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Western Music in the Post-1968 Czechoslovakia
Havlík, Adam ; Pullmann, Michal (advisor) ; Rákosník, Jakub (referee)
This paper addresses the peculiar topic of western music in post 1968 Czechoslovakia with emphasis on the official music scene. It shows how western music was actually treated in Czechoslovakian society and how the image of western music was shaped within the public discourse , including many significant ambiguities. It also follows various ways (legal and also illegal) in which ordinary people used to obtain foreign music records in the era of late socialism. An analysis of actual impact of western music on Czechoslovak popular music and the role of institutions within that is also present. This paper could thus be considered as a modest contribution to the social and cultural history of socialist dictatorships.
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"Veksláci" in Socialist Czechoslovakia
Havlík, Adam ; Pullmann, Michal (advisor) ; Michela, Miroslav (referee) ; Roubal, Petr (referee)
This dissertation thesis deals with the notion of "vekslactvi" in socialist Czechoslovakia and with a social group called "vekslaci", which orchestrated illicit trade with foreign currencies, the so called tuzex vouchers, and smuggled consumer goods. The analysis lays emphasis on the daily operations of the "veksláci" and also on the commodities which they traded. From this perspective, "vekslaci" could be treated as a driving force within the Czechoslovak black market. In addition to the basic principles of "veksl", the chapter also presents a certain typology of traffickers and mutual hierarchical links within this specific community. The lifestyle of the "vekslák subculture" is also a subject of historical reconstruction as the thesis seeks to place "veksláci" in the context of the Czechoslovak society before 1989. The thesis also deals with the social and economic circumstances that enabled the birth of a peculiar social group of "vekslaci". Among others, it focuses on the role of the Tuzex hard currency shops, which was introduced in order to sell (mostly imported) consumer goods in exchange for foreign currencies or special vouchers. Attitude of the Czechoslovak state regarding the issue of "veksláctví" is also a subject of analysis. The research focuses on legislation, which gradually...
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Western Music in the Post-1968 Czechoslovakia
Havlík, Adam ; Pullmann, Michal (advisor) ; Rákosník, Jakub (referee)
This paper addresses the peculiar topic of western music in post 1968 Czechoslovakia with emphasis on the official music scene. It shows how western music was actually treated in Czechoslovakian society and how the image of western music was shaped within the public discourse , including many significant ambiguities. It also follows various ways (legal and also illegal) in which ordinary people used to obtain foreign music records in the era of late socialism. An analysis of actual impact of western music on Czechoslovak popular music and the role of institutions within that is also present. This paper could thus be considered as a modest contribution to the social and cultural history of socialist dictatorships.
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Music markets in Czechoslovakia of the 1970s and 1980s
Havlík, Adam ; Rákosník, Jakub (referee) ; Pullmann, Michal (advisor)
Since the communist party seized power in 1948, new culture, the so called socialist realism, was expected to be a form of culture common and imperative to all people in Czechoslovakia. But instead of achieving hegemony, western cultural products such as rock music gained popularity among the people. One of the conditions, which contributed to popularity of western music, was a somewhat ambivalent reception and treatment of this subject. On the one hand, western music was often criticised and publicly condemned. On the other hand, small amount of undistorted information could be found on the pages of the official press - music magazines etc. Possibilities of acquiring records of western rock bands were scarce, for some even impossible. These facts contributed to the emergence of unofficial music markets.
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