National Repository of Grey Literature 5 records found  Search took 0.01 seconds. 
Rational reflection of faith in theology
Koch, Rudolf ; Salvet, Ondřej (advisor) ; Svoboda, David (referee)
The bachelor's thesis deals with theological reflection on the doctrine of the knowledge of the Christian faith. True knowledge is possible only with an understanding of the philosophical reason with which faith is interrelated. Reasonable thinking has its origins in the Greco-Roman wisdom of antiquity. The aim of the thesis is to describe theological teachings that deal with the search for truth from the time of ancient philosophy. The ancient books of the Old Testament describe, in the form of a distinction, the unity between the knowledge of faith and the intellectual knowledge of human truth. The fullness of truth has been perfected in the good news of Jesus and is accessible only in the light of faith. The main sources of faith are the testimonies of early christianity and the origin of the formulation of the confession of faith. The encyclical Fides et ratio, which is the primary source of this work, combines philosophy with theology. The study of philosophy is an essential part of theology and together they support the search for truth. Today's theological reflection emphasizes important aspects in matters of understanding the nature of man and the meaning of life. This truth is available only in the search for God, which is the culmination of every theological reflection. Keywords Word,...
A comparison of orthodox and Arian depicting of christ in the late antigue iconography
Šprta, Marian ; Lášek, Jan Blahoslav (advisor) ; Hrdlička, Jaroslav (referee)
This work has a difficult task to try to summarise the difference between the orthodox and Arian iconographic concept of depicting Christ, mainly in late antiquity. The issue is taken from the point of systematic theology, ecclesial history and the history of art. The memory of Arianism, as the most widespread form of heresy, was a real threat for the church in the 3 rd century and therefore was almost fully eradicated. Arianism was met with the usual punishment of bad roman emperors - damnatio memoriae. It was be forgotten forever. So, all we know is taken from Arianism's opponents, orthodox Catholic historians and scholars. This concerns theological works as well as visual art works. When we study the theological background of this form of heresy, we see Jesus Christ as the first, the highest and the noblest creation of all, but as nothing more. God the Father, the only one, according to Arius, a presbyter from Alexandria, the founder of Arianism, is completely independent. He can not to have any Son. He cannot even be the Father. On principle God the Father is different from Jesus Christ the Son. The next progression in Arianism stated that the Son and the Father are alike. Arius's main opponent Athanasius, later orthodox bishop of Alexandria, insisted on the full godliness of Jesus Christ as the Son of...
The Concept of Confirmation in The Evangelical Church of Czech Brethren
Bubíková, Eliška ; Landová, Tabita (advisor) ; Beneš, Ladislav (referee)
This thesis deals with the concept of confirmation in the Evangelical Church of Czech Brethren (ECCB). In order to deepen the understanding of the rite, the thesis discusses its historical developement focusing on the aspect of consignation as part of baptism, on the sacrament of confirmation, and on the further developement of prostestant confirmation. In its main part, the thesis centres on confirmation in the ECCB, in which four concepts, typical for the traditions the ECCB comes from, blend together - i.e. the catechesis, the creed, the admission to the Lord's supper and the epiclesis. Starting from the theoretical point, it discusses the concept of confirmation in the liturgical books of the ECCB and then moves on to the practice of confirmation. Firstly, it studies how the concept of confimation is reflected in the ECCB confirmation materials, i.e. in various protestant cathechisms, and secondly, how the issue is treated by members of the ECCB in their Church periodicals' contributions. It focuses on the large debate in the 1950's as well as on contributions since 2000. Last but not least, the thesis tries to find out if and how the concept of confirmation has changed since the establishment of the church.
Pilate in History and Theology of Gospels
Hon, Jan ; Roskovec, Jan (advisor) ; Mrázek, Jiří (referee)
Pilate in History and Theology of the Gospels, Jan Hon The Apostles' Creed or simply "Creed" says: "suffered under Pontius Pilate". Such formulation can be interpreted once as timestamp - he suffered in the time of Pontius Pilate. In Czech, but also in Latin it also sounds, that he suffered by his endeavour and by his will. The creed does not mention the high priest Caiaphas, the council (Sanhedrin) or the betrayal. Some people, Christians or non-Christians think the formulation could appear more like a time stamp because the Jewish authorities of his time are responsible and guilty for Jesus' passion. Such confidence is based on the Gospel narrative that presents Jesus' trial as showing a picture of a compassionate Pilate who efforts to rescue Jesus. It only blames the high priests, the scribes and the council for Jesus' crucifixion. It is known, that such picture of the trial at the Roman governor as well as at council does comply with the reality known from non- biblical sources. This composition gives a short overview of this. It also shows, that Pilate's guilt can be proven purely from the biblical text. Jesus suffered under Pontius Pilate and the phrase "suffered under" should be understood in full extend of meanings.
A comparison of orthodox and Arian depicting of christ in the late antigue iconography
Šprta, Marian ; Lášek, Jan Blahoslav (advisor) ; Hrdlička, Jaroslav (referee)
This work has a difficult task to try to summarise the difference between the orthodox and Arian iconographic concept of depicting Christ, mainly in late antiquity. The issue is taken from the point of systematic theology, ecclesial history and the history of art. The memory of Arianism, as the most widespread form of heresy, was a real threat for the church in the 3 rd century and therefore was almost fully eradicated. Arianism was met with the usual punishment of bad roman emperors - damnatio memoriae. It was be forgotten forever. So, all we know is taken from Arianism's opponents, orthodox Catholic historians and scholars. This concerns theological works as well as visual art works. When we study the theological background of this form of heresy, we see Jesus Christ as the first, the highest and the noblest creation of all, but as nothing more. God the Father, the only one, according to Arius, a presbyter from Alexandria, the founder of Arianism, is completely independent. He can not to have any Son. He cannot even be the Father. On principle God the Father is different from Jesus Christ the Son. The next progression in Arianism stated that the Son and the Father are alike. Arius's main opponent Athanasius, later orthodox bishop of Alexandria, insisted on the full godliness of Jesus Christ as the Son of...

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