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Adolf Liebscher 1857-1919
Dlábková, Markéta ; Prahl, Roman (advisor) ; Slavická, Milena (referee)
Adolf Liebscher belongs among the artists known as the "National Theatre Generation." Like ist foremost representatiwes, F. Ženíšek, M. Aleš and V. Hynais, Liebscher also produced an oeuvre of great diversity - he created decorative paintings and historical compositions, was interested in folklore painting, his drawings were published by the major journals of that time as Zlatá Praha or Světozor and rus illustrations appeared in many albums, books of poems and novels. Liebscher was bom on March 11, 1857, into a family of a Provincial Committee engineer Josef Liebscher. His older brother Karel (1851 - 1906) later became an appreciated landscape painter, with whom Adolf often cooperated. In 1875 - 1878, Adolf Liebscher studied at the School of Applied Arts in Vienna, in the three-year course for hand-drawing teachers under F. Laufberger. After obtaining a diploma, he entered the studio of E. A. Donadini for half-a-year, where he prepared his proposals for the competition for the National Theatre. In 1879, he was awarded in the competition and was commissioned to carry out some of his proposals in the passage of the theatre. Here he created eight lunette allegories of Dramatic arts.
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Visual poetry and introvert conceptual art: The Word's Role in Czech and Russian Non-official in 1960th-1980th
Polishkina, Anastasiia ; Klimešová, Marie (advisor) ; Slavická, Milena (referee)
(English) This bachelor thesis deals with the connection of two important phenomena of 20th century art. The first one is visual poetry movement, which is characterized with a reconsideration of words' communicative value within the state of the society in the 1960s. The tension between the belief in the objective meaning of a word and the awareness of its manipulativeness, especially in totalitarian society, gives birth to a more interesting phenomenon in the field of unofficial art of the communist countries. The aim of this paper is to explore the practices of the Second Wave of visual poetry in the Czech Republic and Russia and its relationship to the word and language as a reliable system. Essential names for the art of the second half of the 20th century will be mentioned here, including Jiří Kolář, Ladislav Novák, Jiří Valoch, Vladimir Burda and Václav Havel from the Czech side; and the Lianozov School led by Vsevolod Nekrasov, Genrich Sapgir, and the next generation of Moscow conceptualists led by the famous Dmitry Prigov.
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Adolf Liebscher 1857-1919
Dlábková, Markéta ; Slavická, Milena (referee) ; Prahl, Roman (advisor)
Adolf Liebscher belongs among the artists known as the "National Theatre Generation." Like ist foremost representatiwes, F. Ženíšek, M. Aleš and V. Hynais, Liebscher also produced an oeuvre of great diversity - he created decorative paintings and historical compositions, was interested in folklore painting, his drawings were published by the major journals of that time as Zlatá Praha or Světozor and rus illustrations appeared in many albums, books of poems and novels. Liebscher was bom on March 11, 1857, into a family of a Provincial Committee engineer Josef Liebscher. His older brother Karel (1851 - 1906) later became an appreciated landscape painter, with whom Adolf often cooperated. In 1875 - 1878, Adolf Liebscher studied at the School of Applied Arts in Vienna, in the three-year course for hand-drawing teachers under F. Laufberger. After obtaining a diploma, he entered the studio of E. A. Donadini for half-a-year, where he prepared his proposals for the competition for the National Theatre. In 1879, he was awarded in the competition and was commissioned to carry out some of his proposals in the passage of the theatre. Here he created eight lunette allegories of Dramatic arts.
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