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Singing Europe : historical, political and sociological approach to the Eurovision Song Contest (1956-2022)
DOUVIER, Marc-Adrien
This Master's thesis aims to present the Eurovision Song Contest (ESC) in its duality, both as an object of scientific study and as a personal experience, in order to determine the raison d'?tre of such an event. Since 1956, dozens of countries have sent singers each year to perform for their country's name and standing in this unique European singing competition. The external point of view of the scientific literature offers a presentation of the ESC, based on facts, analysis and information and studies its origin, history, rules and organisation as well as its position as a social and cultural phenomenon, sometimes even controversial. The internal point of view of the participants (interviews and online survey of fans from various backgrounds), paints a picture of an event that is politicised, community-based, outstanding in its performance and its musical representation. The value of this research lies in taking into account these two essential and complementary points of view in order to determine the relevance and the raison d'?tre of this event considered by both its detractors and its adorers as "the greatest musical event in the world".
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Construction of national identity in Eurovision Song Contest: case study
Bičíková, Zuzana ; Reifová, Irena (advisor) ; Vlasák, Zbyněk (referee)
The diploma thesis Construction of National Identity in Eurovision Song Contest: Case Study analyses the ways and forms of shaping the Czech national identity in the Eurovision Song Contest, the largest and most watched international festival of popular music in the world. In particular, the thesis aims to identify the manifestation of identity and self-presentation of the Czech Republic from the point of view of a media institution, in the national selection, in the form of the entry itself, in postcards and video clips as well as through voting and viewer ratings. These findings were attained by the combination of three research methods, namely semi-structured interviews with media professionals, qualitative content analyses of audio- visual materials and secondary data analysis. The theoretical framework presents basic concepts of identity formation and nationalism, and provides an in-depth presentation of the Eurovision Song Contest from geopolitical and sociocultural perspectives. The thesis outlines the historical development of the competition with regard to the political and cultural ideas it aims to endorse, and explains the development of participation with special focus on eastward expansion. Several examples of self- presentation and identity construction of other countries within the...
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Eurovision Song Contest and its watching by Czech audience in the context of their interest in the European Union
Miklíková, Martina ; Reifová, Irena (advisor) ; Nečas, Vlastimil (referee)
The diploma thesis focuses on the connection of interest in the international music competition Eurovision Song Contest and in the European Union. The theoretical part shows the current approaches to the study of the contest, which is watched annually by almost 200 million viewers worldwide. The work also provides space for a brief history of the contest, including a detailed description of how the Czech Republic participated there, what the country has done only at the time of membership in the European Union. The competition, based on a grouping of European states, is placed here in the context of the European Union, which together share the motivation for their historical establishment. The text therefore shows the history and development of the European Communities and the establishment of the European Union and its institutions. One of them is the European Parliament, whose representatives are directly elected by the citizens of the Member States. On the example of the elections to the European Parliament in 2019, the work penetrates the possible interest of events in the European Union and watching the Eurovision Song Contest, as both events - elections and contest evenings - took place at about the same time - in mid-May 2019. With the help of quantitative and qualitative methods, data from...
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Construction of national identity in Eurovision Song Contest: case study
Bičíková, Zuzana ; Reifová, Irena (advisor) ; Vlasák, Zbyněk (referee)
The diploma thesis Construction of National Identity in Eurovision Song Contest: Case Study analyses the ways and forms of shaping the Czech national identity in the Eurovision Song Contest, the largest and most watched international festival of popular music in the world. In particular, the thesis aims to identify the manifestation of identity and self-presentation of the Czech Republic from the point of view of a media institution, in the national selection, in the form of the entry itself, in postcards and video clips as well as through voting and viewer ratings. These findings were attained by the combination of three research methods, namely semi-structured interviews with media professionals, qualitative content analyses of audio- visual materials and secondary data analysis. The theoretical framework presents basic concepts of identity formation and nationalism, and provides an in-depth presentation of the Eurovision Song Contest from geopolitical and sociocultural perspectives. The thesis outlines the historical development of the competition with regard to the political and cultural ideas it aims to endorse, and explains the development of participation with special focus on eastward expansion. Several examples of self- presentation and identity construction of other countries within the...
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