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Mythological subjects in the work of Lucas Cranach the Elder
Hájková, Zita ; Konečný, Lubomír (advisor) ; Zlatohlávek, Martin (referee)
This thesis deals with the production of Lucas Cranach the Elder. After the introductive encounter with the life of Lucas Cranach the Elder the emphasis is put on the mythological subjects with respect to their origin in historical sources and classical literature. The thesis also considers the different influences on Cranach's work in context with contemporary painters and humanism and presents the conditions mainly in the court of the Saxon Prince-electors where Cranach worked.
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The Acceptance of Works of Lucas Cranach the Elder in Painting of the First Half of the 16th Century in Bohemia
Hamsíková, Magdaléna ; Royt, Jan (advisor) ; Ottová, Michaela (referee) ; Klípa, Jan (referee)
1 Abstract The Acceptance of Works of Lucas Cranach the Elder in Painting of the First Half of the 16th Century in Bohemia The thesis focuses on the personality and works of the Renaissance painter Lucas Cranach the Elder (1472-1553) and the acceptance of his works and works of his workshop in painting in the first half of the 16th century in Bohemia. The art production in Bohemia, analogous to the 15th century, was concentrated in small centres and was mainly directed to the painting of neighbouring, mainly German speaking countries. Traces of Cranach's unmistakable aesthetics could be spotted in the Czech lands from the first decade to the almost seventh decade of the 16th century. The life of Cranach's style was so long because it was prolonged, among others, by his son Lucas Cranach the Younger (1515-1586). We can assert that no other author or his followers was so successful in such a large scale, for such a long period of time nor had customers of broad walks of life as Lucas Cranach the Elder. The reason for this was seen by earlier researchers in mass workshop production and certain "easy acquirement" of his style (Max J. Friedländer) that spread especially from the 1520's outside the borders of the Electorate of Saxony. His works were accepted firstly through his graphic masters, secondly through...
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Mythological subjects in the work of Lucas Cranach the Elder
Hájková, Zita ; Konečný, Lubomír (advisor) ; Zlatohlávek, Martin (referee)
This thesis deals with the production of Lucas Cranach the Elder. After the introductive encounter with the life of Lucas Cranach the Elder the emphasis is put on the mythological subjects with respect to their origin in historical sources and classical literature. The thesis also considers the different influences on Cranach's work in context with contemporary painters and humanism and presents the conditions mainly in the court of the Saxon Prince-electors where Cranach worked.
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The Acceptance of Works of Lucas Cranach the Elder in Painting of the First Half of the 16th Century in Bohemia
Hamsíková, Magdaléna ; Royt, Jan (advisor) ; Ottová, Michaela (referee) ; Klípa, Jan (referee)
1 Abstract The Acceptance of Works of Lucas Cranach the Elder in Painting of the First Half of the 16th Century in Bohemia The thesis focuses on the personality and works of the Renaissance painter Lucas Cranach the Elder (1472-1553) and the acceptance of his works and works of his workshop in painting in the first half of the 16th century in Bohemia. The art production in Bohemia, analogous to the 15th century, was concentrated in small centres and was mainly directed to the painting of neighbouring, mainly German speaking countries. Traces of Cranach's unmistakable aesthetics could be spotted in the Czech lands from the first decade to the almost seventh decade of the 16th century. The life of Cranach's style was so long because it was prolonged, among others, by his son Lucas Cranach the Younger (1515-1586). We can assert that no other author or his followers was so successful in such a large scale, for such a long period of time nor had customers of broad walks of life as Lucas Cranach the Elder. The reason for this was seen by earlier researchers in mass workshop production and certain "easy acquirement" of his style (Max J. Friedländer) that spread especially from the 1520's outside the borders of the Electorate of Saxony. His works were accepted firstly through his graphic masters, secondly through...
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