|
|
Comparison of the economic Operation of the Gymnasium of Jan neruda and the Music School of Prague
Králová, Tereza ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The main points of my work are parts about the economic operation of Gymnasium of Jan Neruda and The Music School of Prague and about their cooperation.
First I had to introduce the historic background of the participating schools and then I could focus on my main theme Comparison of the economic operation of the Gymnasium of Jan Neruda and the Music school of Prague.
The last chapter which is about the comparison of the study on the music gymnasium and music conservatories in Czech Republic is just the last curiosity about the music classes of Gymnasium of Jan Neruda.
During this year the music classes of the gymnasium of Jan Neruda and the Music School of Prague changes into the new institution Gymnasium and the Music School of Prague.
Even though is the Gymnasium and the Music School of Prague still rare in Czech education system we do not have any reason to expect the fall of this institution.
|
|
|
Contemporary education of harpsichord playing
Žďárská, Petra ; MRÁZKOVÁ, Giedre (advisor) ; SPURNÝ, Vojtěch (referee)
My master´s thesis which is called Contemporary education of harpsichord playing speaks about current state of education of harpsichord at school system and harpsichord education materials.
The first chapter is an overview of the situation at music schools in Czech Republic and other countries.
The second chapter deals relationship between modern education materials and historical treatises.
Next chapters are describing modern methods for harpsichord: 1. Methods for small children, 2. Methods for pupils who played before the other instruments,
3. Methods for advanced students. I added also chapter about modern piano methods, which are usually preferred in Czech Republic and it is possible to use them for harpsichord education.
The final chapter is focused on the other materials for harpsichord education like scales, exercises, basso continuo and contemporary music.
|
|
|
The Internet as the marketing and Public Relations tools in classical music
Straková, Martina ; RADOK ŽÁDNÁ, Ingeborg (advisor) ; ŠTILEC, Jiří (referee)
I have chosen the above mentioned theme of my Master's Thesis not only with respect to my professional management activities but also due to my personal interest in issues of modern technologies affecting all of the areas of personal and work life.
The purpose of diploma thesis is not only to elaborate the summary of tools already applied in the Internet environment for use of marketing and Public Relations classical music but also the summary of new and emerging tools that could be applied for such use but have not yet been applied in classical music.
Generally, this thesis deals with the chosen theme at user level and describes current applicable means available at the Internet with regard to possible use for institutions functioning in clasical music. It summarizes obtained data on current and emerging technologies and provides a comprehensive and user-friendly survey of given issues.
|
|
|
EL SISTEMA-INSPIRED PROJECTS AND POSSIBILITIES OF IMPLEMENTATION OF A SIMILAR PROJECT IN THE CZECH REPUBLIC
Režová, Markéta ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The present paper is based on the Bachelor Thesis El Sistema ? A Unique Music Education System in Venezuela by the same author, 2010, and it brings the provided information up to date and expands it by adding sections on El Sistema-inspired projects and on Possibilities of implementation of a similar project in the Czech Republic. The second section provides a comprehensive view of how the project spread worldwide and describes the main trends in three practical examples from Great Britain, Argentina and Germany. The third section deals with the baseline situation in the Czech Republic, the position of the non-profit sector, competitive environment and the possibilities of financing a similar project in the Czech Republic.
The Diploma Thesis, parting from accesible sources and own experience, is aspiring to be a theoretical ground for comparative studies and thinking, as well as for the possible implementation of a similar project in the Czech Republic.
|
|
|
Application of some psychological Principles for the Purpose of reaching Increase in Effectivenes of violin Practice
Pustějovský, Ondřej ; ŠTRAUS, Ivan (advisor) ; PAZDERA, Jindřich (referee)
This thesis has the main purpose to enhance some psychological principles (possibly strategies) for making violin practice more effective.
The following mental elements of violin performance training are involved in all chapters: focusing and turning one´s attention, intentionality, discipline.
The main chapters are named: Divergent thinking, Planning, Memory, Focus of attention in the context of coordination.
Practical examples as well as illustrations are also involved ? right in the text.
Origin of some quotations is comprehensible from the context. The others reference the source below mentioned right on the equal pages.
Author adresses the involved ideas to students, alternatively professional violinists as well as to violin pedagogues.
|
|
|
Alexander Technique and ¨possibilities its use in teaching and interpretation
Tanaka, Yasuko ; REJLEK, Vladimír (advisor) ; ROUČEK, Jaroslav (referee)
This text explains about Alexander technique and how to use it in our life not only with music, which includes Alexander's live, his researches, discoveries, system of moving with a point of physiology, which he found out by himself in his era. Text also contains effects for musicians and exercises, which is for all clients from beginners till advanced.
A valuable source of information about Alexander technique is literal works by Alexander himself and his pupils, mainly my own experiences of a writer and knowledges of her teacher Shihoko Finda.
|
|
| |
|
|
Flute in the works by JOHANN SEBASTIAN BACH
Jakubcová, Anna ; PIVODA, Radomír (advisor) ; VÁLEK, Jiří (referee)
This bachelor.s thesis speaks about works by Johann Sebastian Bach, in which we can find a flute score. It should be a summary . it is necessary to mention the cantatas, masses, brandenburg concertos and also very important flute sonatas. We also talk about works, which are not authentic, but which were for a long time played under Bach?Ls name. I also put the transcriptions into the list, which are now played on the flute (for example Six Suites for Unaccompanied Cello Suites BWV 1007-12). This thesis should make easier to find information about these works. Because of the chronological list we can find out the origin and the purpose of the work. Details can be found in certain chapters. You can also find a chapter about Helmuth Rilling and his point of view.
|
|
| |
|
| |
guest ::
