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National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Carlo Goldoni and Carlo Gozzi: Controversy about Theater
 Koryntová, Barbora ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The subject of this thesis is the controversy about theatre between Carlo Goldoni and Carlo Gozzi. The introductory part is directed at their biography with an emphasis on the key moments of their life. The following part closely analyses their controversy with reference to their opinions which they wrote about in their polemic works. The last part is devoted to their polemic oppositions and how they put them to practice. Key words: Italian theatre, commedia dell'arte, Carlo Gozzi, Carlo Goldoni
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Romantic movies and the women's vision of partnership
 Koryntová, Barbora ; Reifová, Irena (advisor) ; Bednařík, Petr (referee)
The diploma thesis Romantic Movies and the Women's Vision of Partnership describes and discusses a study of two generations of women - mothers and their daughters - who watch this genre. Feminist film criticism theory, of which Laura Mulvey is considered to be the main representative, was selected as the foundation for this research. The aim of the research is to determine how the reception of romantic comedies helps to shape conceptions regarding intimate relationships for mothers and for their daughters. The qualitative method has been chosen as a relevant method for providing answers to the questions posed; meanwhile data is collected using semi-structured interviews. The subsequent analysis will primarily be based upon grounded theory, which shows itself to be the most appropriate method for producing the conclusion for this study.
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Carlo Goldoni and Carlo Gozzi: Controversy about Theater
 Koryntová, Barbora ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The subject of this thesis is the controversy about theatre between Carlo Goldoni and Carlo Gozzi. The introductory part is directed at their biography with an emphasis on the key moments of their life. The following part closely analyses their controversy with reference to their opinions which they wrote about in their polemic works. The last part is devoted to their polemic oppositions and how they put them to practice. Key words: Italian theatre, commedia dell'arte, Carlo Gozzi, Carlo Goldoni
Detailed record

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