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Landscape of "Železné hory" (Iron Mountains) as a painting theme
Holý, Ondřej ; Daniel, Ladislav (advisor) ; Gajdošíková, Pavla (referee)
The diploma thesis is divided into three parts to meet the requirements of the Department of Art Education. The main part consists of an artistic - historical chapter, which discusses the phenomenon of painting in the Iron Mountains as a place for the development of landscape painting at the turn of the 18th and 19th centuries. The work focuses on the analysis of landscape motifs in a given locality. He compares the motifs that inspired painters and seeks their connection to the work of other painters and puts them in the context of open-air painting. The chapter deals in detail with five painters, other painters are mentioned marginally due to the need for context. The choice of motifs does not differ from the motifs painted in other areas. The specificity of painting in the Iron Mountains lies in the simplicity of the landscape and its colors. The motifs here are mainly rivers, the Iron Mountains, rural cottages around Ronov nad Doubravou, Kraskov, and last but not least in stonehouses. Other motifs include motifs with a path, ponds, especially the Utopenec pond near Ronov nad Doubravou, Lichnice castle. The painters often take over the composition of the paintings from their predecessors. The next part - comments, represent their own work based on a comparison of the motif of the images created...
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How Jindřich Prucha understood Antonín Slavíček
Vrbová, Kristýna ; Lahoda, Vojtěch (advisor) ; Prahl, Roman (referee)
The main goal of this Bachelor's thesis is to point out a connection between painter Jindřich Prucha and Antonín Slavíček.The thesis compares and comments several of their paintings, with same or very similar theme. These topics are : funeral, Golden Lane, village Kameničky and view into the forrest. Antonín Slavíček, famous artist belonged to the older generation of artists than Prucha did. Jindřich Prucha belonged to generation of group called Osma, nevertheless their creation remained unfamiliar for him. The main reason was propably acceptance of international themes and procedures, which Prucha fundamentally disapproved. However Prucha finds his place as a continuator of Antonín Slavíček's tradition. They both admired and loved Czech landscape and people living in it, in this aspect Prucha really fully understands Slavíček. As we find out from his correspondence, Prucha may got even further in this tradition. For his creation he needs the exact landscape, which is close to him, and which is his homeland - in his case Iron Mountains. Keywords Jindřich Prucha, Antonín Slavíček, landscape, Iron Mountains, Kameničky, funeral, Golden Lane
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