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Benjamin Britten - The Poet's Echo
Kývalová, Eva ; KAUPOVÁ, Helena (advisor) ; JONÁŠOVÁ, Jana (referee)
In this thesis I focused on song cycle written by english composer Benjamin Britten The Poet’s Echo, which is based on poems by russian writter Aleksander Sergeyevich Pushkin. Benjamin Britten dedicate his song cycle to his close friends Galina Vishnevskaya and Mstislav Rostropovich, who performed this piece on premiere performance in Moscow. The purpose of my contribution was to outline the background of the admirable work, introduce all key persons interested in the piece and mapping of lyrics and music view in general in this cycle.
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Voice hygiene- natural methods
Krčková, Annemari ; VOTAVOVÁ, Yvona (advisor) ; JONÁŠOVÁ, Jana (referee)
This bachelor thesis summarizes aspects of voice health conceived as a healthy lifestyle with respect to the needs of singers. It focuses on the physical and mental aspects of the matter in several chapters. It mentions the enviroment suitable especially for singers. It highlights the benefits of medicinal foods available in the Czech Republic known as natural antibiotics, and in the end of the thesis is mentioned the topic of holistic medicine.
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Theatre management
Steinbauerová, Michaela ; JONÁŠOVÁ, Jana (advisor) ; HAJÓSSYOVÁ, Magdaléna (referee)
The dissertation work deals with the theory of theatre management and the aspects of managerial work within the artistic field and its own mechanism focusing mainly on the character of vocal singing. This dissertation work furthermore looks into development of the czech theatre field from 1989 until now, defines general role of the theatre and its social purpose. The thesis aims also to describe the figure of a theatre manager and its attributes. The topic is being seen from the managerial point of view and also from the experiences of singers.
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The Songwriting output of Komitas Vardapet
Mkrtchyan, Varine ; MELNIK, Natalija (advisor) ; JONÁŠOVÁ, Jana (referee)
The central theme of this work is the songwriting output of the Armenian composer and intellectual Komitas Vardapet. His difficult life has played an important role in his creative life, which I describe in the first chapter. Komitas Vardapet has become famous as an ethnographer of Armenian folk music, especially songs. In this work, a parallel is made between his being and output through analysis. Thanks to his perfect knowledge of the Armenian language, his dialects, the melody, the history of the nation, and the exquisite feeling, he managed to return the Armenians to their true musical art not only in music but also in words. He has crystallized the unique songs, enticing listeners with their diversity of allegorical texts and deep experience. Some of these songs are thoroughly analyzed in this work.
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LA TRAVIATA ON THE WORLD TOUR WITHIN THE LAST 100 YEARS
Milotová, Eliška ; JONÁŠOVÁ, Jana (advisor) ; HAJÓSSYOVÁ, Magdaléna (referee)
The diploma work is focused on analysis of particular stagings of Verdi´s La traviata that have been assessed independently, without being influenced by other sources (reviews), on the basis ov videorecordings of life performances. These opera performances are compared from singer´s, director´s and staging point of view. All opera versions are sorted out into various parts according to common aspects and then are analysed.
A brief description of Verdi´s work compiled chronologically as well as a historical portfolio of the opera La traviata (its first night both in Venice and in our country) are included.
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Development of coloraturas arias
Havránková, Petra ; JONÁŠOVÁ, Jana (advisor) ; MÁROVÁ, Libuše (referee)
This master thesis entitled "Development of coloraturas arias " is divided into several parts, which branch out into individual sections.
The first part deals with an explanation of basic terms of coloratura and aria, as they are described in encyclopedic dictionaries and encyclopedias. This part is followed by brief formal development of aria throughout ages.
I continue with the historical development of coloratura from the chapter Middle Age through the following era of renaissance and polyphony to the baroque, where I am describing the origins of opera as a dramatic genre. This part is divided into two parts , in which I describe the formation of coloratura aria and recitative and also the birth of other genres in which are coloratura arias widely used. The next chapter is devoted to the phenomenon of the eunuchs, who contributed to the expansion of coloratura arias around the world. The chapters Alessandro Scarlatti, Georg Friedrich Handel and Johann Sebastian Bach, mention their compositional techniques and also examples of work with coloratura and their contribution to the future generations. The following Classicism brings compositional techniques of Wolfgang Amadeus Mozart and his work. The next chapter, the romantic period, is dedicated to "Belcanto composers" Rossini, Bellini and Donizetti, who had contributed to the trend of coloratura techniques. Giuseppe Verdi was the last representative of belcanto era. In the penultimate chapter I write about selected roles that might be suitable for coloratura soprano and in the end I describe my relationship with the soprano voice in coloratura field.
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Design of a commercially successful website and online marketing trends
JONÁŠOVÁ, Jana
The aim of this thesis is to show how to design a commercially successful website and what are the possibilities of its succesive promotion. First a user research and analysis of competition is done and on the basis of this a new website is designed and created. After its implementation this site is then supported by several online marketing tools.
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Jiří Gemrot: Bachmannlieder
Gemrotová, Michaela ; KAUPOVÁ, Helena (advisor) ; JONÁŠOVÁ, Jana (referee)
The author would like to introduce readers to the contemporary composer Jiri Germot. The author focuses on his song collection ?Bachmannlieder? for soprano voice and orchestra. The first part (1) of the work is dedicated to the composer, his life and his journey towards being a composer, plus the different phases of his work and his favourite styles. Due to the lack of existing information about Jiri Germot in literature, the author chose to dedicate the next chapter (2) to interviews with the composer. It was thought to be the best way to introduce readers to the composer`s world and his way of thinking. The third chapter (3) is about the song collection "Bachmannlieder?, about its significance in the reportoire of Jiri Germot, and the definition of it's composition. The last part of the chapter is dedicated to an analysis of the songs and a comparison of "Bachmannlieder? with Jiri Germot`s short composition for piano ?Fünf lirysche Lieder?. The writer Ingeborg Bachmann is closely connected to ?Bachmannlieder? as author of the lyrics. You can read about her in the last chapter (4) of this work. In the attachment you can view the photography of Jiri Germot, both from his youth and recent times, as well as a complete list of his works, which contains also unpublished compositions.
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R. Wagner - Wesendonck Lieder - interpretative view
Morozová, Tamara ; HAJÓSSYOVÁ, Magdaléna (advisor) ; JONÁŠOVÁ, Jana (referee)
In the work of Richard Wagner, which is constituted almost exclusively from
operatic pieces, song cycle "Wesendonck Lieder" is the greatest rarity.
Nevertheless, the cycle of five songs takes honorable place in his work and is
often interpreted. It is particularly interesting that the cycle stands on the
beginning of Wagner's seeking of his mature musical language. We can find all
the elements of his style in these songs, on a much smaller space than we used
to.
The purpose of this thesis is not to describe composer's life escapades or to draw
up a register of his compositions. This thesis aims for explaination of the
circumstances of the cycle creation and show importance of this songs for
Wagner's artistic growth. The main part is devoted to my own interpretative view
of cycle, which was prepared to perform on my bachelor's concert.
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