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Bosnian diaspora through the eyes of Sarajevans - perceptions of emigration and stereotypes
Čajić, Sanina ; Šístek, František (advisor) ; Žíla, Ondřej (referee)
The master's thesis entitled "Bosnian diaspora through the eyes of Sarajevans - perceptions of emigration and stereotypes" brings a closer view of the Bosnian diaspora and public opinion about it from the perspective of Sarajevans. It represents a socio-psychological qualitative research based on the analysis of 18 semi-structured interviews with the inhabitants of Sarajevo. Using existing theoretical concepts, the primary goal is to explore and list the most widespread stereotypes about the Bosnian diaspora, regardless of whether they are war refugees or economic emigrants. The thesis also represents an attempt to identify the main reasons for their existence and maintenance and looks for possible proposals for their elimination. Whether the departure is legitimate in the eyes of Sarajevans, whether the diaspora lives better, how it was affected by life in the "West" and to what extent Sarajevans are aware of the diaspora's potential and benefits for Bosnia and Herzegovina are some of the questions this thesis seeks to answer. The political and ethnic dimension of the diaspora is not the subject of research, as cultural stereotypes about the Bosnian diaspora do not distinguish between different ethnicities. To complete the overall context, the emigration trends of Bosnia and Herzegovina are also...
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Oasis in the heart of Europe. Orientalism in Czech architecture of the 19th century
Vránová, Veronika ; Šmied, Miroslav (advisor) ; Czumalo, Vladimír (referee)
Europe of the early 19th century is searching for its new artistic persona. Several new and distinct directions come into being, all vying for a spot on the landscape of arts and for the leading position. This desire to search for new directions deepens Europe's interest in the Orient. Meeting of the West with the East goes all the way back to early Middle Ages and manifests through several phases all the way to the present day. Fascination by the Orient in the 19th century was connected mainly to Napoleon's Egypt campaign, Greek uprising against the Turks, France's conquest of Northern Africa, World Exhibition in London and excursions into exotic lands themselves undertaken by contemporary enthusiasts. The wave of orientalism permeated all levels of fine art. It is most often seen in painting, graphic arts and photography and seen the least in sculpture. The thesis follows the orientalism phenomenon from the end of 18th century to the First World War. The goal is to provide some insight into its influence on areas of the fine arts in central Europe and provide background for future research in doing so. Key focus of the thesis is the research of exotic tendencies in architecture in the Kingdom of Bohemia and presenting it in the context of oriental architecture of other countries under the...
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Folk dance in national identity's construction: dance groups in Sarajevo during war in Bosnia and Herzegovina in the years 1992 - 1995
Grossová, Veronika ; Hofmeisterová, Karin (advisor) ; Žíla, Ondřej (referee)
The bachelor thesis examines the Cultural Art Societies and more precisely amateur folklore dance groups in Yugoslavia between 1945 - 1992 and in besieged Sarajevo during the war in Bosnia and Herzegovina. The author comprehend the folklore dance as one of the tools used for creating the national identities during the period of the modern European states' construction. Within strengthening specific national identity, also the folklore dances were used for consolidating the political power and legitimization of the regime during the 20. century. The idea of the Yugoslavian worker self - management, which had been practised since the 1950s, spread to the cultural agenda as well. Workers groups were establishing the amateurs' artistic organizations, which maintained the cultural heritage - songs, dances and plays. The purpose of these organizations was to spread the Yugoslavian identity and to support a narrative about brotherhood and unity of all the Yugoslavian's nations. Along with the economic problems, the nationalistic tensions occurred in the 1980s and it caused the break-up of Yugoslavia induced by a series of wars. The three most numerous ethnics - Bosniaks, Serbs and Croats fought against each other, and the traditional multi-ethnic capital was not spared of conflict. The aim of bachelor...
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Turkish Minority in Sarajevo after 1995
Blinka, Jakub ; Žíla, Ondřej (advisor) ; Otčenášek, Jaroslav (referee)
In my thesis I will provide the introduction of the present Turkish community in Sarajevo. I will research not only the motivation of Turks to migrate, but also their relation to the Bosnian state, their social and economical background, their uses of language and their cultural habits. The thesis will be divided in to three parts. In the first section I will summarize the historical development of Bosnia and Herzegovina and the heritage that remained in the region after the fall of the Ottoman Empire. In the second part I will outline present political and economical relations between Turkey and Bosnia and Herzegovina, after 1995. The strengthening of mutual relations between these two states leads to the begining of the Turkish migration to Bosnia and Herzegovina. The third and final part will be dedicated to the fieldwork of the community itself. The question of the count of the community cannot be supported by exact numbers and offical statistics. Despite this fact that the results of the last census were posted, the box for ethnicity and nationality only provides an option of three Bosnian constitutional ethnics, excluding all other national or ethnical options. The knowledge of the community presented here is primarily based on the results of fieldwork, because presently there are no sources,...
