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Quarter century of Eugene Rastignac's life: analysis of the development of the character in The Human Comedy
Vidímová, Sára ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
The aim of my thesis is to observe and to analyse one of Balzac's characters who appears mainly in The Human Comedy. Eugene Rastignac's character changes in the course of novels. And the change is caused by his environment and also by the surrounding characters. Concerning the methodological part of my work, I use two Czech theorists who deal with the typology of characters (František Všetička, Bohumil Fořt). I will try to choose relevant fragments of Balzac's novels where I will describe change of the character. At the end I point out the future development of the subject and also the actual usage of Rastignac's fate as a pattern of ambitious young man.
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Emile Zola and Honoré de Balzac: The (Im)perfection of artwork
Novotná, Helena ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
The bachelor thesis Émile Zola and Honoré de Balzac: The (Im)perfection of artwork is an analytical comparison of the content of these two works, where the authors of these pieces are the main representatives among the French novel writers in the 19th century. The main portion of this thesis contains a comparison of The Unknown Masterpiece (Le Chef- d'oeuvre inconnu, 1837) from Balzac and The Masterpiece (L'Oeuvre, 1886) from Zola. The beginning of this thesis looks at several events in the lives of the authors, which inspired the creation of the two works that are being compared. The following chapter analyzes the keypoints in the short story from Balzac. This section looks predominantly at the character of the painter, the process of his work, as well as the art theories that are contained in the text. The very same format is used for the analysis of The Masterpiece by Zola. After that, a comparison of the analyzed parts follows, and the conclusion pinpoints the different approach that both writers took to the same topic.
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Quarter century of Eugene Rastignac's life: analysis of the development of the character in The Human Comedy
Vidímová, Sára ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
The aim of my thesis is to observe and to analyse one of Balzac's characters who appears mainly in The Human Comedy. Eugene Rastignac's character changes in the course of novels. And the change is caused by his environment and also by the surrounding characters. Concerning the methodological part of my work, I use two Czech theorists who deal with the typology of characters (František Všetička, Bohumil Fořt). I will try to choose relevant fragments of Balzac's novels where I will describe change of the character. At the end I point out the future development of the subject and also the actual usage of Rastignac's fate as a pattern of ambitious young man.
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Emile Zola and Honoré de Balzac: The (Im)perfection of artwork
Novotná, Helena ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
The bachelor thesis Émile Zola and Honoré de Balzac: The (Im)perfection of artwork is an analytical comparison of the content of these two works, where the authors of these pieces are the main representatives among the French novel writers in the 19th century. The main portion of this thesis contains a comparison of The Unknown Masterpiece (Le Chef- d'oeuvre inconnu, 1837) from Balzac and The Masterpiece (L'Oeuvre, 1886) from Zola. The beginning of this thesis looks at several events in the lives of the authors, which inspired the creation of the two works that are being compared. The following chapter analyzes the keypoints in the short story from Balzac. This section looks predominantly at the character of the painter, the process of his work, as well as the art theories that are contained in the text. The very same format is used for the analysis of The Masterpiece by Zola. After that, a comparison of the analyzed parts follows, and the conclusion pinpoints the different approach that both writers took to the same topic.
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