National Repository of Grey Literature 6 records found  Search took 0.01 seconds. 
Function follows form
Munková, Karolína ; Mačudová, Lea (referee) ; Kristek, Jan (advisor)
The work deals with associative thinking and its relation to form design. In contrast to present "conceptual procedures", the creative process is based on "Ad hoc" ways of working, where the designer / engineer becomes a handyman / bricoleur. However, if the architect becomes a bricoleur, he must also get rid of the conceptualization of the work through a plan. This apparent detail inevitably leads to the reconfiguration of other parts of the profession, present since the time of Alberti, when the relationship between the architect and the client is defined by the drawing - the plan. The project simulates the probable way of organizing the work of the architect / bricoleur of the present.
DIY technologies in digital sculpture
Váňa, Dušan ; Lukášová, Helena (referee) ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
This dissertation thesis is focused on the search for the presence of DIY (Do It Yourself) technologies in the practice of digital sculpting, from the beginnings of this progressive way of creation to the present. The work, through three thematic areas, answers the main research questions: What kind of technology is or has the DIY phenomenon been represented in digital sculpture? How have these technologies influenced and are influencing the development and direction of digital sculpture? Within the first thematic area, the presence of the DIY phenomenon in the beginnings of digital creation of a spatial work of art is mapped until the moment of constituting the concept of Digital Sculpture, as a designation of this new way of creation. The second area deals with specific technologies of digital sculpture, in terms of technical tools and their DIY alternatives. The development of these alternative technologies and their influence on the gradual democratization of digital sculpture tools is investigated. The third area examines the creative methods of DIY, which have been integrated into the practice of digital sculpture.
Do-It-Yourself
Velebová, Leona ; Havránek,, Vít (referee) ; Kvíčala, Petr (advisor)
In my work I deal with the phenomenon of Czech home made products in the period of normalization and it‘s change to contemporary “DIY”, which is shared on the internet. I confront these two periods in my paintings and complement both of them. But with a little bit of irony, I point out the difference of concepts, last do-it-yourself (normalization era) and contemporary DIY (post-socialist). I examine the historical development of homemade crafts and goods, and the influence caused by the political situation, trends, and the start of the internet and human oversaturation of information. At the same time I am fascinated by the availability of resources and in our possibility of becoming experts almost on everything, but also my interest in the present loss of individuality due to massive sharing on social networks and available materials and yet, the constant desire for originality, which is difficult to achieve.
DIY technologies in digital sculpture
Váňa, Dušan ; Lukášová, Helena (referee) ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
This dissertation thesis is focused on the search for the presence of DIY (Do It Yourself) technologies in the practice of digital sculpting, from the beginnings of this progressive way of creation to the present. The work, through three thematic areas, answers the main research questions: What kind of technology is or has the DIY phenomenon been represented in digital sculpture? How have these technologies influenced and are influencing the development and direction of digital sculpture? Within the first thematic area, the presence of the DIY phenomenon in the beginnings of digital creation of a spatial work of art is mapped until the moment of constituting the concept of Digital Sculpture, as a designation of this new way of creation. The second area deals with specific technologies of digital sculpture, in terms of technical tools and their DIY alternatives. The development of these alternative technologies and their influence on the gradual democratization of digital sculpture tools is investigated. The third area examines the creative methods of DIY, which have been integrated into the practice of digital sculpture.
Function follows form
Munková, Karolína ; Mačudová, Lea (referee) ; Kristek, Jan (advisor)
The work deals with associative thinking and its relation to form design. In contrast to present "conceptual procedures", the creative process is based on "Ad hoc" ways of working, where the designer / engineer becomes a handyman / bricoleur. However, if the architect becomes a bricoleur, he must also get rid of the conceptualization of the work through a plan. This apparent detail inevitably leads to the reconfiguration of other parts of the profession, present since the time of Alberti, when the relationship between the architect and the client is defined by the drawing - the plan. The project simulates the probable way of organizing the work of the architect / bricoleur of the present.
Do-It-Yourself
Velebová, Leona ; Havránek,, Vít (referee) ; Kvíčala, Petr (advisor)
In my work I deal with the phenomenon of Czech home made products in the period of normalization and it‘s change to contemporary “DIY”, which is shared on the internet. I confront these two periods in my paintings and complement both of them. But with a little bit of irony, I point out the difference of concepts, last do-it-yourself (normalization era) and contemporary DIY (post-socialist). I examine the historical development of homemade crafts and goods, and the influence caused by the political situation, trends, and the start of the internet and human oversaturation of information. At the same time I am fascinated by the availability of resources and in our possibility of becoming experts almost on everything, but also my interest in the present loss of individuality due to massive sharing on social networks and available materials and yet, the constant desire for originality, which is difficult to achieve.

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