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Vyhodnocení vlivu ustájení a způsobu výcviku na chování koní
Drábková, Anna
The aim of the thesis called Assess the Influence of Stabling and Training Methods on Horses’ Behaviour is to assess possible differences in the behaviour of horses stabled in two types of stabling and in three different stables. The observed parameters include feed-water, searching for food and food intake, relaxing, excreting, hair care, exploratory and social behaviour, play, abnormal, sexual and maternal behaviour and training. The type of training and its influence on horses was assessed separately. Observation took place during all seasons and three times a day. The results were at first compared according to different year seasons and then between particular stables. There were small differences in year seasons. In spring searching for food and food intake prevailed, in summer feed-water, in autumn and winter searching for food and food intake as well as exploratory behaviour. Concerning stables differences were observed especially in abnormal, sexual and maternal behaviour. Abnormal behaviour was observed in stable Rubby Ranch most, sexual and maternal behaviour was observed in all stables, but mainly in stable JK Alika. Concerning the influence of training methods on horses’ behaviour worse relations were observed between horses in a more demanding and difficult training, particularly western training. Horses in other types of training had normal relations. These results show that both types of stabling are very good and they allow different ways of behaviour. Generally I would recommend stabling on grassland as it reminds horses their natural habitat. I would also recommend choosing the intensity of training with regard to horses’ abilities not just to the ambitions of the rider or the trainer. It is important not to overstrain horses and push them into extreme performance.
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Voice as an Artwork Challenge
Drábková, Anna ; JANDA ROGLOVÁ, Tereza (advisor) ; RUT, Přemysl (referee)
This thesis clarifies the elementary terminology on the field of the voice and voice disorders, deals with the problem of voice formation and the function of voice-forming organs and addresses the issue of the influence of voice possibilities and its variability on the artworks. The author of the thesis tries to answer the question why the voice quality and option variability is so decisive for her work.
The thesis is divided into three chapters. The first chapter explains the elementary knowledge about voice, the voice-forming organs necessary for voice expression, basic qualities of human voice and its development.
The second chapter outlines the issue of voice disorders. The ones mainly described in detail are those which the author of the thesis is subjected to. These disorders are closely related to the artwork analysed in the third chapter.
The third chapter addresses the way and level of voice influence over the artwork. The voice variability allowing one's self-reflection through various ways is the key topic. Voice options, their use and artwork impact are also discussed.
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Progress of my musical authorical work and interpretation
Drábková, Anna ; JANDA ROGLOVÁ, Tereza (advisor) ; FEITHOVÁ, Irena (referee)
This bachelor thesis deals with questions of composing and interpreting a song, authorship in different music bands, relationships between the author and interpret, inspirations and different angles of interpretation.
It is divided into four chapters. The first three chapters deal with the need to express oneself by writing songs and what drives me to create songs since childhood.
In the fourth chapter, I deal with the creation of songs, particularly with different styles and types. The next passage focuses on a deep analysis of my engagement as an author and how have I transformed as an author through a span of time. Then I deal with different song arrangements and their interpretations, how do they change over time. I look into possible experiments with songs as well. Finally, I deal with some problems of authorship and the extent of the author´s engagement in the process of work in different music bands, questions of different interpretations of songs, questions that regard the artist who is the author at the same time, and relationship to the audience. The last section of the thesis contemplates my concept of an imaginary viewer.
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