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The photographic work of Markéta Luskačová
 Dorňáková, Anna ; Láb, Filip (advisor) ; Teplá, Jana (referee)
This bachelor's thesis focuses on the photographic work which the documentarian Markéta Luskačová has created since the year 1964 up to the present. The work briefly summarizes the evolution of photojournalism after the so-called 1948 Victorious February and also covers the role of women in the profession of photojournalism. The thesis also discusses the photographic document, particularly sociological document, as this designation easily summarizes the work of the author. I outline the life of Markéta Luskačová and then I analyse her main photographic cycles in the second part of the work. Pilgrimages and children belong to the most important topics of Luskačová's work. I use the method of visual analysis which Gillan Rose has called The Good Eye. The method observes technical elements of pictures, for example a tonal contrast or a framing. I supplement The Good Eye method with the semiological analysis which interprets the meaning of visual elements. The important source of information is - besides reference works - the documentarian Markéta Luskačová herself. I analyse not only her work but also her life in interviews with the photographer. The whole text of interviews is to be found in appendixes of the work.
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