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Bassanos in the collection of the National Gallery in Prague
Pokorná, Barbora ; Zlatohlávek, Martin (advisor) ; Přibyl, Petr (referee)
The presented diploma thesis deals with artworks filed under Bassano's name in National Gallery in Prague. Opening chapters enlarge on those artworks, not to say artworks of Bassano family in area of today's Czech Republic. The life and artistic work of Bassano family is briefly introduced, with focus on Jacopo Bassano as the main personality. Short universal discourses concerning specific issues are taken individually, in relation to particular paintings. The crucial part of the thesis is a catalogue presenting entire collection of Bassano's artworks in National Gallery. The catalogue compounds of several parts: authentic pieces, works from workshop, later copies of artworks, and paintings which don't match Bassanos'author craft. The artworks in catalogue are comprehensively described and put to context with other works.
Fountains in Early Modern period in Prague
Peterová, Jitka ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This thesis, "Fountains in Early Modern Prague" is devoted to describing the fountains incurred in Prague during the Renaissance and Baroque periods. In the introductory section of this paper explains the basic concepts, the meaning of each specific element and the primary function of these architectural structures. The work is also focused on the defunct fountain in Prague, which originated in the early modern period. Above all, the most unpreserved Krocínova fountain. Work is also content iconographic and symbolic description of selected fountains. Keywords: Renaissance, Baroque, Sculpture in the period of reneissance, sculpture on the period baroque, Fountains
Sebastiano Ricci and his work in the czech collections
Zářecká, Markéta ; Oulíková, Petra (advisor) ; Zlatohlávek, Martin (referee)
Bibliographic citation Sebastiano Ricci and his work in the Czech collections: Bachelor thesis / Markéta Zářecká; Leader: PhDr. Petra Oulíková, PhD. - Praha 2015 - 70 pg. Abstract: This thesis deals with the representation of Sebastian Ricci and his works in Czech collections. Initially, the work briefly describes the Baroque painting in Venice for the period Ricci's life that follows the life story of Sebastian and Marco Ricciových, which is associated with their mutual artistic collaboration as uncle and nephew. Last, but also an important part of this thesis is devoted to a catalog of works owned by Czech, Moravian Gallery and locks. Catalog also presents works on the same theme from foreign collections, the related question regarding Ricci authorship or the exact dating of the presented works in the catalog. Finally, the work summarizes the existing knowledge and research that have been an integral part of the creation of this work. Keywords: Sebastiano Ricci, work, Venice, Marco Ricci, collections
Prague fountains in the Renaissance
Linartová, Klára ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
Abstact The bachelor thesis deals with the Prague Renaissance fountains and wells. In the introduction the main attention is focused on the importance and nature of the water system in Prague, mainly in the Prague Castle, Lesser Town and the Old Town, where the most important monuments are preserved and which are the subject of this work. The main content of the work is formal and iconographic assessment of individual fountains, wells and other water reservoirs. The focus is on the circumstances, to the changes observed landmarks succumbed over time, and any subsequent modifications, co-location and in particular the form of artistic design and iconographic analysis. The conclusion is devoted to typological comparison with other major monuments in the Czech Land and broader European context. The work is structured as a catalog of important Renaissance fountains in Prague during the Renaissance with regard to their typology.
THE PRAGUE STAY OF JAN KRYŠTOF LIŠKA
Šveněk, Martin ; Zlatohlávek, Martin (advisor) ; Adamcová, Kateřina (referee)
Annotation: MARTIN ŠVENĚK. The Prague Stay of Jan Krystof Liska Charles University in Prague, Faculty of Arts, Department of Art History 2013, 70 p, Bachelor Degree Thesis. The thesis is dealing with the work of Jan Krystof Liska for selected Prague's churches and discusses its impact on the local cultural environment. It defines its role in the development of the Czech Baroque painting in Prague and tries to point out its individual quality and benefit on specific examples. There is presented summary of the current knowledge concerning the authorship, chronology, the results of restoration, painter's conception including the views of leading experts and color reproductions concerning each of those selected works of art. Keywords: czech baroque painting, church of St. Adalbert, church of St. Francis Seraphin, church of St. Gallus, church of St. Nicholas, church of St. Ursula, church of the Assumption of the Virgin Mary, Jan Krystof Liska, Michael Leopold Willmann, Vaclav Vavrinec Reiner
On the Iconography of the Cassone Panels from the National Gallery in Prague
Savická, Pavla ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
At the time when the Middle ages were almost, but not quite, gone and depictions of pagan gods in "high" art were still scarce, relatively common objects were covered with ancient stories and classical myths. On Florentine marriage chests of the Quattrocento reappeared some scenes that were neglected and forgotten for centuries. These chests, so called cassoni, played an important role in the renewal of secular painting in the Renaissance. This research looks at two cassone panels from the National Gallery in Prague, The Judgment of Paris and The Rape of Helen. It is focused on their iconography and its sources. Special attention is paid to the female figure with wings on her head that appears in The Judgment of Paris. She is identified as Venus, who is often depicted with wings in Florentine art of the 15th century. Possible literary sources are also considered.
The architectural and historical development of the Royal Summer Palace at the Prague Castle
Pintová Laurová, Ivana ; Zlatohlávek, Martin (advisor) ; Zapletalová, Jana (referee)
The aim of this bachelor thesis is to describe process of the structural development of the Queen Anne's Summer Palace at Prague Castle, with the emphasis on the period in years 1538-1564, including the formal description of the building.
The architectural and historical development of the Star Summer Palace in Prague
Kupčová, Simona ; Zlatohlávek, Martin (advisor) ; Zapletalová, Jana (referee)
The aim of this bachelor thesis is to describe architectural and historical development of the Star Summer Palace in Prague. The project designed by Ferdinand of Tyrol will be contrasted with individual architectural phases which were participated by Bonifac Wolmut ad. Using preserved Viennese projects, which created in 1555 Ferdinand of Tyrol, is a detailed description of the object. It will be mentioned himself Archduke Ferdinand of Tyrol. On the basis of it will be possible to assess the current state of architecture with its original project.
Hieronymus Bosch: Garden of earthly delights
Chvátalová, Kateřina ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
The theme of a thesis is Hieronymus Bosh and his work "Garden of earthly delights", then the main inspiration to represent the motive in the mentioned work. His topic will be discussed based on the historical background of the picture. Will be evaluated by the latest findings of this triptych.
Bechyně Chateau during the Reign of Petr Vok from Rožmberk
Vrbová, Eliška ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
This thesis will deal with chateau Bechyně during the period when it was possessed by Petr Vok of Rožmberk. The last Rožmberk bought Bechyně manor from Jindřich of Švamberk in 1569. He let Baldassare Maggi build a new Renaissance chateau which became the centre of Rožmberk court. The whole manor was sold due to enormous debts to Šternberk family in 1596. The author presents personality of Petr Vok in his relation to Bechyně and the life of his court at this chateau. Then she will deal with the building development of the chateau from the late Gothic castle to the Renaissance chateau. Especially, in the next part she will pay attention to painting and stucco decoration of the interiors which reflects Rožmberk spiritual and confessional transformation. In the last chapter, the author will deal also with the decoration of facade of the chateau courtyard which was created in that period.

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1 Zlatohlávek, Michal
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