National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Art-critique work of Jiri Setlik and Czech art critique of the 1960s
Sládková, Hana ; Köpplová, Barbara (advisor) ; Pelánová, Anita (referee)
The "Art-critique work of Jiri Setlik and Czech art critique of the 1960s" text describes the approach, sources and method of Jiri Setlik, important Czech theoretician and historician of art and art critic. The text follows his work in three different periods of the Czech afterwar art and art theory (1950s and 60s, the normalization period of 1970s and 80s and after the 1989). The structure of the first part of the text follows these periods, that represent different enviroment, possibilities and inspirations, mentioning the important cultural and art scene events, practical background of exhibiting, art writting, journalism or pUblishing and other circumstances that influenced the approach, style and work of Jiri Setlik and his colleagues. For each period, several art-critical texts of Jiri Setlik are selected, that are representative of his style development and also situation given by the culture and politics of that time. The second part of the text defines the art-critique method of Jiri Setlik in context of the contemporary art-critique theory and practice of 1960s, which is considered the most influential until today. Powered by TCPDF (www.tcpdf.org)
Receptions of Ilya Repin's artworks and exhibitions of Russian artists in Prague 1900-1953
Buzykanova, Sofya ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
This barchelor thesis aims to examine the receptions of exhibitions of Russian artists, which took place in Prague in the first half of the 20th century, with an emphasis on the work of the well - know Russian painter Ilya Yefimovich Repin. This thesis will observe transformation of the reception of Russian art under differen historical circumstance that the Czech lands and Russia went through and in the context of the changing attitude of Czech society towards Russian culture. It will be based on the example of the work of I. Repin. The first large group exhibition of Russian artists in Prague took place in 1900, when Russia was struggling sharply with the question of nationalism and the uprising revolutional movement. During the First Czechoslovak Republik several smaller monographic exhibitions of Repin took place. In addition, in 1935 took place another big exhibition of Russian paintings of the 18th - 20th centuries took place and it was created under the auspices of the City of Prague. This barchelor thesis does not neglect to mention the Exhibition of paintings of national artists of the USSR from 1947, although I. Repin was not represented there. It was the main exposition, which reopened the question of socialist realism just before the communist coup in Czechoslovakia. The conclusion of...
Art-critique work of Jiri Setlik and Czech art critique of the 1960s
Sládková, Hana ; Köpplová, Barbara (advisor) ; Pelánová, Anita (referee)
The "Art-critique work of Jiri Setlik and Czech art critique of the 1960s" text describes the approach, sources and method of Jiri Setlik, important Czech theoretician and historician of art and art critic. The text follows his work in three different periods of the Czech afterwar art and art theory (1950s and 60s, the normalization period of 1970s and 80s and after the 1989). The structure of the first part of the text follows these periods, that represent different enviroment, possibilities and inspirations, mentioning the important cultural and art scene events, practical background of exhibiting, art writting, journalism or pUblishing and other circumstances that influenced the approach, style and work of Jiri Setlik and his colleagues. For each period, several art-critical texts of Jiri Setlik are selected, that are representative of his style development and also situation given by the culture and politics of that time. The second part of the text defines the art-critique method of Jiri Setlik in context of the contemporary art-critique theory and practice of 1960s, which is considered the most influential until today. Powered by TCPDF (www.tcpdf.org)

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