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Ferdinand Raimund and Johann Nepomuk Nestroy Magic Farce
Kocmanová, Natalie ; Tvrdík, Milan (advisor) ; Zbytovský, Štěpán (referee)
6 Abstract This essay's primary focus is on the phenomenon of "magic farce" within the works of Ferdinand Raimund and Johann Nepomuk Nestroy, its essence, main establishment conditions and its motifs on the background of the Viennese popular theater, the Biedermeier idyll and Vormärz. With respect to purpose of this essay, selected works of both authors are introduced and are afterwards the subject of analysis: Raimund's Der Barometermacher auf der Zauberinsel and Nestroys Der böse Geist Lumpazivagabundus oder das liederliche Kleeblatt, Freiheit in Krähwinkel and Höllenangst. The framework of the analysis is the historical and biographical context; notably the phenomenon of censorship and its impacts on artistic production of both Raimund and Nestroy. This essay also comprises important biographical aspects in relation to the transformation of the artistic approach of the authors in later years. Keywords Magic farce, farce, Besserungsstück, Viennese popular theater, Ferdinand Raimund, Johann Nepomuk Nestroy, Biedermeier and Viennese Vormärz
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Ferdinand Raimund and Johann Nepomuk Nestroy Magic Farce
Kocmanová, Natalie ; Tvrdík, Milan (advisor) ; Zbytovský, Štěpán (referee)
6 Abstract This essay's primary focus is on the phenomenon of "magic farce" within the works of Ferdinand Raimund and Johann Nepomuk Nestroy, its essence, main establishment conditions and its motifs on the background of the Viennese popular theater, the Biedermeier idyll and Vormärz. With respect to purpose of this essay, selected works of both authors are introduced and are afterwards the subject of analysis: Raimund's Der Barometermacher auf der Zauberinsel and Nestroys Der böse Geist Lumpazivagabundus oder das liederliche Kleeblatt, Freiheit in Krähwinkel and Höllenangst. The framework of the analysis is the historical and biographical context; notably the phenomenon of censorship and its impacts on artistic production of both Raimund and Nestroy. This essay also comprises important biographical aspects in relation to the transformation of the artistic approach of the authors in later years. Keywords Magic farce, farce, Besserungsstück, Viennese popular theater, Ferdinand Raimund, Johann Nepomuk Nestroy, Biedermeier and Viennese Vormärz
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