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Improvization of acting people with serious visual handicap
Laňková, Renata ; Slavíková, Eva (advisor) ; Pilátová, Jana (referee)
I would like to focus in my dissertation on improvization of acting people with serious visual handicap. These improvizations took place during theatre course from 2007 till 2008. This dissertation is divide into 3 parts. First part focuses on history and content of theatre course I've mentioned above and also visual handicap problems and psychical impact on human personality. Second part describes people who were involved in and their specific needs and verbal and movement improvization too. At the end I reflected the cooperation of the group and describe the knowledges which I got as the member of the group and as the social worker.
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Fasnacht of Basel is Switzerland
Cieslarová, Olga Věra ; Pilátová, Jana (advisor) ; Rut, Přemysl (referee)
"Fasnacht" of Basel is Switzerland's largest carnival and, at the same time, it is the only protestant carnival in the world. Its origins go as far as the middle ages, nevertheless, in the last two centuries, it has gradually grown a surprisingly current and lively image. "Fasnacht" is a geyser of social and political satire; and a substantial part of the city is involved in it during most of the year.
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INTERSECTIONS OF THE CHILDREN´S THEATRE AND THE THEATRE ARISEN FROM THE SECOND REFORM OF THEATRE
Sittová, Gabriela ; Pilátová, Jana (advisor) ; Provazník, Jaroslav (referee)
The thesis is dealing with intersections between some chosen adult theatres on the one hand and theatres that have come into the being by doing the drama in education on the other hand.
These interfaces point out the fact that there is no clear line between the children?s theatre and the theatre played by adults neither in terms of quality nor in terms of professionality of theatre.
In this work, the term ?children?s theatre? has been dealt as theatre that was based on the drama in education. The leader of the group that is doing this kind of drama is a drama teacher. Also, there have been some performances mentioned in this work, e.g. those by Hana Franková, Alena Palarčíková or Irena Konývková.
?The theatre arisen from the so-called second theatre reform? is a term used for such a sort of creative work which has been to a certain extent inspired by Gorotowski?s work and his attitude to theatre. In the broadest range, not only work of Grotowski himself belongs to this area but also work of Odin Teatret or Gardzienice. The argumentation of this thesis is based on the performances of the theatres Farm in the Cave and Continuo Theatre that represent the most easily available ?living course? of its art in the Czech Republic.
The performances by Farm in the Cave and Continuo Theatre have been mentioned in this work as inspiration and as a course book of drama art for drama teachers, not only in terms of chosen transmission means towards spectators (i.e. theatre performance) but also in terms of obvious principles of the theatre creativity and the attitudes to it (i.e. phases of preparation of the actors? group and phases of creating the performance).
The work is submitting a list of points from the area of drama preparation, creation and realization of a performance, where both types of theatre stand very close to each other. By means of these points, performances such as the ones by Farm in the Cave and Continuo Theatre can become a valuable source of inspiration especially for those drama teachers who are directing their lessons towards the outcome in a form of a theatre performance.
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Theatre and Madness (Madman as dramatic Image and social Role)
Bárta, Vojtěch ; Vinař, Josef (advisor) ; Pilátová, Jana (referee)
A master thesis Theatre and Madness ? Madman as a Dramatic Image and as a Social Role is exploring changing images of Madman´s image in theatre and drama of western culture, from antic to the modern ages and in relationship to historical, social and cultural contexts. The goal of the thesis is not the complexity of the research. The thesis is merely interested in selected chapters of theatre tradition, that are partially corresponding with personal creative background, particularly with dramaturgy of a John Webster´s play ?The Duchess of Malfi? in Theatre Disk. The work is aspiring for searching and gaining consciousness of roots of this archetypal image, which is standing at a beginning of theatre creation and represents its deep source and possible danger. This image is intended to be magically fulfilled and overreached by its description.
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Searching for the Magic of the Theatre
Happonen, Linnea ; Pilátová, Jana (advisor) ; Krofta, Josef (referee)
Searching for the Magic of the Theatre, is according to the name, a
theoretical search of the author in world of theatre. The work is divided
in four parts, first for searching the forms, second for the means and
third for the makers of magic. The fourth part is reflecting author´s own
concrete experience in theatre, especially in the theatre group Krepsko,
and that with looks for before, during and after performances. The aim of
this writing is to resume some thoughts, questions and beliefs of the
author after ten years working in and around theatre.
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VOICE AND MOVEMENT
Jawor, Maja ; Hyvnar, Jan (advisor) ; Lipus, Radovan (referee) ; Pilátová, Jana (referee)
Niniejsza praca stanowi refleksję nad problematyką techniki i twórczości aktorskiej na podstawie moich doświadczeń wypływających z procesu pracy w Akademii Praktyk Teatralnych ?Gardzienice? oraz w teatralnym studio Farma v jeskyni w czasie prób do przedstawienia Sclavi / Emigrantova Pĺseň.
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