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Walking through the landscape, picking herbs together
Bernadová, Antonie ; Johnová, Martina (referee) ; Lungová, Barbora (advisor)
One goal of the work is to update herbalist practice for the current context of possible futures from a queer ecological perspective - to present a guide that can be read through the lens of inclusive prepperism. Furthermore, it strives to record and map the solidarity and community uses of herbs, mushrooms and woody plants in the author's social connections. The work is viewed in the context of collective care, resilience and its possibilities. Thematically, the work is straddled by the successive branching of intersectional contexts, an assemblage of media, memories and experiences. It is a compendium of recipes for working with herbs, mushrooms and woody plants collected among friends, supplemented by recipes from personal practice. The recipes are interwoven with stories, interviews, testimonials and experiences. The work is a multimedia c It takes the form of a digitized book. The text is complemented by original illustrations, audio content and video. To increase accessibility, the book will be freely available on the internet.
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Walking through the landscape, picking herbs together
Bernadová, Antonie ; Johnová, Martina (referee) ; Lungová, Barbora (advisor)
One goal of the work is to update herbalist practice for the current context of possible futures from a queer ecological perspective - to present a guide that can be read through the lens of inclusive prepperism. Furthermore, it strives to record and map the solidarity and community uses of herbs, mushrooms and woody plants in the author's social connections. The work is viewed in the context of collective care, resilience and its possibilities. Thematically, the work is straddled by the successive branching of intersectional contexts, an assemblage of media, memories and experiences. It is a compendium of recipes for working with herbs, mushrooms and woody plants collected among friends, supplemented by recipes from personal practice. The recipes are interwoven with stories, interviews, testimonials and experiences. The work is a multimedia c It takes the form of a digitized book. The text is complemented by original illustrations, audio content and video. To increase accessibility, the book will be freely available on the internet.
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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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Collage and its development peripeties with in connection to nontraditional means of expression and artistic techniques
Marxová, Lenka ; Bláha, Jaroslav (advisor) ; Uhl Skřivanová, Věra (referee)
The topic of this diploma thesis is the development and transformation of a collage which overlaps to non-traditional expression means and art techniques. The theoretical part deals with the change of a collage and its peripetials. It presents reflections on what still can be considered a collage, not only in terms of techniques with collages closely related (eg, assemblages, de-collage), but mainly in terms of the individual principles that allow to grasp collage as a concept and to observe it in various domains. The issue of a collage, examined in the theoretical part, is transformed into a thematic serie, which is presented in the form of didactic structures that were implemented in school practice and reflected by the teachers. The artistic part depicts an author's project using one of the presented collage principles - joining of individual components into the resulting whole. The project, among other things, deals with the question of whether it is possible to construct an identity of a certain place using visual records of different participants separate pages of the book. Key words: collage, assemblage, de-collage, montage, crumple technique, technique of stratification, cumulation, art object, installation, concept, body art, digital collage, net art, art education
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Collage and its development peripeties with in connection to nontraditional means of expression and artistic techniques
Marxová, Lenka ; Bláha, Jaroslav (advisor) ; Uhl Skřivanová, Věra (referee)
The topic of this diploma thesis is the development and transformation of a collage which overlaps to non-traditional expression means and art techniques. The theoretical part deals with the change of a collage and its peripetials. It presents reflections on what still can be considered a collage, not only in terms of techniques with collages closely related (eg, assemblages, de-collage), but mainly in terms of the individual principles that allow to grasp collage as a concept and to observe it in various domains. The issue of a collage, examined in the theoretical part, is transformed into a thematic serie, which is presented in the form of didactic structures that were implemented in school practice and reflected by the teachers. The artistic part depicts an author's project using one of the presented collage principles - joining of individual components into the resulting whole. The project, among other things, deals with the question of whether it is possible to construct an identity of a certain place using visual records of different participants separate pages of the book. Key words: collage, assemblage, de-collage, montage, crumple technique, technique of stratification, cumulation, art object, installation, concept, body art, digital collage, net art, art education
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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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Haptic diaries
ŠTĚCHOVÁ ŽÁKOVÁ, Marie
These theses attempt to sketch the notion of touch in relation to art and everyday life. The first chapter deals closer with the sense of touch phenomena, introduce and characterize the touch communication, deals with creative types according to Viktor Lowenfeld, talks about haptic, art and touch. Later we introduce various types of diaries, psychological aspects of keep diaries and we also deal with diaries and taktilism relations. Third chapter has practical orientation and describe the meaning of haptic diaries. Last but not least it introduces particular haptic objects ? asamblages through the form of free associations. There are together 7 haptic objects created as a part of this theses.
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