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The Zigzag line in the other dimension
Oraský, Jan ; Trajkov, Ivo (advisor) ; Čihák, Martin (referee)
The main inspiration of my work is the essay, The Zigzag line, Jeremy Adler, which is interested in the curves like aesthetic value. I have also chosen the theoretical study of Professor Josef Valušiak. His publication is the inspiration for my idea about artistic value of curves. I think that the zigzag line is everywhere around us and these lines influence our opinion and feeling of this world. I want to find equivalence relation between zigzag lines and film.
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Work with Time - Time of Work
Špidla, Šimon ; Čihák, Martin (advisor) ; Daňhel, Jan (referee)
This work concerns the issue of deconstruction of time on its way through a lens, editing room and screening room and its reconstruction in proces of imagination. First capture tries to describe problem of cotinuous and discontinuous character of universe. Next chapters are focused on transformation of time in proces of filmmakeing and its perception in point of viev of filmmaker.
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The spirit of the beehive, amid history, movie and dream
Toupalová, Kristýna ; Čihák, Martin (advisor) ; Daňhel, Jan (referee)
Este texto trata de la película El espíritu de la colmena (Victor Erice, 1973) que se considera una de las mejores películas del cine espa?ol, pero, en la República Checa no es casi conocida, aquí ni existe literatura sobre ella, por lo tanto, este trabajo lleva traducciones de los textos interesantes escritos sobre ella en Espa?a. Consta de tres partes. La primera parte se ocupa detalladamente por los títulos de crédito de la película, describe su importancia para todo el relato fílmico. La segunda parte menciona los grandes cambios en el guión literal antes de empezar a rodar la película y su influencia a toda la película. La tercera parte (la más extensa) es el análisis formal y argumental de El Espíritu de la colmena. Describe el modo de trato de los personajes que conlleva el modo de trato de las relaciones espacio-temporales, describe cómo el ambiente de la postguerra está hecho de ausencias de los hechos históricos ? cómo se muestra la historia vista por un ni?o y al final cómo son las metáforas utilizadas. Uno de sus objetivos es investigar cómo se forma un mundo de una ni?a peque?a y cómo es posible que sea tan verosímil para el espectador.
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Film language and film on the frontier of language
Brothánek, Adam ; Daňhel, Jan (advisor) ; Čihák, Martin (referee)
This text deals with questions about film as language system according to editing profess. In the first part are basics of language system explained. It illustrates application of linguistic discipline in film theory and practises, which is demonstrated with creative concepts of Griffith and Eisenstein. In the following it summarizes findings of film structuralism as predominant discursus in film theory and clears up questions of film grammar. Second part of the work demarcates against linguistic theories of cinema, connected mostly with fiction, narrative cinematography, and tries to point out specifically cinematographic instruments which documents with non-conventional creative approaches to film media.
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Split Screen
Peml, Jan ; Čihák, Martin (advisor) ; Dolenský, Martin (referee)
Using of more than one picture on screen opens new possibilities of film editing. I was suprised, that there is no literature attended on split screen technology in Czech language. So I decided to give consideration to the problem of split screen at my Batchelor theoretical work. I would like to focus on specification of using this technique and some crags of it. I built some examples of practical situations and I indicate differences between classical and split screen editing on them. I propose concept of split screen film making from preparing to post production as well.
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Early Video Art:
Brabcová, Evženie ; Mazanec, Martin (advisor) ; Čihák, Martin (referee)
The aim of my thesis is to describe the early period of video art, which creates a relationship between an artist and video technology on the one hand and on the other hand establishes a specific artistic expression through this kind of technology. Examples of early conceptual video works of Joan Jonas, Bruce Naumann, Shigeko Kubota, Steve Partridge and Charlemagne Palestine demonstrate different attitudes and techniques of video art practice. I have focused on the relationship between the languageof video and its technological background. Using the work based on the real time imagining. I have suggested that technology determinates the time and space of the video piece. I have also considered the influence of art movements of 60´s and 70´s and their impact on the language of videoart
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