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Body Experience and Human Body as a Relationship of Music and Object
Pálka-Plachká, Michaela ; RATAJ, Michal (advisor) ; TROJAN, Jan (referee)
This thesis is focused on the field of art in which there is an organic connection of music/ /sound structure and another types of art. It tries to bring these specific art forms in the context of the area Klangkunst and see them in relation to the broader historical tradition. It tries to answer how the music/sound was interconnected with other types of art, and how this development took place in the 19th century to intermediate art. It explains the key concepts of Klangkunst, especially in their German context, and tries to incorporate them into the Czech context. An important level of the subject is body experience and sensory perception. The work tries to answer the specifics of hearing and visual perception, the synergy of both senses, as in the creation of selected authors the phenomenon of whole-body perception and perception of the work of art through its own movement. Various philosophical and musical insights are divided into categories of space, time and silence, and these categories are explored in the work of selected authors – Heiner Goebbels, Christina Kubisch and Bernhard Leitner. The aim of the analyzes is to show how the perception of these categories is shifting in the context of the traditional composition tradition. In the next part I analyze my own work Hmaty… doteky, which was created by connecting the electroacoustic composition with the inputs of a living artist in coexistence with the artistic and movement action and is a common work of several authors.
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