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Piano interpretation and modern view of the notation
Gregor, Vít
The writer of this essay has chosen this topic, which is very important for all interpreters. Mostly it is about the view to work with score of piano music, its understanding and successful presentation to audience. The chosen topic requires applying of several methods that writer uses, e.g.: analyses of music script, experiment, confrontation of performance, generalizing of own and foreign experiences, intuition, which is very important for understanding of productions. The essay is divided into three parts. The first one is about the history of music score and work necessity of performer. The writer thinks that music score has a dualistic character. It does not explicitly express, what is needed for a real interpretation. In this part, the write thinks of music score from different views. Interpretative and art connection, the way from the first idea of musician to the ear and soul of listener - that is the point, which connects the whole part. The writer is concerned on questions of interpretative history, interpretative tradition, level of interpretation that are very important for all interpreters. The writer draws basic principles of interpretation from these psychological ways, there is also point out the necessity of theoretical and practical united access. The end of this part is about some...
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Interpretative and pedegogical prehension of Bedřich Smetana's Bagatelles and Impromtus cycle
Walterová, Kateřina ; Tichá, Libuše (advisor) ; Gregor, Vít (referee)
The aim of this diploma thesis is a profound understanding of the compositional intention and interpretation of the piano cycles Bagatelles et Impromtus by Bedřich Smetana. The first part of the thesis focuses on composer's personality and circumstances associated with the origin of this music piece. The second part of the thesis deals with a complex analysis of individual parts of the music cycle and its educational and interpretative grasp. Part of this thesis is an interview with pianist Miroslav Sekera and his view on the interpretation of the work.
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J. S. Bach, Use of his Work during Piano Lessons at Music Schools
Radinová, Monika ; Palkovská, Jana (advisor) ; Gregor, Vít (referee)
This thesis deals with life and work of Johann Sebastian Bach and it is dedicated to these three categories: 1. His life and the main phases of his work 2. His work for stringed keyboard musical instruments 3. The use of Bach's work at Music schools for instructive purposes The aim of this thesis is focused on the work for stringed keyboard musical instruments of Johann Sebastian Bach and their use during lessons for beginning piano performers. This thesis gives piano teachers a choice of music collection for their students which teachers can make a selection especially for them. KEYWORDS Johann Sebastian Bach, stringed keyboard musical instruments, harpsichord, clavichord, polyphony, BWV, preludium, invention, suites, Music schools
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