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Metaphorical Potence of Materials
Černá, Adriana ; Matásek, Petr (advisor) ; Králová, Andrea (referee)
This work consists of two parts. The first theoretical part deals with metaphor and material, possibilities of using materials and their importance, it also deals with the material library, which allows you to track the development of materials. I mention here the use of materials in my own projects.
The second part deals with the description of production Idiot, its origin, course and final form.
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Theatre for Small Audience
Vítková, Zuzana ; Matásek, Petr (advisor) ; Smolík, Robert (referee)
My thesis concetrates on specific features of the theatre for small audience. I look at space and proximityas quantities that determine our relationshipto that what we can see. I am also concerned with detail in the theatre. There are examples of some personalities who aim their performances at small audience and small theatres. In the practical part of my thesis, there is description of my work on the performance called the Tale from the Empire of Fantasy ( Příběh z říše Fantázie).
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Scenography and space in choreograpy of Sasha Waltz
Palátová, Dana ; Kodet, Jan (advisor) ; Wiesner, Daniel (advisor) ; Matásek, Petr (referee) ; Eliášová, Bohumíra (referee)
Sasha Waltz is not just a significant phenomenon in modern dance in Germany.
Her artistic influences have overlapped into traditional ways of staging operas
and erode cliché experiences, which are understood as static installations, such
as museums. In the thesis I have tried to map the work of Sasha Waltz through
space and her set design from the beginning of her career to the present. I had
the opportunity to personally see and compare her debut and latest projects. To
collect the main sources of my thesis about the work of Sasha Waltz, I spent
several months gathering information and conducting personal interviews
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Art of a Location
Gajdošíková, Silvie ; Žižka, Tomáš (advisor) ; Matásek, Petr (referee)
Analysis of a three projects Under-on-up in Dresden, Move house specific in New Yorku and Ball lightning project in Prague which is in progres now. They will be introdused in historical kontext and in connection with contemporary art scene.
This thesis is basen on fenomenon f art interventions into authentic space. It´s focused on own projects created in 2009-2010. It´s project Under-on-up in Dresden, Move house specific project in New Yorku and Ball lightning project in Prague planned in 2012.
In this thesis I am going to clarify a terms which are connected with a topic - site specific, genius loci, interaction, instalation, performance, land art, authenticity and community art.
In all projects I analyse theyr concepts, development, sources of inspiration and themes. In a third planned project Ball lightning I describe single motives, connections, and experiences, which woul, in ideal result, pay good interest. I am going to compare theese projects among them according to type of intervention, using of a space, interactivity, estetical proportions and production.
At the end I try to basicly evaluate this comperation and inner substance of art intervention into a specific spaces with accent on a described projects.
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Between Minimalism and Postmodern Citations
Šilar, Antonín ; Matásek, Petr (advisor) ; Králová, Andrea (referee)
This thesis is devoted to the connection of postmodern expresive scenographic
means and purist scenography.The main theme is new media, especially in terms
of integration into the dramatic space.Involved also spectacularization of it's
motion picture and performative art digital media and it's influence in the
subsequent disillusionment phase of this fascination by technical effects and the
potential of digital technology.In a comprehensive description of my work on
three theatrical projects, I compare three different approaches to new media in a
dramatic space. For these projects, I emphasize the need intermediality of all
elements of stage design.
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Potencial of Authentic Space and its Limits
Koníčková, Tereza ; Matásek, Petr (advisor) ; Žižka, Tomáš (referee)
In this paper I have dealt with various perspectives on the premises, authentic space, which is inspirating by own information about itself, which is bringing spirit of the place, which maybe hide some story. It is question of strong feeling, which is saying to you - have breake here and try to see something. At first I am writing this text leaning on my own experience, followed by factual information and sources that touch on or have they dealt with other artists, art groups and directions. I try to outline the options and procedures that space offers such a different way can inspire you to create images, animations, public events, performances, workshops, dance ... My goal is to offer readers a taste of this work and a hint of manifold variety of creation, which is a authentic space associated. The key issue for me is my master's project Bathrooms, whom I dealt with in cooperation with Tereza Benesova last two years of Master's studies at Damu in Prague alternately in the Czech Republic and France. Verifying the potential of space as such and researching its limits.
