National Repository of Grey Literature 6 records found  Search took 0.00 seconds. 
Untitled
Tomanová, Anna ; Hrončeková, Ivana (referee) ; Ambrůz, Jan (advisor)
Action focused on an experiment with human physical and psychological balance. Presented work is an experiment based on a week I spent non-stop alone in abandoned factory six meters above the floor balancing on a girder.
Identity Background
Kleinerová, Zuzana ; Kleinerová, Klára (referee) ; Klodová, Lenka (advisor)
Diploma thesis Background identity is a series of events through which I am trying to find a harmony between the magic of art and life. I decided to initiate the situation, "performance" mediating an authentic, strong feelings. I tend to performance associated with life in the self-reflective approach. Based in my own performative practice in which the strength and authenticity is reflected primarily in the exchange of energy between the audience and the performer. I started to define an ideal conditions for performance to achieve this exchange, authentic experience and mutual perception of the situation within the relationship between "performer" and "spectator". In November 2015 I planned "authentic performances " series . The mutual forming of "performing" act I have anchored in the concept of identity, which is infinitely formed in relationships and the never-ending negotiation process. In the name of authenticity I am exposing myself within the anonymity of public space and waiting for the moment of identification. Waiting for concrete spectator who is already a part of me within a certain social role. Unexpected intervention into the everyday life of concrete person make the opportunity of authentic experience. Experience which is a part of his everyday life completes the action, giving the context. During the realization I got the opportunity to exhibit in the Palais de Tokyo. Aware of the significance of this opportunity for the development of my own artistic career I have decided to accepted it as a challenge. Although the terms of institution are utter contradiction of those conditions I had defined previously for authentic experience. In the name of authenticity and my principles I decided to be present in the role of spectator. To be invisible to this prestigious gallery. Be invisible to the artistic group Delta Total through which I had the opportunity to exhibit. To be inside and outside in the same time. The starting point of the last part is a necessity with the goal to get a master's degree. The necessity of outcome for jury can also betray my ideals of living authentic event. I should mediate all the experience of past events (to date 20th of April- thirty-three events) which happened in so many different places in the space of "Malá Amerika" in Brno...
Light as an image. Light in Czech fine art from the 1940s to the present days
MICHALINOVÁ, Denisa
The subject of this master thesis is the phenomenon of light as a specific artistic medium. The main focus will be put on issues of non-narrative light installations, the dichotomy of picture/image and light (projected light, projected picture/image), light and space (changes in perception due to light intervention) and their synthesis, the symbolism of light and its transformations. The aim is to describe the context of the inclinations towards light as an artistic medium in the work of selected artists and to explain the links of this shift towards new forms of fine art especially after 1989. The argumentations will be based on the works of key personalities of the Czech and foreign art scene, namely the work of Zdeněk Pešánek (1896-1965), Dan Flavin (1933-1996), James Turrell (*1943) and others. The text will map related manifestations and tendencies in contemporary Czech art through a critical naming of the methods and procedures of light creation by these artists.
The Art of Idea. Theory of Conceptual Art.
RADOVÁ, Lucie
This bachelor thesis deals with conceptualism in visual arts. It introduces basic ideas of conceptual art and applies it to selected classical aesthetic concepts (Šklovskij's method of refinement). The thesis also presents three authors of conceptual art, whose work shows the use of theory in practice. It then moves to an art movement that does not agree with the concepts of conceptual art (conflict between the Stuck movement and conceptual art, painting x concept). Finally it explains the relationship and the proximity between conceptualism and philosophy.
Untitled
Tomanová, Anna ; Hrončeková, Ivana (referee) ; Ambrůz, Jan (advisor)
Action focused on an experiment with human physical and psychological balance. Presented work is an experiment based on a week I spent non-stop alone in abandoned factory six meters above the floor balancing on a girder.
Identity Background
Kleinerová, Zuzana ; Kleinerová, Klára (referee) ; Klodová, Lenka (advisor)
Diploma thesis Background identity is a series of events through which I am trying to find a harmony between the magic of art and life. I decided to initiate the situation, "performance" mediating an authentic, strong feelings. I tend to performance associated with life in the self-reflective approach. Based in my own performative practice in which the strength and authenticity is reflected primarily in the exchange of energy between the audience and the performer. I started to define an ideal conditions for performance to achieve this exchange, authentic experience and mutual perception of the situation within the relationship between "performer" and "spectator". In November 2015 I planned "authentic performances " series . The mutual forming of "performing" act I have anchored in the concept of identity, which is infinitely formed in relationships and the never-ending negotiation process. In the name of authenticity I am exposing myself within the anonymity of public space and waiting for the moment of identification. Waiting for concrete spectator who is already a part of me within a certain social role. Unexpected intervention into the everyday life of concrete person make the opportunity of authentic experience. Experience which is a part of his everyday life completes the action, giving the context. During the realization I got the opportunity to exhibit in the Palais de Tokyo. Aware of the significance of this opportunity for the development of my own artistic career I have decided to accepted it as a challenge. Although the terms of institution are utter contradiction of those conditions I had defined previously for authentic experience. In the name of authenticity and my principles I decided to be present in the role of spectator. To be invisible to this prestigious gallery. Be invisible to the artistic group Delta Total through which I had the opportunity to exhibit. To be inside and outside in the same time. The starting point of the last part is a necessity with the goal to get a master's degree. The necessity of outcome for jury can also betray my ideals of living authentic event. I should mediate all the experience of past events (to date 20th of April- thirty-three events) which happened in so many different places in the space of "Malá Amerika" in Brno...

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