National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
Framing of Indonesian Radicalisation Pathways in the Australian news media: A Comparison of Broadsheets and Tabloids
Jung, Hansol ; Conway, Maura (advisor) ; Prina, Federica (referee) ; Špelda, Petr (referee)
This study examines how radicalisation in Indonesia is treated in the Australian press. Radicalisation is widely defined as a dramatic shift in the belief system of an individual or a group, denial of democratic means, and justifying the use of violence to achieve the political aims in this paper. Although there are various types and drivers of radicalisation, the researcher limited this research to identifying the framing of six pathways of Islamic radicalisation in Indonesia identified by Hwang and Schulze and Idris. For this purpose, 301 articles from selected Australian broadsheets and tabloids, dating up to 8 May 2020, were collected. Using quantitative and qualitative content analysis to generate the frequency of terms and metaphors used to describe radicalisation pathways in Indonesia, the study finds that the securitising and stigmatising frames are mainly employed in the Australian press in portrayal of radicalisation in Indonesia. In addition, the study explores the different style of coverage employed in Australian broadsheets and tabloids. Before conducting the comparative study, the researcher surmised that broadsheets will cover radicalisation in Indonesia with neutral tone while tabloids will sensationalise the issue. However, the outcome revealed that the framing employed by...
The presentation of speech, writing and thought in British newspapers.
Čermáková, Barbora ; Malá, Markéta (advisor) ; Dušková, Libuše (referee)
The thesis compares forms of speech presentation (and marginally writing presentation) in British newspapers through a theory of Speech, Writing and Thought presentation as introduced by E. Semino and M. Short (2004). On a specialised corpus of 6 newspaper articles, the work compares qualitive and quantitative tendencies of individual speech presentation categories, focusing on the diagnosis of differences and common points in two journalistic sub-genres, the tabloid and the broadsheet. The speech presentation categorization is applied as a clinal model with permeable borders between individual categories. The focus is on detecting and analysing the fucntions of individual categories of speech presentation in terms of information, style, pragmatics and form. Powered by TCPDF (www.tcpdf.org)
Abbreviatory words and their appereance in tabloid and broadsheet
Málková, Lucie ; Zeman, Dalibor (advisor) ; Haupenthal, Thomas Maria (referee)
In thetheoretical part ofthe thesis the student definesthelexical term Kurzwortbildungaccording to secondaryliterature. Shescrutinesthepossibilityofproductionaccording to linguisticexperts. Thanshedealswithinception and processofabbreviatorywords. In thetheoretical part ofthe thesis thestudentsdoes a synchronicresearchofusagetheabbreviatorywords in tabloid and broadsheet. Shespecifiesthe genesis of these words. The point ofthisresearchis to comparethe frekvence ofappereance these words in tabloid and broadsheet. Afterthatthereistheassessmentoftheresults. Keywords: Abbreviatorywords, tabloid, broadsheet
Typography of Jiří Nigrin's musical prints
Jakoubková, Petra ; Daněk, Petr (advisor) ; Voit, Petr (referee)
This thesis sets on important music printer of late sixteenth century and beginning of seventeenth century, Jiří Nigrin z Nigropontu, especially on his production of music prints. First chapter analyzes present science findings about Nigrin's prints, music printing technique from its beginning to sixteenth century and production of music prints in Prague in second half of sixteenth century beyond Nigrin's printing house. Particularly, sets of initial letters, which appear in Nigrin's music prints, are analyzed. Catalog of music printing sets is also brought forward. It shows most significant attributes along with chronological arrangement. These findings are then applied for establishing which so far unknown music prints comes from Nigrin's printing office. It is possible to mark out the undated musical prints' date of creation according to time arrangement of sets of music characters. Nigrin's material for music printing is compared with abroad printing houses afterwards. It outlines probable origin of his printing equipment.

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