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Central Europe as an ideal space (illustrated with the works of Ingeborg Bachmann and Libuše Moníková)
Pelíšková, Klára ; Zelená, Alena (advisor) ; Březinová, Monika (referee)
This bachelor's thesis addresses the topic of myths occuring in the Central European literature. It focuses on two particual myths, the Habsburg Myth and Bohemia lying by the sea, and on the way these myths are used in the literary works of Ingeborg Bachmann and Libuše Moníková, two German-language authors of the second half of the twentieth century. The first section of the thesis includes a chapter that discusses the ambiguity of Central Europe and another one that introduces the theory of myth. The second section offers a general characteristic of the Habsburg myth and the myth of Bohemia on the sea and it describes the historical context of their origins as well as their development and variations throughout the time. Based on the analyse of selected works of Bachmann and Moníková, the author of this thesis seeks to define the function the researched myths fulfil and to expose the potential parallels between them. She also examines the connection between the specific form of the myths in the analysed works and the historical and political circumstances of the time these works were written. The thesis concludes with comparison of both researched myths as well as their adaptations in the works of Bachmann and Moníková.
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A female character in the Ingoborg Bachmannś selected short stories and her novel Malina
Širmarová, Tereza ; Weinberg, Manfred (advisor) ; Zbytovský, Štěpán (referee)
(česky) Tato diplomová práce pojednává o postavě ženy v díle Ingeborg Bachmann, konkrétně v povídkách Anna Maria, Vy šťastné oči, Štěkot a v románu Malina. Jsou zde shrnuty a rozebrány hlavní aspekty ženských postav - extatická láska a vztahy s muži, naděje, beznaděj a utopie, problémy společnosti, strach, problémy komunikace a problémy v době po zániku monarchie a po době nacistické. Hlavní hrdinky v sobě ukrývají filosofické poselství Ingeborg Bachmann, o které se pokouší i má interpretace ženy jako osvoboditelky či spasitelky. Abstrakt (Deutsch) Diese Diplomarbeit behandelt das Thema der Frauenfigur im Werk von Ingeborg Bachmann, konkret in den Erzählungen Anna Maria, Ihr glücklichen Augen, sowie im Roman Malina. Es werden hier alle Hauptaspekte der Frauenfiguren erforscht und zusammengefasst: ekstatische Liebe und die Beziehungen zu Männern; Hoffnung, Hoffnungslosigkeit und Utopie; die Probleme der Gesellschaft, der Angst und der Kommunikation sowie die Beschwernisse der Frauen in der Zeit nach Monarchie und Nazismus. Die Hauptdarstellerinnen tragen das philosophische Vermächtnis von Ingeborg Bachmann in sich, dem auch meine Interpretation der Frau als Erlöserin gewidmet wird. Abstract (English) This certain diploma thesis deals with the depiction of women in the works of Ingeborg Bachmann,...
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Crime novels or psychological prose? Judith W. Taschler's Sommer wie Winter and Die Deutschlehrerin.
BEYEROVÁ, Václava
The topic of this bachelor thesis is a literary analysis of books Sommer wie Winter and Die Deutschlehrerin written by Judith W. Taschler, the contemporary Austrian author. One of the essential questions, to which the thesis searches for an answer, is the genre classification of the above-mentioned books. It means whether they have basic features and characterization of a criminal novel or if they are considered a psychological prose. Besides the genre classification of the novels and their structural and content analysis, the work brings a comparison in the broader literary-historical context: It finds a certain affinity of the works, which were examined, with the literary movement named Anti-Heimatliteratur. There are some other parallels in development of Austrian literature, e.g. the use of psychoanalysis in the novel Sommer wie Winter or in the novel Malina by Ingeborg Bachmann.
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Woman as Victim? On the Typology of the Female Protagonists in Ingeborg Bachmann´s Simultan
ČMEJLOVÁ, Lucie
This diploma thesis deal with the theme: woman as victim in a collection of stories Simultan from the Austrian author Ingeborg Bachmann. The motif of a victim occurs the later work of Ingeborg Bachman, in consequence of it this thesis applies not only with work Simultan, but also with works from Todesarten cycle. The term of victim and connected terms of perpetrator and liberator are described in the second chapter. There is also the analysis of the term ,,simultan?, the whole collection of stories were called after it. Another chapters analyzes the stories ,,Simultan?, ,,Probleme Probleme?, ,,Ihr glücklichen Augen? and ,,Das Gebell?. There are described the perspective of narration and the theme of victim in comparison with other works of Todesarten cycle.
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