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Discipline without rules? Ethnography of Dialogical Acting with the Inner Partner
Šlédrová, Jasňa ; Stöckelová, Tereza (advisor) ; Spalová, Barbora (referee)
The subject of this diploma thesis is Dialogical acting with the inner partner, which understands itself as psychosomatic introspective and self-developing discipline founded by Ivan Vyskočil. I approach dialogical acting through three conceptualizations of objects - as networks, fluid objects and fire objects. With these I explore different ways in which dialogical acting holds its shape as a discipline. I focus on the creation and continuous re-enactment of dialogical acting and its ambiguous relation to its founder Ivan Vyskočil. I analyze the stability and fluidity of rules that shape and define boundaries of the discipline and describe dialogical acting as a set of relations of changing entities and realities that are present and absent, and as passages that are enacted by the rearrangements of multiple specificities. I try to capture tensions that constitute the discipline. Dialogical acting aims at being an open discipline without rules. As rules re-emerge and tend to stabilize, the discipline develops strategies in the process of transferring knowledge that seek to destabilize the rules. Findings and conclusions of this thesis are based on participative observation of dialogical acting in the courses that take place on The Theatre Faculty of the Academy of Performing Arts in Prague, on...
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Discipline without rules? Ethnography of Dialogical Acting with the Inner Partner
Šlédrová, Jasňa ; Stöckelová, Tereza (advisor) ; Spalová, Barbora (referee)
The subject of this diploma thesis is Dialogical acting with the inner partner, which understands itself as psychosomatic introspective and self-developing discipline founded by Ivan Vyskočil. I approach dialogical acting through three conceptualizations of objects - as networks, fluid objects and fire objects. With these I explore different ways in which dialogical acting holds its shape as a discipline. I focus on the creation and continuous re-enactment of dialogical acting and its ambiguous relation to its founder Ivan Vyskočil. I analyze the stability and fluidity of rules that shape and define boundaries of the discipline and describe dialogical acting as a set of relations of changing entities and realities that are present and absent, and as passages that are enacted by the rearrangements of multiple specificities. I try to capture tensions that constitute the discipline. Dialogical acting aims at being an open discipline without rules. As rules re-emerge and tend to stabilize, the discipline develops strategies in the process of transferring knowledge that seek to destabilize the rules. Findings and conclusions of this thesis are based on participative observation of dialogical acting in the courses that take place on The Theatre Faculty of the Academy of Performing Arts in Prague, on...
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Acting with the Inner Partner as a Way to Develop Teacher's Personal Dispositions
NOTA, Josef
Dissertation thesis Acting with the Inner Partner as a Way to Develop Teacher's Personal Dispositions focuses on specifics of a psychosomatic discipline called Acting with the Inner Partner, in professional training of future teachers. This discipline represents the pedagogy of experimenting with the phenomenon of self-speech in experimental conditions. The emphasis is on the personality of future teachers, as well as on cultivation of their self-reflection. This should lead to a becoming a professional teacher with an authorial approach and authentic acting. The objective of the dissertation thesis is a deeper understanding of psychosomatic disciplines pedagogy, whereas my very own teaching experience at The Department of Psychology and Pedagogy is essential. Specifics of future teachers' personal preparation in the view of psychosomatic disciplines, represents the basic part of this work. Another part focuses on the experience with Acting with the Inner Partner, at first described by a student and later by an assistant (lecturer) and researcher. Common features of so called psychosomatic condition are discovered. The author also searches the possibility of exporting Acting with the Inner Partner out of the Department of Pedagogy and Psychology at South Bohemia University. As the methodology of video recording analysis has not been accomplished yet, the starting points for further research are described. The empirical part focuses on typology documented on students' written self-reflections. The objective is to describe the assistant's experience. The interpretation of the research results shows the need to distinguish between the terms 'written teaching self-reflections' and 'written teaching reflections, commonly described as feedback.
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