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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Influence and impact of digital film distribution on art-house cinemas
 Žůrek, Tomáš ; DANIELIS, Aleš (advisor) ; VÍTEK, Petr (referee)
Digitalization of cinemas brings the biggest change in the distribution of films in the last decades and its impact affects all cinemas worldwide. The new programming options, extended range of alternative content and deeper dramaturgy are among other news which have been brought by digitalization. Are these new opportunities sufficient to make the classic and art-house cinemas competitive with multiplex? The content of this work is analyse of the art-house cinemas in the Czech Republic. It explores the impact of digital distribution of films on these cinemas. Financing and technological changes which cinemas had to go through during the process of digitalization is the main focus of the work. The overall evaluation of the impact of digitization on the art-house cinemas is based on a comparison of art-house cinemas and their data relating to the digitalization and results of the questionnaire which has been sent to selected cinemas. The last part contains a brief comparison of the process of digitization of cinemas in the Czech Republic, The UK and Slovakia.
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Digital Cinema and DCP
 Votýpka, Vojtěch ; MYSLÍK, Jiří (advisor) ; JÍCHA, Marek (referee)
This thesis has choosed for a topic the digital cinema package workflow. And the possibilities of DCP presentation in nowdays modern DCI digital cinema. In the beginning, the tema is based on the general media theory and the development od visual mass media. Than it comes to very komplex observation of all the workflow and consistance with all of its aspects, which make any influence on the whole process of succesfull finalization and presentation of the audiovisual product in as most possible high quality. The thesis observes the aspects of digital cinema subjectivly and objectivly at once. It wants to describe all the problematics included. It just has the aim to explore the future problems and avoid what was done wrong in history. For instance try to avoid to accept some insufficient standards like in the case of past television technologies. The end of the film print needs to take more care about what we will have to watch in the future. The thesis aim to bunch of questin fit to digital high resolution screening 2K and 4K. Just switched for the old high developer 35mm one. There is a quite wide tolerance in DCI specification allowing decrease the quality od DCI theaters. It leads to semiprofessional theaters with unperfect setup of whole projection system. The cinematographer has to control the process once again from shooting with camera to screen from projector. We need to have the full control when transforming the binary code back to the screen to achieve perfect image. Very important part of this work is its practical part. The research made in 5 Prague Posthouses, who had got a special source sequence to test for DCP export as 2K container. The technical appendix can be found in DVD.part of the thesis.
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