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The Temptation of Saint Anthony. The Theme of Modern Art between Text and Image.
Hekrdlová, Alice ; Prahl, Roman (advisor) ; Rakušanová, Marie (referee)
This thesis examines the Temptation of Saint Anthony in the last quarter of the 19th century in France and Belgium. By analysis of particular art works it shows the variability of iconography and complexity of the Temptation theme which reflects the contemporary relation to religion, history, science, exotism, eroticism and other areas, which man living in the era of greate changes was confronted with. The importance of "The Temptation of Saint Anthony" by Gustave Flaubert is emphasized as an inspirational source for fine arts and on the general level the relation of text and visual presentation is discussed. The final part of the thesis dealing with "fin de siècle" art references the metamorphosis of the Temptation of st. Anthony in literature and fine arts as well as historical, social and religious relations in the context of which the character of Saint Anthony gradually became a permanent part of French culture.
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The Temptation of Saint Anthony. The Theme of Modern Art between Text and Image.
Hekrdlová, Alice ; Wittlich, Petr (referee) ; Rakušanová, Marie (referee)
This thesis examines the Temptation of Saint Anthony in the last quarter of the 19th century in France and Belgium. By analysis of particular art works it shows the variability of iconography and complexity of the Temptation theme which reflects the contemporary relation to religion, history, science, exotism, eroticism and other areas, which man living in the era of greate changes was confronted with. The importance of "The Temptation of Saint Anthony" by Gustave Flaubert is emphasized as an inspirational source for fine arts and on the general level the relation of text and visual presentation is discussed. The final part of the thesis dealing with "fin de siècle" art references the metamorphosis of the Temptation of st. Anthony in literature and fine arts as well as historical, social and religious relations in the context of which the character of Saint Anthony gradually became a permanent part of French culture.
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Paní fabrikantová by G. Pfleger Moravský and Flauberts´ Madamme Bovary
CHADTOVÁ, Miroslava
The aim of the Bachelor thesis is to characterise diverse perspectives on literary production of Gustav Pfleger-Moravský and subsequently to compare his last novel Paní fabrikantová with Gustave Flaubert's Madame Bovary. The reception of Pfleger's work is discussed not only from the period point of view, but also on the basis of more recent literary historical texts. In particular, I focus on publication frequency and appraisals of the novel Paní fabrikantová. Another important part of the thesis consists of comparative analysis which is based on essential narratology reference books. This section deals with the narrative comparison of Pfleger's Paní fabrikantová and Flaubert's Madame Bovary on the basis of characters, depiction of space, causality and specific role of the narrator.
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Woman's characters in Realism with concentration on Madame Bovary and Effi Briest
KOLESOVÁ, Andrea
This thesis named Frauenfiguren im Realismus mit der Spezialisierung auf Madame Bovary und Effi Briest tries to analyse two works, Madame Bovary and Effi Briest, and concentrates on main figures of above mentioned works. The work will compare the life of the two women and it will point out their hard position in that time. The thesis introduces authors of these works and it will characterize the artistic movement common for both authors.
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The Temptation of Saint Anthony. The Theme of Modern Art between Text and Image.
Hekrdlová, Alice ; Wittlich, Petr (referee) ; Rakušanová, Marie (referee)
This thesis examines the Temptation of Saint Anthony in the last quarter of the 19th century in France and Belgium. By analysis of particular art works it shows the variability of iconography and complexity of the Temptation theme which reflects the contemporary relation to religion, history, science, exotism, eroticism and other areas, which man living in the era of greate changes was confronted with. The importance of "The Temptation of Saint Anthony" by Gustave Flaubert is emphasized as an inspirational source for fine arts and on the general level the relation of text and visual presentation is discussed. The final part of the thesis dealing with "fin de siècle" art references the metamorphosis of the Temptation of st. Anthony in literature and fine arts as well as historical, social and religious relations in the context of which the character of Saint Anthony gradually became a permanent part of French culture.
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The Temptation of Saint Anthony. The Theme of Modern Art between Text and Image.
Hekrdlová, Alice ; Prahl, Roman (advisor) ; Rakušanová, Marie (referee)
This thesis examines the Temptation of Saint Anthony in the last quarter of the 19th century in France and Belgium. By analysis of particular art works it shows the variability of iconography and complexity of the Temptation theme which reflects the contemporary relation to religion, history, science, exotism, eroticism and other areas, which man living in the era of greate changes was confronted with. The importance of "The Temptation of Saint Anthony" by Gustave Flaubert is emphasized as an inspirational source for fine arts and on the general level the relation of text and visual presentation is discussed. The final part of the thesis dealing with "fin de siècle" art references the metamorphosis of the Temptation of st. Anthony in literature and fine arts as well as historical, social and religious relations in the context of which the character of Saint Anthony gradually became a permanent part of French culture.
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