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Oasis in the heart of Europe. Orientalism in Czech architecture of the 19th century
Vránová, Veronika ; Šmied, Miroslav (advisor) ; Czumalo, Vladimír (referee)
Europe of the early 19th century is searching for its new artistic persona. Several new and distinct directions come into being, all vying for a spot on the landscape of arts and for the leading position. This desire to search for new directions deepens Europe's interest in the Orient. Meeting of the West with the East goes all the way back to early Middle Ages and manifests through several phases all the way to the present day. Fascination by the Orient in the 19th century was connected mainly to Napoleon's Egypt campaign, Greek uprising against the Turks, France's conquest of Northern Africa, World Exhibition in London and excursions into exotic lands themselves undertaken by contemporary enthusiasts. The wave of orientalism permeated all levels of fine art. It is most often seen in painting, graphic arts and photography and seen the least in sculpture. The thesis follows the orientalism phenomenon from the end of 18th century to the First World War. The goal is to provide some insight into its influence on areas of the fine arts in central Europe and provide background for future research in doing so. Key focus of the thesis is the research of exotic tendencies in architecture in the Kingdom of Bohemia and presenting it in the context of oriental architecture of other countries under the...
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Folk dance in national identity's construction: dance groups in Sarajevo during war in Bosnia and Herzegovina in the years 1992 - 1995
Grossová, Veronika ; Hofmeisterová, Karin (advisor) ; Žíla, Ondřej (referee)
The bachelor thesis examines the Cultural Art Societies and more precisely amateur folklore dance groups in Yugoslavia between 1945 - 1992 and in besieged Sarajevo during the war in Bosnia and Herzegovina. The author comprehend the folklore dance as one of the tools used for creating the national identities during the period of the modern European states' construction. Within strengthening specific national identity, also the folklore dances were used for consolidating the political power and legitimization of the regime during the 20. century. The idea of the Yugoslavian worker self - management, which had been practised since the 1950s, spread to the cultural agenda as well. Workers groups were establishing the amateurs' artistic organizations, which maintained the cultural heritage - songs, dances and plays. The purpose of these organizations was to spread the Yugoslavian identity and to support a narrative about brotherhood and unity of all the Yugoslavian's nations. Along with the economic problems, the nationalistic tensions occurred in the 1980s and it caused the break-up of Yugoslavia induced by a series of wars. The three most numerous ethnics - Bosniaks, Serbs and Croats fought against each other, and the traditional multi-ethnic capital was not spared of conflict. The aim of bachelor...
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The identity of young Sarajevans: Who is standing at the opposite sides of the bridge?
Tučková, Sabina ; Šístek, František (advisor) ; Žíla, Ondřej (referee)
Sarajevo is a city in which, for centuries, people of different religions and ethnicities have lived together. But the war in the early 1990s partitioned the country into almost ethnically homogenous parts. The aim of this work is to find out, how young people between the ages of 18 - 29 years old perceive the identity of contemporary Sarajevo and to what extent they identify with the official narrative of Sarajevo as a multi-ethnic city. An online survey was conducted in March 2016 by a sample of 66 young Bosniaks, Bosnian Serbs, and Bosnian Croats. The research examines how they identify with the Sarajevan urban identity and the influential factors, such as ethnic categorization, religious beliefs, origin, or dominant information sources. To provide a deeper insight, the online survey was extended to include 15 in-depth interviews with young Sarajevans. There, the author uses a metaphor of a bridge to analyze the young Sarajevans' point of view regarding inter-ethnic relations and identity of their city. The outcome of the research is recognition that young Sarajevans often deny the ethnic categorization and perceive the every- day contact between different ethnic groups as non-problematic. As a consequence, the participants see Sarajevo as a unique city in the Bosnian context and typically distinguish...
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Models of Representation of Ethnic Minorities at Local Level: Case Studies of Selected European Cities
Vimmr, Martin Kryšpín ; Jüptner, Petr (advisor) ; Švec, Kamil (referee)
This thesis further analyses the question of political representation of ethnic minorities. Its main theoretical framework is created by theory of cleavages by S. Rokkan and S.M. Lipset, which describes conflict lines within the society and its influence on the party system. Further on, different definitions and approaches to the topic of ethnic identity, ethnic conflict and and ethnic and regional parties are introduced. Second part of this thesis is composed of four case studies of selected European cities with relevant ethnic minorities. These are Leicester in United Kingdom, Espoo in Finland, German Frankfurt am Main and Romanian Cluj-Napoca. These cases are firstly analyzed by context of political representation of ethnic minorities. That is in the first place the share and nature of minority population and in the second place attributes of local political systems within both horizontal and vertical dimension. Factors with direct impact on political representation of ethnic minorities like electoral system, election right and any other special measures are analyzed further on.
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