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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Landscape and space in the work of the Master of the Litomerice Altar
Šindlář, Ondřej ; Nespěšná Hamsíková, Magdaléna (advisor) ; Ottová, Michaela (referee)
My bachelor thesis will be devoted to formativ of space and landscape in the paintings of the Master of the Litoměřice Altar, an important landmark in the history of Czech painting. This is very clear not just in the figural komponent but also in his approach to space and landscape formation. All existing researchers have pointed it out. The landscape component of the image is closely related to its space construction, for this reason I will discuss this matter in the Master of the Litoměřice Altarpiece more complexly. The prerequisite is the study of the Master's available paintings, art-historical literature, and a summary of previous research in the first part. To put it in the context of the period, a brief excursion into landscape component in the Czech painting preceding the Master of the Litoměřice Altar will follow. The main content of my work will be an analysis of landscape and space in the variol works of the Master of the Litoměřice Altar from the point of view of his possible origins as well as his ways and means of space construction. As the thesis will deal with aspects primarily related to the formal side of the work, mainly formal and comparative approaches will be applied. Also the technical and technological aspects will be taken into account.
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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