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The Imperial Society of Teachers of Dancing
Smělá, Barbora ; KŘENKOVÁ, Mahulena (advisor) ; JANEČEK, Václav (referee)
In my thesis I am giving a description of an Imperial Society of Teachers
of Dancing (later only ISTD). ISTD is an international board based in London. Its main purpose is to teach dancers and teachers of dance from around the world.
I am describing its history, options of membership, types of examinations and particular faculties. An education of ISTD is divided into twelve faculties
of dance: Tap Dance, National Dance, Modern Theatre, Classical Greek, Classical Indian Dance, Modern Ballroom, Latin American, Sequence, Disco, Freestyle
& Rock?n?Roll, Club Dance, Cecchetti Classical Ballet and Imperial Ballet. Considering that I am studying the classical dance I have decided to focus on the faculty of Imperial Ballet. I am depicting syllabuses of all periods of examinations and expertises on ISTD.
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The work of artistic director in the folklore ensemble
Škubalová, Tereza ; NĚMEČKOVÁ, Elvíra (advisor) ; FRIČOVÁ, Marie (referee)
My thesis is focused on the role of artistic director in the folklore ensemble. My chosen region is Moravian Slovakia and Wallachia. It summarizes results of work of the artistic director, which were obtained from available literature and my own experience. It describes formation of folklore groups and their role in modern society. Thesis includes an analysis of artistic director´s work from the perspective of different points of view and characterizes his personality. It also deals with education, artsleaders. The last part practicaly desribes creation of the new choreography.
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Merce Cunningham and his Technique
Turková, Hana ; KUBICOVÁ, Ivanka (advisor) ; DIATTA-REBCOVÁ, Monika (referee)
This thesis approaches the personal life, artistic creation and dance technique of American dancer and choreographer Mercier Philip Cunningham. The first part focuses on the artist?s life stages during his evolution in dance from the beginnings of his choreographic work, and seeks the origins for the establishment of his own dance company ? Merce Cunningham Dance Company. A chronological overview of his extensive repertoire is also incorporated. The second part deals with collaboration, connection and interaction among the dance, music, design and film fields during the artistic work of Merce Cunningham. Following the author?s experience with Cunningham technique, the final part is directed to an understanding of this dance technique, its principles and specific elements used in contemporary dance world.
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Nudity in dance
Kršiak, Pavol ; GREMLICOVÁ, Dorota (advisor) ; TRPIŠOVSKÝ, Lukáš (referee)
In his thesis the author is reflecting subject (theme) of Nudity/nakedness in dance. The thesis is divided in six chapters. The first chapter is concerned with the term nudity/nakedness in general. The second chapter moves to the concept of nudity/nakedness in a short summary of historical context. This chapter is divided in seven sub-chapters, due to historical period or region. Third chapter is about nudity/nakedness in a dance art. Then summary of main topic follows, where the author tries to define different ways of using nudity/nakedness in dance art, when using several examples from dance history. The thesis also includes interviews with dance artists from the Czech republic and Slovakia. Intention of the thesis is to bring closer the phenomenon of nudity/nakedness in dance as a controversial theme.
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Boarding houses and its usage for students of dance conservatories
Šimůnková, Lucie ; SCHUBERTOVÁ, Erika (advisor) ; KŘENKOVÁ, Mahulena (referee)
This bachelor´s thesis describes which accommodation options are offered by chosen Prague dance conservatories to their commuting students. The first theoretical part of the thesis introduces the structure of the Czech educational system where the conservatories for eight years (from the educational institutions) are closely analysed and the boarding houses (from the educational facilities) as well. Also, there are characteristics of the development period of adolescence which is the age of the conservatories´ students.
The second practical part analyses the results of the research work which was done by using questionnaires for students not living in Prague, visiting two chosen schools -The Prague Dance Centre and The Conservatory of the capital of Prague. The processed information was used for the verification of the assigned hypothesis and for getting a more compact view on the extremely demanding life period of commuting students.
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History of the Turkish Ballet and Contemporary Dance
Adiguzel, Belgi ; GREMLICOVÁ, Dorota (advisor) ; Bulínová, Karolína (referee)
My thesis is based on dance art and its current situation in Turkey. In my work I begin to
analise the history of dance in Turkey from the Ottoman era, followed by the process and
repertoire of the state ballet companies, independent foundations and contemporary dance
companies. Except the institutional history, I also mention some of the Turkish choreographers
who changed the course of developement of dance in Turkey.
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Dance Art in the cultural Politics of the Czech Republic
Štindlová, Eliška ; KAZÁROVÁ, Helena (advisor) ; Burešová, Lucie (referee)
This master thesis is primarily aimed at the problematic of cultural politics of the Czech Republic. The main research topic is not only the politics in culture, but also the legislative document of the State Culture Politics of the Czech Republic. The main object of this work is the determination and distinction of the support in the field of dance art in the Czech Republic. An important part is made of historic contexts, definitions of present terms connected to the politics in culture and insight into the problematic of dance support in the UNESCO and in the EU. There is the main emphasis on grant politics of separate regions with consideration to the dance support of the Czech Republic in this work. The graphical sketch of the personal changes in the Ministry of Culture is also part of the thesis. There are also chapters enabling insight into the problematic connected to the culture and creative industries, which take part of culture politics of many countries.
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