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The Ideology, the Play, the Secret: The Role of the Slovene Contemporary Fairy-tale in 1945-1975
Slezáková, Magdalena ; Jensterle Doležal, Alenka (advisor) ; Nedvědová, Milada (referee)
The thesis deals with shapes of the Slovene fantastic tale in the 1945-1975's and looks into the roles which have been assigned to it by it's authors. The thesis assumes that during this period, there were three basic types of authorial approach: fantastic tale in the service of the state ideology, fantastic tale as a free play of imagination and fantastic tale with overlap. These three roles are analyzed on the example of nine fantastic tales, most of them being from the literary canon of the Slovene children's literature: Udarna brigada (Anton Ingolič), Zgode in nezgode kraljevskega dvora (Milan Šega), Drejček in trije Marsovčki (Vid Pečjak), Moj dežnik je lahko balon (Ela Peroci), Strah ima velike oči (Marjan Marinc), Kosovirja na leteči žlici (Svetlana Makarovič), Potovanje v tisočera mesta (Vitomil Zupan), Deklica Delfina in lisica Zvitorepka (Kristina Brenkova) and Avtomoto mravlje (Jože Snoj).
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The fantastic tale in Czech literature at the end of the 19th century and Karel Švanda ze Semčic
WAGNEROVÁ, Hana
This bachelor thesis deals with the term fantastic tale and its modifications in Czech and foreign literary production from the end of the 19th century. The starting point is the work of writer Karel Švanda from Semčice (Fantastic Tales, 1892; Bizarre Tales, 1897) who was not only a creator of fantastic tales but also a translator. Specifically, he translated the work of E. T. A. Hoffmann into Czech language, whose tales are essential for the genre of fantastic literature. Besides Švanda's work, this thesis focuses also on its contemporary reception.
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The Ideology, the Play, the Secret: The Role of the Slovene Contemporary Fairy-tale in 1945-1975
Slezáková, Magdalena ; Jensterle Doležal, Alenka (advisor) ; Nedvědová, Milada (referee)
The thesis deals with shapes of the Slovene fantastic tale in the 1945-1975's and looks into the roles which have been assigned to it by it's authors. The thesis assumes that during this period, there were three basic types of authorial approach: fantastic tale in the service of the state ideology, fantastic tale as a free play of imagination and fantastic tale with overlap. These three roles are analyzed on the example of nine fantastic tales, most of them being from the literary canon of the Slovene children's literature: Udarna brigada (Anton Ingolič), Zgode in nezgode kraljevskega dvora (Milan Šega), Drejček in trije Marsovčki (Vid Pečjak), Moj dežnik je lahko balon (Ela Peroci), Strah ima velike oči (Marjan Marinc), Kosovirja na leteči žlici (Svetlana Makarovič), Potovanje v tisočera mesta (Vitomil Zupan), Deklica Delfina in lisica Zvitorepka (Kristina Brenkova) and Avtomoto mravlje (Jože Snoj).
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Thematic and motivic analysis of Fantastic Tales by I. U. Tarchetti
ČEJKOVÁ, Barbora
The aim of the bachelor thesis is at first to introduce I. U. Tarchetti, less well-known author in our country, and historical context which he worked in. The thesis starts with an introduction to fantastic tale as a literary genre, than a practical part follows that is devoted to thematic and motivic analysis of Fantastic Tales. It describes characteristic motifs in the level of characters, settings and plot.
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