|
|
Reflection abount Creating Bachelorgs Documentary
Krejzová, Táňa ; ADLER, Rudolf (advisor) ; VACHEK, Karel (referee)
In this thesis I tried to show difficulties of shooting in foreign country, specifically Ukraine. I was judging women status in society. This thesis should serve as a guide for everyone who want to go to the Eastern Europe and don?t know what to expect or just want to broaden their knowledge by personal experience. I also tried to create a few advices for female directors ? how to act in society ruled by men and how to react in new environment.
|
|
|
The use of Archive Family Footage Documentary Film
Janečková, Veronika ; KUBICA, Petr (advisor) ; VACHEK, Karel (referee)
In this thesis I explore more deeply the topic from my bachelor diploma thesis ?Archiving Family Film?. Through an analysis of family film from the thirties to the present day, I want to draw attention to this distinctive form of amateur filmmaking which is overlooked today. Above all I want to focus on the filmmakers Peter Forgács and Jan Šikl. I explore their different approaches and points of view, and their use of archive family footage in their documentary works ?Private Hungary? and ?Private Century?. By comparing films from these documentary cycles, I point out what makes the works of these two directors unique. I also elaborate on my work with family archive footage in my film ?Sestření? (?Sistering? - 2nd year exercise ? authorial portrait), and I reflect on the approach that I adopted when shooting my bachelor?s diploma film, ?Roots of Relationship or How Granddaughter and Grandmother couldn?t get the Turnip out.? I explain my use of methods taken from family footage in my work as a documentary filmmaker, and discuss my personal experience and achievements in this field.
|
|
|
Foucault concept of sidcours and documentary film
Kohout, Martin ; VACHEK, Karel (advisor) ; ŘEZNÍČEK, Martin (referee)
This Bachelor thesis compares ways of elimination which was described by
Michel Foucault with ways of elimination in documentary. There are three basic
types: taboo of subject, ritual of circumstance and privileged or special right of
subject. Documentary like subject of discourse has been meant only in generally.
Core of thesis is the way of production documentary. Process of shooting and
editing explores how documentary can eliminate (when you show something-
you must hide something). Documentary use different ways of elimination than
discourse because is based on coincidence and shots which are based on reality
(not in the structure of language). Documentary is restricted by society
understanding term "documentary" it is simultaneously basic condition for its
existence.
|
|
|
Imaging the region of Ostrava
Řezníčková, Klára ; Vachek, Karel (advisor) ; Kubica, Petr (referee)
This theoretical work tries to capture the first film attempts describing the region of Ostrava and his further development. Besides the cinema expansion and the start of TV studio the work is marginally concerned with fine arts, photographic and theatrical field as these artistic movements mingle deeply in Ostrava region.
Key words: Ostrava region, cinema expansion, TV studio, development, fine arts, photographic, theatrical, artistic movement
|
|
| |
|
|
The Look At Sudeten Germans In The Chosen Parts Of Documentary Series Descendants And Ancestors
Kratochvíl, Jaroslav ; Kubica, Petr (advisor) ; Vachek, Karel (referee)
Bachelor thesis analyses two chosen parts of standards propaganda documentary series Descendants and ancestors. To be specific, it concerns about pictures Neurosis of revanchism and Seeds of hate, which attends in terms to the problematic of the Sudeten Germans.
The work concerns on the basis of their analyzes ? going out from Marxist postulates ? the interpretation of the Sudeten question. It focuses also on the structure, used dramaturgy and film language, that this cutting documents use to reach for their propaganda purpose.
In total, this case studies gives a plastic and comprehensive look at ways, which were used by standards documentary film work to process historical facts and evens, including the political and standards targets, which should this pictures primary serve.
|
|
|
Ulrich Seidl - Between Fiction and Reality
Síbrt, Radovan ; Kubica, Petr (advisor) ; Vachek, Karel (referee)
The bachelor thesis describes the development, which was undertaken by the Austrian film director Ulrich Seidl up to the point he made his first fiction movie HUNDSTAGE. The methods of his documentary works are scrutinized in order to point them out in his first non-documentary debut. It also follows ?the journey? he had undertaken between documentary and fiction. Next to that, the thesis problematises the fact that Seidl is by many regarded as a documentary filmmaker. At the same time it deals with the boundaries of documentary and fiction films and shows how unclear this can be, which makes it even more interesting for Seidl. The thesis also tries to raise questions concerning Seidl?s approach to reality and the way he deals with it.
|
|
|
Workbook for film-maker before debut
Klusák, Vít ; Vachek, Karel (advisor) ; Kokolia, Vladimír (referee)
I subordinated the choise of tasks to the development of my own film-making method. The basic rule for the generation of my text was for mw being driven to go through new experiences and not only writing out what I know or copiling texts from other authors. From practical overlaps I appreciated e.g. the film inventions that I constructed for my work. The "2 in 1" device enables simultaneous projetion of both the person in front of the camera and documentarist behind it.
|
|
| |
|
| |
guest ::
