the future to be an umbrella for all the accompanying programmess of all of the National Theatre ensembles.
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