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Vibraphone
Kasal, Jan ; MAZOUROVÁ, Markéta (advisor) ; BARTOŇ, Hanuš (referee)
Particular chapters summarize dividing of idiofons. I wrote about a history
of vibraphone, its very beginnings and I continued with the description of
vibraphone as a musical instrument. The aim of my bachelor thesis is to find
manufacturers of vibraphones all over the world, to list various ways of playing
the instruments, types of drumstick and ways how to hold and use them. I tried
to make a list of the most important and famous vibraphone performers from the
very past until the present, both of the Czech Republic and abroad.
The last chapter describes vibraphone compositions of various pieces of
music. I got a lot of useful information from my melodic instrument lectorers,
especially from vibraphone specialists, performers and students while working on
my thesis. Hopefully vibraphone and other drum instruments which are not
generally known and respected in the Czech Republic soon will be appreciated as
in other countries.
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Nebojša Jovan Živković - life and work
Vytiska, Miroslav ; Mazourová, Markéta (advisor) ; Havlík, Jaromír (referee) ; Honda-Černochová, Junko (referee)
This bachelor´s thesis is focused on Nebojša Jovan Živković, very important serbian percussionist and composer. My thesis is concerned with leading light of Nebojša Jovan Živković, his work of solo and chamber music. This is my own estimation of Živković. He is for me one of the best percussionists and composers in the world.
In my bachelor´s thesis is possible to find CV of Nebojša Jovan Živković, brief interview and characteristic of some his pieces. In the end I speak about his band Jovan Percussion Projekt and its full members.
There is also view of his compositions.
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Representative works of Contemporary Compositions for Solo Percussion
Mazourová, Markéta ; Vlasák, Vladimír (advisor) ; Vičar, Jan (referee) ; Opršál, Martin (referee)
Representative works of Contemporary Compositions for Solo Percussion
The thesis is divided into three parts, connested to, and completing, each other. They are presented in alphabetical order.
Section One: A Guide to the World of Percussion
Section Two: The World of Percussion
Section Three: Contemporary Works for Solo Percussion
The Guide to the World of Percussion is a lexis of phrases which relate to percussion performance, and general percussion terminology.
The translation of any terms must be comprehensible with or without cross-reference.
The first entry is a complete description. The second is a shortend description completed by the full lexis, entitled:The World of Percussion.
The second part contains supplementary information presented in the form of summary interpretation. The third part is entitled: Contemporary Works for Solo Percussion.
The aim of this practically laid-out section is to index and compile information about the composers, their works, and to present one representative work from each, for analysis.
Individual works including notation and graphs are included in a composer?s sections.
The thesis is concluded with compendium of composers and their works.
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