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Rěžie Autorského Divadla
Lalos, Evangelos ; HANČIL, Jan (advisor) ; MALANÍKOVÁ, Hana (referee)
V této práci se budu zabývat svým kreativním procesem jakožto režiséra souborů, které se věnují autorskému divadlu. Od prvních pokusů vytvořit hru a pocitů zadostiučinění, které jsem během kreativního procesu pociťoval, až po roky v,,TeArt”, kde jsem si na vlastní kůži vyzkoušel, co to znamená být režisérem skupiny sobě rovných kreativních jedinců; Dále se budu věnovat svým studiím na dvou školách, DAMU a Resad. Tomu, co jsem se během těchto let v průběhu prohlubování mých dovedností naučil, až k poslednímu projektu, ve kterém věřím, že jsem převedl do praxe všechny své získané znalosti. Jedná se o úvahu, která klade vedle sebe teorii autorského divadla a mojí vlastní dosaženou praxi.
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ON MOTIVE OF A MYTH, ON MOTIVE OF A DREAM
Černá, Tereza ; SMOLÍK, Robert (advisor) ; BAŽANT, Jan (referee)
This diploma thematically follows on my bachelor thesis The Choices for stagemanaging
native tribes' mythic narrativesfrom the point of view of the stage designer.
In my Bachelor Thesis I focused mainly on the research that preceded the production
of my bachelor show Drink coffee, ride reindeer, as well as the mapping of the work
itself, including the reflection. Now I extend my field of interest. I deal with myths,
fairy tales and dreams, both in my own and in foreign works. I try to point out the
points of contact between these three phenomena and to find their manifestations in
the theater as well as in the visual arts. At the same time, I devote myself to
describing how I build my own production, what is important to me in creation, and
where I notice similar trends in other contemporary art.
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SHARED MEMORY AS DRAMATURGICAL STARTING POINT
Klimešová, Anna ; NOVÁK, Vladimír (advisor) ; KLÍMA, Miloslav (referee)
This bachelor thesis deals with the shared memory as inspiration for the devised theater. Thesis is divided into two main parts. The first part of the work titled Shared memory as a dramaturgical starting point explores the relationship between memory and devised theater. In the second part of my thesis I analyze and reflect the rehearsing process of bachelor performance Barunka is leaving.
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PUPPETS ON BOARDERS OF VISIBILITY
Migač, Dominik ; SMOLÍK, Robert (advisor) ; TÄUBELOVÁ, Kristýna (referee)
In my thesis I would like to present my originalplay uSputnik , on which i have worked on since April 2015 and until January 2016. It was inspired by historical events, especially Cold war. During my participation on this project, i was getting my inspiration from my other work, which contain another play called MicroDěj and also whole theatre that i created called MicroMikro, which is movable stage especially design for micro plays. MicroMikro and uSputnik were created at the same time, so in the context of the thesis, they are discussed simultaneously. Thesis contains infromations about ideas behind each project, as well about dramaturgy, technical aspects, making of, rehersing and the spectators. Thesis also cointans author thoughts about his personal gain from this project and what he thinks can be usefull for another projects in the future. Part of the thesis is focused on other authors, who are working with the puppets on the borders of visibility.
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ACTOR AS A CREATOR OF SOUND COMPONENT IN A AUTHOR`S PROJECT
Kolman, Petr ; ČTVRTNÍK, Jan (advisor) ; ŠRÁMEK, Vratislav (referee)
The bachelor thesis contains a brief insight into the theory of music and sound on
the stage. Describes differences in the use of sound between specific types of
theater. It continues with the personal reflection of the author of the work and
describes his most crucial moments during his studies, when he met with the music
as an actor on stage, how he worked and how he benefited from it.
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The concept and reception of an authorial performance
Mikulska, Olga ; PILÁTOVÁ, Jana (advisor) ; ČECHOVÁ, Eva (referee)
This thesis focuses on defining the term „group authorial performance“ based on author‘s experiences gained while performing and discussing an authorial play Caza casasueños during the artistic project Authorial Theatre in a community without theatre awareness that took place in Colombia, in July and August 2016. It shows the origins of the idea and emphasizes the continuous process of creating authorial performance achieved through specific relation between authors-actors and spectators.
In the main part author describes the reactions and feedback received from the Guadalupean participants of the project. By adducing experiences with audience from other places in Colombia, the author shows how the performance was changing and underlines the influence of culture on a general human way of perceiving reality.
At the end, the author reflects on the manner of forming a group authorial performance in relation to the works and thoughts of great theatre creators: Augusto Boal, Eugenio Barba and Jerzy Grotowski.
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Creation of Authorial Project
Týmal, Antonín ; HAVELKA, Jiří (advisor) ; MĚCHÁČEK, Tomáš (referee)
This thesis is based on author's personal experiences, acquired during the
process of creation of different authorial projects. In the first chapter, the author
describes a way, he understands authorship and authorial mindset of creation,
then he analyse the process of creation of authorial puppet performance Once
upon a Verne. He's finding problematic parts of creation, solutions and more
convenient methods and comparing it with the other projects he was
participating.
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The Impact of Study on my Personal and Dramatic Development
Kosková, Petra ; ADÁMEK, Jiří (advisor) ; ŠRÁMEK, Vratislav (referee)
In this master thesis I focused to summarize especially from my point of view the study at the Department of Alternative and Puppet Theatre. The aim was to describe the education and clarify the problems, which have occured during my study. Further to explain what impact had the study on my actor´s and personal growth and my exceptions to it. With this master thesis I also tried to illustrate the author´s work which arise during four-year study on DAMU
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ONE OR TWO SCENIC DESIGNERS
Brejcha, Jan ; SMOLÍK, Robert (advisor) ; TÄUBELOVÁ, Kristýna (referee)
This master´s thesis tries to compare and evaluate experiences of the author from his master´s studies. On six selected plays it compares three types of theatre performances – theatre of a big scene (plays Plné ruce revoluce and Cejch), theatre of a puppet scene (plays Slzy ošlehaných mužů and Frankenstein) and author´s production (plays Proroctví severoamerických indiánů and Cern). It investigates its specifics, advantages and disadvantages.
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Two poetics of author's theatre: Semafor and Studio Ypsilon
Baloušová, Lucie ; Smrčka, Jiří (advisor) ; Píšová, Ina (referee)
The diploma thesis focuses on small scene theaters which developed in the 1950s and represent a unique generational movement within the Czech cultural framework. This final project aims to describe the distinctive poetics of two of the Czech small theaters - the theatre Semafor and Studio Ypsilon. The description itself is based on the analysis of the original dramatic texts produced by their main representatives, Jiří Suchý and Jan Schmid. The thesis opens with the domain of the small scene theaters as such, its definition and characteristics. In order to provide a comprehensive perspective on the matter, the authorial theater and its specifics is further discussed. The main part of this thesis then concentrates on the origins of the two theaters, their profiles during the period of 1960s to 1990s and, eventually, their present form. Finally, despite the different conditions of existence of the two theaters, and the cultural, historical and political context, a comparison of the two poetics is proposed. KEYWORDS small scene theatre, author's theatre, theatre Semafor, Studio Ypsilon, Jiří Suchý, Jan Schmid, drama, dramatic text, poetics
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