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Freudian psychoanalysis and the literature of Vienna's modern art in chosen texts by Arthur Schnitzler and Stefan Zweig.
Čepelková, Lucie ; Zbytovský, Štěpán (advisor) ; Weinberg, Manfred (referee)
Subject of the present thesis is an analysis of relations between Freudian psychoanalysis and the literature of Vienna's modern art in chosen texts by Arthur Schnitzler and Stefan Zweig. At first, thesis gives an overview of Freudian way to psychoanalysis, topic of sexuality and his attitude to Vienna and to anti-Semitism. These explanations are followed by a portrait of two Freudian compositions - Creative Writers and Day-Dreaming and Sexual Morality and Modern Nervosity (both 1908). Then Vienna's modern art and the authors Arthur Schnitzler and Stefan Zweig with their works Fraulein Else (1924) and Amok (1922) are explained. KEYWORDS Psychoanalysis, Vienna's modern Art, Stefan Zweig, Arthur Schnitzler, Sigmund Freud
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Freudian psychoanalysis and the literature of Vienna's modern art in chosen texts by Arthur Schnitzler and Stefan Zweig.
Čepelková, Lucie ; Zbytovský, Štěpán (advisor) ; Weinberg, Manfred (referee)
Subject of the present thesis is an analysis of relations between Freudian psychoanalysis and the literature of Vienna's modern art in chosen texts by Arthur Schnitzler and Stefan Zweig. At first, thesis gives an overview of Freudian way to psychoanalysis, topic of sexuality and his attitude to Vienna and to anti-Semitism. These explanations are followed by a portrait of two Freudian compositions - Creative Writers and Day-Dreaming and Sexual Morality and Modern Nervosity (both 1908). Then Vienna's modern art and the authors Arthur Schnitzler and Stefan Zweig with their works Fraulein Else (1924) and Amok (1922) are explained. KEYWORDS Psychoanalysis, Vienna's modern Art, Stefan Zweig, Arthur Schnitzler, Sigmund Freud
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Female Characters in Arthur Schnitzler's Works. Comparative Description, Analysis and Interpretation of Selected Texts.
Prajzlerová, Lenka ; Zbytovský, Štěpán (advisor) ; Tvrdík, Milan (referee)
The following text deals with the problem of the representation of female characters in Arthur Schnitzlerʼs work. The initial point of the interpretation is the basic division of the literary types of the turn of the century into femme fatale, femme fragile and femme enfant. Based on the analysis of seven selected works (Märchen, Liebelei, Reigen, Frau Berta Garlan, Fräulein Else, Traumnovelle, Therese. Chronik eines Frauenlebens) it discusses their position in the narrative structure. In the end, it comments the question of the typification of these figures and Schnitzlerʼs tendency to relate them to concrete groups.
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