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From Operetta to Musical
Bár, Pavel ; SÍLOVÁ, Zuzana (advisor) ; CÍSAŘ, Jan (referee)
Dissertation thesis describes the evolution of popular musical theatre ? especially operetta and musical ? in Czechoslovakia after 1945. It analyses particular productions, follows important development periods of this kind of theatre as well as changes of attitude of communistic regime to its existence and artistic expressions ? not only in the overall context of changes in the theatre system or social and political situation in the country but also in the context of development abroad. Study mainly deals with events in major popular musical theatres (especially in the Karlín Musical Theatre in Prague) but it doesn´t neglect major productions of small or regional scenes. Dissertation proceeds both from existing literature and authentic historical sources, evidence and memories.
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Tradition in interpretation of Czech organ repertoire of the 2nd half of the 20th century
Kubátová, Jarmila ; ČERNÝ, Pavel (advisor) ; POPELKA, Josef (referee)
The thesis provides a list of the most important organ compositions written in second half of the 20th century by several Czech composers. The second chapter analyses Kabeláč?s 4 Preludes for Organ and Mácha?s set 3 Toccatas for Organ. The notes about registration are attached as well as other instructions about the sheets interpretation based on the experience and whitness of the performer, who personally attended premieres of these compositions. The third chapter captures Associate professor Václav Rabas?s authentic observations.
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French horn in Bohemia after 1945
Petrusová, Vilma ; DIVOKÝ, Zdeněk (advisor) ; BABORÁK, Radek (referee)
The bachelors work named ?French horn in Bohemia after 1945" is based on the most important information concerning French horn in the period od 1945 - 2012. The work is divided into four chapters. First chapter refers about the personality of Zdeněk Tylšar, the genius who brought highly visible merit into the world of French-horn-players. Second chapter is focused to AMU Prague and JAMU Brno, significant educators and important students - graduates. The third chapter describes Czech Philharmonic Orchestra and the history of members of its horn section since 1945. The fourth chapter summarises the overview of horn international courses in the Czech Republic - "Hornclass". Attached information - the student memories of schoolteachers František Šolc and Zdeněk Tylšar, personal dialogue with Radek Baborák and Bedřich Tylšar.
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Problems of an ensemble after 1989
Etlíková, Barbora ; CÍSAŘ, Jan (advisor) ; TICHÝ, Zdeněk (referee)
The thesis aims to sketch the evolution of the motivational and organizational subsystem after 1989 in the Czech Republic. In the first chapter the author recapitulates the evolution of this sphere in the previous stage which started in the second part of the fifties in Twentieth Century. She also deals with the evolution of theatre in general but she is only concerned with the moments which contribute to better description of the proper subject of the thesis. She only mentions them if there is a relation between them and the motivational and organizational subsystem. In the second chapter the author attempts to name the new impulses that have been brohught by the stage which has started in 1989. She searches their relation to the previous stage. Also in this case she deals with problems of theatre in general but she does this only if it improves the lucidity of the proper susubject. In the conclusion she recapitulates the principles which she has found and she attempts to describe their reference to the principles which are connected with the previous stage.
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ANALOGIES BETWEEN INDIAN AND EUROPEAN AUTHOR´S CINEMA OF THE PERIOD 1960 - 1980
Rampal Dzurenko, Viktória ; BERNARD, Jan (advisor) ; ŠPAČEK, Radim (referee)
Indian Parallel Cinema is the mixture of Contemporary, Experimental and Art Cinema of India and always consist of low budget. Indian Cinema had started with its first silent film "Raja Harishchandra" in 1912. Indian cinema is often defined as Bollywood or Masala Films of India, since it is also the popular form with its ritual of song, dances and over-the-top melodrama. However, the 60s and early 70s were time of experimentation in the format of storytelling and form in Indian Cinema. Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content, realism and naturalism, which reflected social and politics topics during those times. Indian parallel cinema represents a change of direction or a break with the traditional Indian cinema.
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Poválečná japonská fotografie
Tryputen, Stanislav ; SILVERIO, Robert (advisor) ; GRYGAR, Štěpán (referee)
Japonská fotografie po druhé světové válce prošla radikální proměnou od fotorealistického přístupu, zaměřeného na zkoumání národní identity země, k více subjektivnímu přístupu nové generace fotografů zasažených hrůzami války. Tito autoři vyvinuli nový vizuální jazyk a témata jejich tvorby měla velmi osobní povahu. Cílem této práce je analyzovat hlavní vlivy tohoto vývoje v historickém a sociálním kontextu poválečného Japonska.
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