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Scenographic Solution for a Production in the Spirit of Gypsy Culture
Fonová, Klára ; Tománek, Alois (advisor) ; Matásek, Petr (referee)
The thesis describes the material culture of the Roma in Central Europe. Here material culture constitutes the basic types of dwellings of nomadic and settled-living Roma, including interior decoration. Principally I describe the traditional garments
of Roma in detail. I point out the differences between the general concept of habitual gypsy clothing and its historical reality. I also mention the differences in the garment over the centuries and in other parts of Europe. I breifly discuss the current clothing of Roma, Roma traditional crafts, and the working methods of some contemporary artists. The second half of the text summarizes the basic stage design approaches
to show Roma culture, mainly in Czech theaters. I also present examples of two foreign productions that express the typical character of Gypsy culture. This is
a presentation of Slovak theatre Romathan and French Zingaro circus. The final section presents stage design solutions of the production inspired by Roma tales Romaldíno a Kamila realized in Bábkové divadlo Žilina (Puppet Theatre in Žilina, Slovakia).
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Movement Theatre, Dance and puppets in the Czech
Hayashi, Yumi ; Matásek, Petr (advisor) ; Täubelová, Kristýna (referee)
The diploma thesis focuses on a search of using puppets possibilities
of Movement Theater and on study of the Czech and Japanese puppet tradition.
It is divided into two main parts. The first part summarizes the theoretical knowledge of the importance of puppets and Puppet Theater in the Czech
and Japanese culture. The second part describes the Red Dream Červený sen performance formation accompanied by stage design proposals, costumes
and puppets.
The chapter concerning traditional Japanese Puppet Theater explains Japanese mentality and philosophy and religion influences. From the Czech Movement Theater the phenomenon of Cirque Nouveau is described. There is also
a comparison between the Japanese and Czech approach of using puppets.
From the knowledge of both cultures come sources of mutual inspiration.
The Červený sen (Red Dream) dance performance began as a joint project
of the Academy of Music (HAMU) - students of choreography with the intention
of acting and dancing options of puppets. The story concentrates on powerful women's emotions in three acts: desire for love, the desire for beauty and desire for power. The main roles of three women in critical life situations
are Caren from the story of Hans Christian Andersen The Red Shoes,
Yaoya Oshichi from the Japanese legend of disappointed love and
Lady Macbeth from William Shakespeare's tragedy. Short stories are connected
by a symbolic red color. The teenage girl watches the fate of three women
and learns a moral lesson.
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Borders of Scenography and Stage Design Invisible
Čičmanová, Erika ; Matásek, Petr (advisor) ; Tománek, Alois (referee)
Anotation
Limits and possibility of crossing them, invisibleness, invisible factors, unexpected surprises, secrets, imagination, fantasy, dream. Situations that unfold us beauty of casual day and rareness of every moment we experienced. Chronognosis of an artist, world appearance, new dimensions, perspective of individual standing inside collectivity, but looking at it from distance. Possibility of revelation of individual inner world is offered to the public through an artwork. Creation of such an artwork of course insist on the essential ability of an artist adaptation into the real world, ability of communication with his environment and society, ability of solving problems and acting in different situations. It applies to the team cooperation, especially in creative process of theatre making, double. This work Borders of scenography and stage design invisible (Hranice scénografie a stage design invisible), discourse artist existence within reality. It illustrates on both general and particular examples the wideness of the scenographer?s work, which encircle the prime meaning of scenography as an art component of the performing arts. Work, which take place in determinate borders of scenographers field of activity, and beyond the scenography itself, while it stays unseen in the final show.
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Realization of Ideas of Occidental Author
Nishioka, Kanako ; Kalfus, Pavel (advisor) ; Matásek, Petr (referee)
In these days thanks to the great Internet technology links people to people very easily and we can get various information wherever you like in the world.
But what is the meaning of real communication?
The aim of this thesis is to examine the importance of the real=non-virtual communication through my own experience in Czech Republic, and the history of Czech puppet theater in 20th century proves the significance of their own language, also the the idea from George Orwell shows the value of the real experience through his works including his own remarkable life.
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