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Word and Image, Jan za chrta dán
Bažant, Jan ; Kalfus, Pavel (advisor) ; Žižka, Tomáš (referee)
This text deals with the conflict betwen word and image it theatre performance, with special regard to diference between the point of wiew of director and stagedesigner. The analisis my graduite performance in witch the old Czech play Jan za chrta dán was put on stage is integral part of this work. Complete pictorial documentation of this performance is included.
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Inscenation John Sinclair - Artistic Solution
Černíková, Marie ; Tománek, Alois (advisor) ; Kalfus, Pavel (referee)
This bachelor paper relate to performance John Sinclair. The author of costumes and puppets scans resource of inspiration for visual factor of performance. Author refers how is her work influenced by contemporary trends. She confess her concern for comics , motion and the beauty of human body.The author expounds contemporary approach to human beauty. She also writes about further resource of inspiration and referses: fantasy literature, film noir, pornography and the world of pop music.The author searches standards for makeing puppets and costumes and she writes about her way how to make a puppet and costume.Second half of bachelory paper include description of puppets (material,sizes and specific movements). and the description of succesive costumes (materials, sheeps, colours).The bachelor paper include extensive picture supplement which contains costume and puppets design, poster of this performance, photos from performance and an interview with the director, Petra Tejnorova.
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Complete Creative Solving of Inscenation: Jan Werich Lakomá Barka
Hubená, Lenka ; Tománek, Alois (advisor) ; Kalfus, Pavel (referee)
Baccalaureate work Complete Creative Solving of Inscenation Lakomá Barka of Jan Werich is attempt about infliction of the process of theatre performance production from spectacle scenographer.
The work is dividet into two basic block, theoretic and practical.
First of them comment upon choice theater model, deal with dramaturgy, futher then general problematic position playwrights for children. It mentioning to other presentation of literary model in other Media.
Practical part us send to the creative atmospheres with all her detais. So for example it discovers initial ideology, it process co-operation between director and scenographer. This part deal with routing at production puppets and scenography and describes not only its final solution, Substantial part these chaps forms source the inspiration which acquaint us with informal art and so carry us away from the teatre world to the world of static imagine.
That way this work become next atatement about theatre production from many, not only from sight audience or critique and so it execution evidence about inner problems of the creative process, which is able to but does not need to display on the performance.
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Trough the Thin Bowstring of Dreams
Nováková Hilská, Zuzana ; Žižka, Tomáš (advisor) ; Kalfus, Pavel (referee)
Annotation
This diploma work draws on the issue of the theatre, its social aspect, as well as a unit for work with mentally disabled people. It is mainly concerned with the two phases of the performance. Through the Thin Bowstring of Dreams, which sprang into existence thanks to this project. The whole diploma work and its goals, deals separately with individual disabilities and shows the attitude towards this issue throughout the history. It describes the group with which the performance was being created, the concept of the performance and workshops that served as a main source of inspiration for its creation. A pithy chapter is dedicated to the working of the material itself, stage-design, its forming, creation and the incorporated technology. A part of the diploma work also deals with the comparison of Art Brut, interviews with the actors and the description of rehearsals. The end contains the assessment of project and above theatre in generally.
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Possibilities of Classical Text Staging in Contemporary Theatre Space and Scenic Design
Nejedlá, Jitka ; Kalfus, Pavel (advisor) ; Králová, Andrea (referee)
This diploma work tries to capture the problems but also the virtues of staging a classical text considering the present-day thetre-goer. I was interested on which premises was the performance in Elizabethan times created and why was particularly this theatre era so popular. Also the contingencies and parallels of space and scenic design theatre creation in Shakespeare´s time and present, where used to lie and where lies the spontaneity experience in theatrical space. I chose the play A midsummer´s dream as an example on which I described which graphic possibilities arise directly from the text and how they were used or promoted by producers in the famous Czech and foreign productions. I described my personal experience with scenic design of this famous authors play in the epilogue.
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Game and Playfulness as an Inscenation Component and Their Accentuationin a StageE Design
Macholdová, Taťjana ; Kalfus, Pavel (advisor) ; Smolík, Robert (referee)
The diploma work discusses a topic of playfulness in scenography from different points of view. It shows diverse forms of a puppet, a costume, a stage space and a stage management itself. This problem is debated not only from performance producer?s but from the theatre-goers? point of view too. This work deals with a play in general ? with the play connected with a childhood that follows the entire human?s life. The different approaches are confronted with a process of a stage-setting work on a project of ?The secret log-book?
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a) Fitzli - Putzli b) Baroque Technology
Nachlinger, Jiří ; Kalfus, Pavel (advisor) ; Tománek, Alois (referee)
Baroque is the epoch in which worked on F. A. Špork, M. B. Braun and jointly created allegorical character of name Fitzli-Putzli. Špork created this character in his fantasy and Braun realized as a sculpture. Realized theater sculpture Fitzli-Putzli inspired by age of her genesis also come to be before image, inspiration and feature participant of outdoor interactive performances appearing from the attainable life fates of well-known person of baroque times.
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An Insight in a Joyful Pilgrimage with a Creation of a Piece about the Blessed Fortuity of the Birth of Little Baby Jesus
Venclová, Tereza ; Matásek, Petr (advisor) ; Kalfus, Pavel (referee)
This work relate to performance Zatraceny decko. Author scen and
puppets scan ressource of inspiration and visual factor of performance.
Whose matter is Christmas holiday from today sight. This Christmas hadn´t
been snow idyll for years as we know from Lada´s cards. But Theky gonna
be more and more saint´s day of consumption and kitsch. That´s formulate
how we can use common things instead of proprieties from tradition
christmas like apple, candle, straw... She was inspirated by work of Andy
Mrhol and his pop - art, readymades of Kurta Schwitterse and Marcel
Duschamp etc. and also her own experience from christmas eve. Then she
was betveen her family circle.
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Czech´s Drama Stage Design´s Expression from Polish Point of View
Ziółkowska, Joanna ; Kalfus, Pavel (advisor) ; Tománek, Alois (referee)
Resumé
Baccalaureate work Stage design´s interpretation of czech´s drama from polish point of view, is attempt to present process of work on choosen text in context of history of chechs and polish puppet theatre in scecond half od twenty century.
The work is divided into two basic blocks, essayistic and practikal.
First of them deals with charakterisation of particulars polish and chech puppet theatres. Searches the dependences, differences and metamorphoses betwwen them. That part comments the past, makes references to present and put the questions about the future. She has a essayistic character and often expresses my subiective point of view, which is only the hypotesis about the theatre condition. The leading line is plastic theatre conception and is like a speace to apply into the various new plastic means.
The practicical part is divided to further two parts. First of them reveals the concept, idea and working process. She meets the requirements of handpuppet theatre. The second part is further option of stage designes solution the same text in demonstrating conception theatre.
The image which I have done during considering on polish and chech theatre becomes source of my inspiration, reffers to internal problematic Pavlik´s drama from other point of view and describes the varied ascpects of modern puppet theatre.
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