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Pregón and its impact on the development of ultrasound in the work of Nicolas Guillén.
Grešová, Martina ; Poláková, Dora (advisor) ; Sánchez Fernández, Juan Antonio (referee)
(English) The aim of this thesis was to investigate the relationship between pregoneros, street vendors in Cuba and the Cuban avant-garde poetry of the author Nicolas Guillén. The assumption that both elements have common features was primarily the fact that most street vendors popularity correlates with the end of modernism and the avant-garde beginnings, at the turn of the 19th and 20th century. In the theoretical part, we first focused on the cultural development of Cuban society, which created the basis for the study of music and literature. We found that music was the common denominator in both areas pregones (verses made up of street vendors) and Guillen's poetry. In practical part, we focused on a formal and thematic analysis of pregoners and poems from the collections Sóngoro Cosongo and Motivos de Son. Based on these analyzes we conclude that both elements have in common features of the temporal parallelism and orientation of the Cuban folklore, tradition and black roots, but on their basis we can not confirm a direct impact on Guillen poetry.
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Rhythm, sound and form in the work of art of Nicolás Guillén, Sóngoro Cosongo
Grešová, Martina ; Poláková, Dora (advisor) ; Kazmar, Vít (referee)
(English) Caribbean island of Cuba has enriched the world of sugar, rum, cigars, as well as music, dance and poetry. This is what will be the main topic of the given thesis. The art of the early 20th century has changed the view of the island and its inhabitants to a black man who became the center of attention and was the author and the source of inspiration, whether a black man or a white man. His temperament and culture, tradition and character are all aspects that affect the production of artists who devoted phenomenon called Negro poetry. One of the best-known and most influential, as Negro poet or as he says, mulato poetry is concerned, is undoubtedly, Nicolás Guillén. Man from Cuba, who was not afraid to talk about the race issues, even not afraid to open sensitive subject so as to help Cuba to consider the question of nation and culture. The main theme of the thesis, as the title of the thesis implies, sound, rhythm and format collection Sóngoro Cosongo and her selected poems. We will seek a more comprehensive view of the poems that were synonymous with the 1931 revolution. Gradually, we clarify the origin and intensively devote term as bozal, Negro poetry, son, pregón poetic form and rhythm. In conclusion, we will try analyze poem La canción del Bongo and to find the best sound, rhythmic...
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