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Obnova klášterních zahrad
Makovská, Kateřina
The thesis aims at creating a restoration study of the Rajhrad Abbey monastery gardens. To create the most valuable design, values and conflicts were established in the region as well as opportunities and risks. After a stay in the monastery, author got to know monks everyday life and gained a more complete overview of the demands and needs of the Benedictines on the premises. The aim is to create a harmonious functioning self-sustaining space, filled with features and variability. The space in which monks will be able to spend the time praying and working while visitors will relax and open their souls. The combination of material and spiritual world reaches its peak here. The design respects genius loci eminently, in the areas where it was kept. In places where their identity was changed by inappropriate intervention, the author tries to bring back or restore original values. Analysis confirmed the uniqueness of the place and its importance. The design then works with synchronization and harmonization of content in space and their overall interconnection and harmony. Several very different areas conceal number of quite varying potentials and contents. Thus, the same amount of different approaches to the solution. Historical values and compositional elements are maintained and respected. A major theme is the restoration of the original Santini's entry, which completely changes visitor's perception of the space. The place full of meditation, prayer, relaxation, peace and tranquility will certainly find its place in today's stress-filled time. Location near the city of Brno is perfect for weekend tourists who leave behind the hustle and confusion of big city and working duties. This object is sure to be highly demanded and rated tourist destination and beloved home to religious monks. More than half of authors focus, space and beauty of the abbey is dedicated to them. Their life, enthusiasm for independence of the monastery and herbs ware one of the engines the thesis was driven by.
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Symbolism of Russian Orthodoxy
KORNOVÁ, Zuzana
The Bachelor thesis portraits one of the most widespread religion in the world Orthodoxy. It focuses on selected symbols of the Orthodox Church traditions, especially on the liturgical feasts, icons and the eastern form of the Christian cross. It also mentions the historical development of religion in Russia. The thesis includes photographs and period images.
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Organization of I. national Spartakiad in Czechoslovakai in 1955, its importance and symbolism for Communist regime
Koubová, Jana ; Szobi, Pavel (advisor) ; Fabianková, Klára (referee)
The thesis deals with the way the organization, meaning and symbolism I. Spartakiad held in 1955 in Czechoslovakia for the communist regime. In the introduction deals with political, economic, social and cultural situation after the World War II in Czechoslovakia. Then the thesis deals with the field of physical education and sport. It deals with the process of the unification of physical education in the interests of the communist party and its effects on the arrangement I. Spartakiad. A key issue is the demonstration of abuse traditions sports in Czechoslovakia, abuse Sokol festivals in order Spartakiad in terms of their organization and eventually themselves abuse masses protruding trainees. All this also presented an example of gymnastic songs, during which trainees through movements of their bodies to express a clear link to the communist symbolism.
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Federico García Lorca: Blood Wedding
Růžičková, Eva ; ZÁBRODSKÁ, Dana (advisor) ; VOHLÍDALOVÁ, Ivana (referee)
The thesis it´s about theatre play Blood Wedding written by spanish author F. G. Lorca. In first theoretical part I briefly concentrate on author, his life and his life´s work. Than I analyze drama Blood Wedding with focus of symbols and metaphors, which are dominated in the play of Lorca. At the end of theoretical part I choose three performances of Blood Wedding from three different directors. I describe them and complete them with fotos from performances. In a practical part of my thesis I analyze all dramatical characters and give description and explication of their costumes, which I use.
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Ancient motifs in the world of the last Rosenbergs
KINDLMANN, Petr
The diploma thesis deals with the forms of self-representation of the last Rosenbergs. They were using the representations to support their political positions. The paper is based on a study of the panegyrics and symbolic decorations of the Rosenbergs' castles that were used to present the virtues of the Renaissance nobleman. The study analyzes Roman motifs of the Rosenbergs' propaganda. It tries to capture the views of particular individuals on selected ancient motifs from representation of the Rosenbergs. Ancient exempla presented the Rosenbergs by using the language of symbolic communication as Christian knights.
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Czech Gothic art and its importance for human development
ŠTOCHL, Michal
This bachelor thesis describes fine Arts in the czech lands during the gothic period. It represents the evolution of this art and to point out the possible development of personality through art. The first chapter focuses on the historical events in gothic in the czech lands. The second chapter deals with the actual art and refers to the inner world of artists and the rest of the population. The third chapter describes the development of art in the czech lands. It represents a large number of generated sites and gives rise to their historical context. The fourth and final chapter points to the importance of art education for children and interpretation of symbolic values.
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Design and emplacement of a sculpture in the landscape
ŠINDELÁŘOVÁ, Barbara
This thesis is focused to the ideal concept, design, implementation and em-placement of a sculpture in the respective area, designed in a deeper context of the work itself to its surroundings, its history and specific local character. To solve the emplacement of the sculpture, a scenic park surrounding the Castle at Štěkeň (South-West Bohemia) has been chosen. The design respects fully not only scenic dominants, but also neighboring architecture and vistas directly in the respective locality. A full appeal of the art work is enabled by applying convenient material re-specting its milieu and the sculpture theme itself as well. Also the onlooker´s position toward the sculpture proportions and its comprehensibility and readability has been taken in consideration. The theme and concept of the sculpture is closely connected to the Christian Or-der ?Congregatio Jesu? settled directly in the facilities of the Štěkeň Castle and related first of all to Mary Ward, its founder and to her first community of ?English Virgins? as well. A component part of this thesis is formed by a secondary pedagogic project ? a workhop meeting for children, convened in autumn 2010 directly to the Štěkeň Castle premises. It dealt with the human being´s relation to the landscape. This thesis focused to the relation between an art work and the surrounding sce-nery is concerned also to spiritual creativity from the point of view of actual cultural-social neediness respecting also the application and readability of Christian symbolism in respect to actual cultural experience.
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Psychology and symbolism of colours
ZVĚŘINOVÁ, Iva
The Bachelor study entitled ?Psychology and symbolism of colours? addresses the symbolic significance of colours in life, in terms of development and particularly cultural differences. The theoretical part of the study provides evidence of the importance of colours in terms of the historical development of traditional cultures and their views on perception; individual chapters are devoted to the physiological and psychological effects of colours on the human organism. The final theoretical part of the study includes methods of using these findings, as currently used in psychology and diagnostics. The practical part analyses the importance of the application of colours in the interiors and gives examples of how to work with colours in the interiors of schools, means of transport, art and advertising.
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Touches
TŘEŠKOVÁ, Marie
The practical part of diploma work consist of five figurative paintings, medium and bigger sized, made with acrylic colors on the canvas. The whole painting set is called `` Touches{\crqq}. The reflection principle goes trough the entire work and is also the name of subtitle. The reflection is important in a symbolic sense while choosing particular motives and colorful paintings. The work is inspired by the book Golden age written by Czech contemporaneous author Michal Ajvaz. In written section of diploma work the reader gets better idea about the work and each motif as well. There is a description of artistic aims, symbolic, colorness, painting techniques and used material.
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