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Meditating in the Interwar Period. A Comparison of František Halas' and Josef Hora's Meditative Poetry Published from 1927 to 1936
FARKAS, Jan
This bachelor's thesis focuses on meditativeness and the spiritual conception in poetry of František Halas and Josef Hora, the two significant Czech poets of the 20th century, specifically in their collections of poetry published from 1927 to 1936. It focuses on the characteristics of approaches to meditating in both of the poets whose poems share many motives and certain themes, e.g. silence, darkness, night, love and others. It also considers the resemblance and blending of their conceptions on the one hand and their dissimilarity on the other hand; it compares the original way of grasping those themes and motives in the work of František Halas and Josef Hora in the given period of time.
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The Silence in František Halas and Vladimír Holan's Poems
Baštová, Kristýna ; Wiendl, Jan (advisor) ; Heczková, Libuše (referee)
This work is an attempt to describe a phenomenon of silence in František Halas' and Vladimír Holan's early works. It is based on a summary of Czech literary reception of this phenomenon, and also on the analysis of the examined titles. These are Sepie, Kohout plaší smrt, Tvář by František Halas and Triumf smrti, Vanutí, Oblouk and Kameni, přicházíš by Vladimír Holan. The aim of the work is to indicate potential differences (or similarities) between Halas' and Holan's conception and portrayal of the phenomenon. This indication is based on the analysis of a way of expression of silence in examinated titles, also on themes and motives related to this phenomenon.
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The end of The Carnival - Poetism on the verge of the 1930s
Bílková, Petra ; Wiendl, Jan (advisor) ; Vojvodík, Josef (referee)
Univerzita Karlova v Praze Filozofická fakulta Ústav české literatury a literární vědy Diplomová práce Petra Bílková KONEC KARNEVALU poetismus na přelomu 20. a 30. let THE END OF THE CARNIVAL Poetism on the verge of the 1930s Praha 2012 Vedoucí práce: doc. PhDr. Jan Wiendl, Ph.D. Abstract In the first half of the 1920's, in the Czech avant-garde, a new art began to form - Poetism. On the basis of individual manifests and programmatic articles it was defined as modus vivendi. In the 1920's many principles and ideas were shaping the future, not only for the society, but also for the artistic movements. Poetism featured mainly an original concept of art and life; the authors of theoretical articles were mainly Karel Teige and Vítězslav Nezval. Within a few years the concept of life as a careless game and a source of joy faded and bitter- sweet topics began to penetrate Poetism. At this time, the poetics of Poetism changed from the original cheerfulness and everyday beauty to serious existential topics - the evidence is provided by many works of art. This transformation affected poetry the most. In poems made by authors, who came out of Poetism, inspiration thereby gathered is still evident; however, more serious issues are coming to the fore. Each of those poems expresses a distinct reconciliation with the...
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Poetic experience of Vysočina
Veselá, Anna ; Brožová, Věra (advisor) ; Mocná, Dagmar (referee)
A number of renown poets and writers were born in the Czech Vysocina area and continued to return there throughout their lives. This thesis aims to compare the works of four Czech poets which feature reflections of the Vysocina region. In his collection of poems "Greetings to the sun", Jan Zahradnicek focuses on the sun as it shines upon the region and assists local inhabitants in their work. In his lyrical prose "I shall return there..." Frantisek Halas reveals incredible nature scenery as he introduces seasonal changes in the region. In Bohuslav Reynek's collection of works named "The sawing of loneliness" the region becomes the setting of the poet's conversation with God. In his collection of works titled "Springs opening" Miloslav Bures portrayed the annual tradition which every year renewed man's relationship with life giving nature.
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The Silence in František Halas and Vladimír Holan's Poems
Baštová, Kristýna ; Wiendl, Jan (advisor) ; Heczková, Libuše (referee)
This work is an attempt to describe a phenomenon of silence in František Halas' and Vladimír Holan's early works. It is based on a summary of Czech literary reception of this phenomenon, and also on the analysis of the examined titles. These are Sepie, Kohout plaší smrt, Tvář by František Halas and Triumf smrti, Vanutí, Oblouk and Kameni, přicházíš by Vladimír Holan. The aim of the work is to indicate potential differences (or similarities) between Halas' and Holan's conception and portrayal of the phenomenon. This indication is based on the analysis of a way of expression of silence in examinated titles, also on themes and motives related to this phenomenon.
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The end of The Carnival - Poetism on the verge of the 1930s
Bílková, Petra ; Wiendl, Jan (advisor) ; Vojvodík, Josef (referee)
Univerzita Karlova v Praze Filozofická fakulta Ústav české literatury a literární vědy Diplomová práce Petra Bílková KONEC KARNEVALU poetismus na přelomu 20. a 30. let THE END OF THE CARNIVAL Poetism on the verge of the 1930s Praha 2012 Vedoucí práce: doc. PhDr. Jan Wiendl, Ph.D. Abstract In the first half of the 1920's, in the Czech avant-garde, a new art began to form - Poetism. On the basis of individual manifests and programmatic articles it was defined as modus vivendi. In the 1920's many principles and ideas were shaping the future, not only for the society, but also for the artistic movements. Poetism featured mainly an original concept of art and life; the authors of theoretical articles were mainly Karel Teige and Vítězslav Nezval. Within a few years the concept of life as a careless game and a source of joy faded and bitter- sweet topics began to penetrate Poetism. At this time, the poetics of Poetism changed from the original cheerfulness and everyday beauty to serious existential topics - the evidence is provided by many works of art. This transformation affected poetry the most. In poems made by authors, who came out of Poetism, inspiration thereby gathered is still evident; however, more serious issues are coming to the fore. Each of those poems expresses a distinct reconciliation with the...
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