|
|
Pavel Juracek's Creative Process
Bokšteflová, Lucie ; Vajchr, Marek (advisor) ; Bernard, Jan (referee)
This text aims to shed light on the firm clasp between Juracek's existence and his creations mainly through analysis of thematic constants of Pavel Juracek's Diaries. It attempts to uncover the roots of his need to create, and explores the means of its fulfillment. It scrutinizes the sources from which Juráček derives his writings and films, it shows some of his creative motivations and methods, and illuminates why the creative process played such an important role in Juracek's life.
|
|
|
Quest for finding a scriptwriting department
Parkanová, Beata ; Vajchr, Marek (advisor) ; Vajchr, Marek (referee)
The main goal of my work Quest for finding a scriptwriting department is to map out the discussion about ideal model of education on board of scriptwriting department. The fundamental work here represents discussions with tutors of scriptwriting, editing and directing department as well as inquiry with the students. Build on those results, I define key problems in education process and also suggesting their possible resolution.
|
|
| |
|
|
The script as a diary
Godovič, Marek ; Ulver, Stanislav (advisor) ; Vajchr, Marek (referee)
The thesis "The script as diary. the diary and his two examples in the personal documents by Martin Šulík and Naomi Kawase" is interesting in the definition and summary of diary changes in the literature, photography and film. The autthors writes about personal documents, which focus not the facts about life, but more in the emotional feelings of persons. the thesis focuses more on the two examples of personal documents, which are inspirated by the diaries: the documents by slovak film director Martin Šulík (The Key for Determining Dwarfs or The Last Travel of Lemuel Gulliver) and japanese a director Naomi Kawase (Shadows)
|
|
|
Andrej Stankovič
Felcman, Jakub ; Ulver, Stanislav (advisor) ; Vajchr, Marek (referee)
This graduation thesis deals with the work of Andrej Stankovic, a Czech poet, publicist and a scholar (1940 ? 2001). In my paper, I focus on two main points: the analysis of Stankovic´s film-critical work, and consequently on the application of the basic elements of his critical tokens to some common models of ethical critique of a work of art.
|
|
|
The Language of Minimalism in Script of the Film and Film "The Son" by Brothers Dardenne
Poláček, Vít ; Mravcová, Marie (advisor) ; Vajchr, Marek (referee)
Summary of bachelor thesis
In the year 2002 new film called Le Fils (The Son) realized by brother duo Luc and Jean-Pierre Dardenne was presented in competition of Cannes Film Festival. The aim of this thesis is description of dramaturgical conception of this film, its interpretation and comparison of original script with the final form of the film. Additional scope is how this script was written, what it was influenced by, and why it is built the way it is. Moreover, subject of this contribution is the style of Dardenne brothers as film minimalism and the question what kind of minimalism can be found in history of music, in fine art, and in literature. And is it correct at all to call the style of these filmmakers from Belgium as minimalism?
The bachelor thesis is supported by translation of original script which is in supplement.
|
|
| |
|
| |
|
|
Cult Film
Podzimek, Matěj ; Bendová, Helena (advisor) ; Vajchr, Marek (referee)
The goal of the following thesis is to explore the phenomenon of "cult film" and to trace down the hitorical development, semantics, social and historical context of the commonly used expression. It focuses on the close connection between the expression and the historical development of the American cinema and proves that the impact of this cinema (regarding mostly commercial aspects) on the expression has been more significant than usually admitted by film critics. It also considers a viewer as an important factor in the process of creating Hollywood flicks. Lastly, it focuses on the current devaluation of the expression "cult film". Finding the accurate terminology is the only way of improving the situation, which is another goal of the thesis. It also helps readers realizing this fact and to use the expression properly.
|
|
|
Adaptations of H.S. Thompson
Lévyová, Lívia ; Vajchr, Marek (advisor)
This thesis focuses on two film adaptations based on the literary work of the American journalist H. S. Thompson. The first one is Where the Buffalo Roam, directed by A. Linson and the second one is Fear an Loathing in Las Vegas, directed by Terry Gilliam. The goal of the thesis is comparison of two movies according to several criteria - dramatic and visual qualities, characters, ets. Also, the unique style of gonzo journalism, invented by the author, is taken into cosideration. It became well-known for its extreme subjectivity, close connection with autror´s life and blending fact with fiction. Another goal is to review how successful both directors were ai applying film methods on the chosen Thompson´s texts and in transforming them onto the film screen.
|
guest ::
