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Motivation at the Piano
Németh Čabalová, Ivana ; MALÝ, František (advisor) ; LEICHNER, Emil (referee)
The aim of this thesis was to analyse the process of the motivation related to the artistic activitie, specifically the piano in all its breadth. Introduction of this thesis is devoted to pure motives that led to deal with this issue. The ending of this thesis is conceptually the same as the introduction and it has the space for the author's personal contribution and feelings that have become the core for all the work, without which the topic of this work certainly would not arouse the author's attention and would not become the topic. The work is clearly built in two sections.
The first is theoretical, which aims to build a clear view of all important psychological terms that are related to motivation, and without these the work would be hardly uniform and would not show a view to sort out the issue. More details define motivation terminology, explain the differences between categories, which could easily blend into confusion, and attempt to systematize the entire hierarchy of used definitions. In the second part there is the issue of motivation applied exclusively to piano as a single level. The proceed is clear, from chapters about young children and their understanding ability, to chapters about adult pianists and individuals in any role related to the piano, just who has an active attitude to the instrument.
The second part aims at a comprehensive insight on the development of artistic personality, whether professional
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Sergei Prokofiev (piano Compositions)
Ožana, Petr ; KASÍK, Martin (advisor) ; VLASÁKOVÁ, Alena (referee)
The base of this work is analysis of Prokofiev´s piano compositions. It isn´t a scientific work. It´s rather analysis of form, melody and harmony in context with his others piano works. At chapter about surroundings dislocation generation of piano concertos I am based on the author´s testation a with him I try to find his ideas right in this work. Also I introduce the poem wich is inspired by the conceptus of this work, was written by poet Balmont. At the last chapter I tout about a view on Prokofiev like friend pianist, colleague, composer by the eyes his contemporaries both his students and teachers, colleagues, pianist, friends but aswell his enemy. TZhe greatest personalities like Neuhaus, Rostropovich, Oistrach remember him. Life´s facts I touch very too little with regard to quantity indeed more far specialist literature.
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A. N. SCRIABIN: PIANO ETUDES
Erlebachová, Marie ; MALÝ, František (advisor) ; LEICHNER, Emil (referee)
This thesis focuses on the personality of Alexander Nikolayevich Scriabin and his piano etudes, which are a source of technical skills for the study of the artist's other works. The main scope of work is to include all aspects that can assist the artist or piano lecturer in their study, ie. Etudes inclusion in the context of the composer's life and his entire piano works, profiling etudes by technical demands on performers, individual characteristics etudes and last but not least, formal analysis and interpretation of the author's etudes. Finally, work is a summary of general features that are common to all etudes and an outline of the author's musical development, which in the course of writing etudes passed.
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Sergei Prokofiev´s seventh piano Sonata
Tichá, Pavla ; KRAJNÝ, Boris (advisor) ; Bartoš, Jan (referee)
Piano work is one of the main pillars of composer work of Sergei Prokofiev. There is reflected his close relationship to the piano as an instrument with broad expressive and technical possibilities, with a great tradition, and his rich experience of the artist, who had understanding in great detail the problems of piano playing and its expressive and technical possibilities. All that is connecting with a distinctive musical style and genuine compositional inventiveness. Prokofiev´a work includes a whole range of genres areas: ballet, opera, symphony, and above all - a large area of piano music. Prokofiev compositional style is manifested by five basic lines: innovative, classical, lyrical, toccata, grotesque. All go through his whole work, but their share is changing in different periods and different songs. Development and transformation of his style during his life were affected by artistic and social factors, the important role played his decision to stay abroad for a longer time and then to return to Russia again. One of the top of Prokofiev´a piano works, Seventh Piano Sonata, reflects all these facts. There are manifested all his style lines. It is a work of extraordinary conceptually rich. The key to its convincing interpretation is understanding of its score and the author´s intent in light of all the above. The aim of this thesis is to show all these influences and context and to highlight their importance for a deeper understanding of the work.
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Prepared Piano
Žigmundová, Adriana ; MALÝ, František (advisor) ; TOPERCZER, Peter (referee)
The object of this work is not only the prepared piano itself. The main content became an adjustment of the modern piano in the context of the time when this unusual instrument was invented. The most important benefit is the sound characteristics of the modified strings inside the piano. A prepared piano is one of several results, to liberate music from the shackles of conventionality. The aim of this thesis is a description of prepared piano as an instrument. An essential part is the development of the piano from prehistoric times to the present and insight into the evolution of music in the 20th century. Attention is also paid to inventor of prepared piano - John Cage. Chapter, named after one of the biggest american composers of the 20th century, is trying to explain the composer´s compositional technique and his progressive thinking and to adequately and comprehensively encompass the idea of the prepared piano. In the end, this work is the intention to map the literature that was written for prepared piano.
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Professional Diseases of Pianists with Specialization in Prevention
Hasmanová, Adéla ; MALÝ, František (advisor) ; BILINSKÁ, Kvitoslava (referee)
Play on piano is one-sided movement activity. During this activity is burned our upper body mainly our arms. During overworking of particular part can happen disease of playing apparatus. Aim of this work is to map the most common diseases for pianist, to find out symptoms and causations and mainly to find out more about prevention. Also this work is providing information from anatomy, which is necessary to know for pianist affected by professional disease.
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Martina Maixnerová - Teacher and concert Artist
Pelcová, Zuzana ; BILINSKÁ, Kvitoslava (advisor) ; KRAJNÝ, Boris (referee)
The subject of this thesis is the outstanding personality of the teacher and pianist Martina Maixnerová , which was neglected due to her emigration. We discuss her life story, concert performances and educational success. We will also mention the personality of a significant violinist Pavel Prantl, who become her life partner, both in private and in professional life.
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Chamber Music for Voice, Clarinet and Piano.
Pospíšilová, Eliška ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The introduction is justified by the choice of thesis topic.
The aim is to present chamber music for voice, clarinet and piano and additional chapter to present works for voice, clarinet, piano and other instruments.
The work consists of an introduction, main chapters, additional chapters and the conclusion.
This work formed a brief overview of chamber works and their authors that were written in a composition for voice, clarinet and piano. There are some plot mentioned songs.
The main chapters are listed:
1. soprano, mezzo-soprano, alto, tenor, baritone, bass, and their various combinations,
2. clarinet in B and in A, basset horn, bass clarinet.
3. piano.
The additional chapters are used other tools such as strings, woodwinds, percussion, narrator, actor, electro-acoustic instruments.
In the end, I evaluate my work and I thought of her course.
Trying to convince readers and audiences.
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Music Performance Anxiety and Its Prevention in the Education System
Stevanović, Ena ; KRAJNÝ, Boris (advisor) ; KLÁNSKÝ, Ivan (referee)
Music Performance Anxiety (MPA) is a specific type of anxiety that appears in musicians when they are called to perform in front of others. Mayor causes of MPA are competitive nature of this profession, desire to reach perfection in interpretation, presence of critics and the audience and strong need to control those mental functions that are affected the most by stage fright (such as memory, concentration and muscle coordination). Many authors believe that cognitive factors are the most important for explaination of MPA, especially negative automatic thoughts that appear shortly before the performance. Those dysfunctional thoughts are deforming reality. They are emotionally disturbing and they are affecting performance artistic value. The most effective solutions for this problem are psychological treatment and counceling (identification of emotions and thoughts) and short-term and long-term practicing organization. Education system emphasizes importance of correct ways of memorizing and development of notions and music conception.
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