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Fragile Future
Jedličková, Eliška ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
Fragility, variability, immateriality... In my final master's thesis, I focused on the theme of fragility and shadow in visual art. I directed my initial idea towards the motif of fragility and transience. It's a topic that has interested me for quite some time. Where are the boundaries of fragility? How can the perception of this concept differ for each of us? Fragility can be understood as a certain material property, but also as an internal matter. In connection with this theme, I decided to work with shadow, which, for me, is in many ways fragile, elusive, variable, and has no material essence, real nature, or form. I thus chose to work with aesthetic and spiritual phenomena.
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The Case
Svobodová, Hana ; Šrek Bromová, Veronika (referee) ; Gabriel, Michal (advisor)
I assume huddled topic that I put into my past work as well as in final work. Casting my body, which is covered with feathers and create a cocoon of him, husk without the interior. Sculpture has two sides, the principle of duality, femininity and counterpart. Outer packaging evokes pleasant birdlike body surface and in the inner part aggressively squeeze ends of the wicks feathers.
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Lilith
Šerý, Vítězslav ; Pinkava, Ivan (referee) ; Gabriel, Michal (advisor)
Statue The Lilith is figural sculpture that combines elements of hyperrealism with purely abstract element. Female figure sitting on a throne is wrapped and draped in unrelated elements and their relationships. That make her imaginary clothes. The statue is the result of interest in the topic of mystery and its sculptural representation. The statue is a combination of materials, mostly it consists of fiberglass and polyester.
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Movement of the human body
Havelková, Gabriela ; Gebauer, Kurt (referee) ; Gabriel, Michal (advisor)
All through my bachelor's studies, I chose random subjects on single or not single subjects, and as I contemplated my selections in retrospect, I discovered connections between them that were not intended. I've learned that my entire work so far has been laced with the evolution of my personality, my emotions, in certain elements. My inner struggle is evident here. ...the subjects of my works were chosen random without any discernible emotional subtext, but still when I look at them, I see sculptures depicting my inner emotional development.
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Obstacles in life
Jedličková, Eliška ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis, I decided to devote my study to the field of sports, the personality of the athlete and especially his psyche. I am interested in connecting the inner feeling of the athlete and the given movement, which in my interpretation, is jumping over an obstacle. I don´t want to point out and portray the realistic, perfectly shaped body of the athlete, but I want to portray the inner feelings, dynamics, mechanicalness and disturbed concentration, which should be embodied by the individual segments.
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Information System for Dance Club
Vohradský, Josef ; Stryka, Lukáš (referee) ; Kunc, Michael (advisor)
The subject matter of this work is requirements specification, analysis, concept and implementation of dance club information system. This system has to enable the keeper of the club to correctly organize dance courses and other related actions. It is equipped with editorial system for user-friendly modification of the web presentation. System is platform independent and technologies used are as follows - HTML, CSS, JavaScript, PHP, MySQL and Apache.
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(Now what?)
Šťastná, Kateřina ; Chamonikolasová, Kaliopi (referee) ; Gabriel, Michal (advisor)
The topic of the bachelor thesis is touch. The work builds on the fascination with touch, analyzes how different contents can be associated with a gesture that symbolizes something very subtle, fleeting and even fleeting, but at the same time can elicit a very intense and calmly long-lasting response. The output of the bachelor's thesis is a figural sculpture, the prototype of which is the author herself at the age of ten. By depicting a girl's body at an age when it is physically beginning to transform into a woman's body, I ephasizis the touch in its inconsistency, perhaps subtly uncertain the audience and raise questions focused on what the touch means to us.
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Forest figuration
Jasparová, Lucie ; Bulava, Petr (referee) ; Ambrůz, Jan (advisor)
The bachelor's thesis Forest Figuration is set in the forest around Horní Loučky. In trees, trunks, uprooted roots and landscapes, I look for elements reminiscent of the human body. This process is recorded by various techniques. The whole work is accompanied by social separation, exacerbated by the pandemic of the Covid-19 disease, is based on closing in nature, watching natural cycles and respecting the landscape itself. The work is a collection of works within an exceptionally long time in the forest and is also an initiating moment for further development in later work.
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Playground
Haviarová, Kristína ; Sterec, Pavel (referee) ; Ambrůz, Jan (advisor)
In my work there is a great deal of handcuffing, conceptual approach to sculpture, space perception, aesthetic and intuitive work with material. I try to express a state that she can not always describe by words. All the knowledge and experience I have gained during my studies, I would like to apply to my bachelor work. Almost throughout my studies, I have been intensively engaged in plaster work as one of the basic sculptures. In exaggeration, we can talk about some obsession with the material. I deal with colorful but also structural deviations in different species. I work with it not only as a dense material but also as a material with a crust, but with a rough surface. It is some sort of rewinding into this material and through subtle objects and spatial installations I express the inner state, reaction to change and attitude to the environment. My final thesis will be a set of objects with interrelations but without a hierarchical arrangement. It will be about creating a stateless situation, variations in the state of a dead end. As part of the simple objects, gypsum "figures" will be the main actors of the already mentioned situation, with which they have to deal with themselves. I put in expectations that are never filled (static installation), a certain kind of tension occurs. However, gypsum does not have to play only the role of the main hero, it can be purely a part of an object based on aesthetic or sensual choice. I'm not trying to interact. The viewer is just an observer, the voyager who enters the frozen already. It can take the atmosphere and make a deliberate change into the situation of the main heroes of the work.
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